Decolonizing Architecture Art Residency

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Short description: Architectural studio in Beit Sahour, West Bank


Decolonizing Architecture Art Residency (DAAR) is an architectural studio, collective of architects and a residency program based in Beit Sahour, Palestine. DAAR was established to work on complex architectural problems in a region with strongly conflicting political forces,[1] and is related to the Decolonizing Architecture Art Research collective.[2]

Description

DAAR's work combines spatial interventions, theoretical writings and collective learning. It is dedicated to architectural experimentations on the reuse and transformation of colonial architecture, settlements, military bases, and empty villages, primarily in Palestine. "DAAR’s practice is centred on one of the most difficult dilemmas of political practice: how to act both propositionally and critically within an environment in which the political force field is so dramatically distorted."[3]

History

DAAR was founded in 2007[4] in Beit Sahour by Alessandro Petti, Sandi Hilal and Eyal Weizman. Its ideas that have been developed and disseminated throughout the region and abroad via exhibitions, seminars, videos and publications.[5][6][7] Dozens of local and international architects and a number of Artists, film makers and activists work with DAAR.[8][9]

Projects

DAAR worked on a project titled Refugee Heritage, that engaged directly with UNESCO to nominate the Dheisheh Refugee Camp in the Wast Bank to be become a World Heritage Site. The project critically engaged with heritage as a concept.[10]

In 2010 DAAR asked the lawyer Ghiath Nasser to file a petition in the Israeli courts to allow the width of the line partitioning Palestine to be a site for a new 'borderline state'.[11]

Awards

In 2010, the Institute was honoured with a Prince Claus Award.[12] The jury rewards its work

"for introducing a non-traditional approach to development in conflict and post-conflict situations, for providing valuable speculation on the future realities of disputed territories, for its critical challenge to outdated urban planning theories based on a more peaceful world, and for highlighting the role of architecture highlighting the role of architecture and visualisation in creating and altering the frontiers of reality."[7]

DAAR received Foundation for Arts Initiatives (FfAI) grants in 2010, 2012, 2014, and 2015.[13]

DAAR was nominated for the Curry Stone Design Price, the Anni and Heinrich Sussmann Artist Award, the New school's Vera List Center Prize for Art and Politics, and the Chrnikov Prize.[14]

Co-founder, Alessandro Petti, received a 2016 Keith Haring Fellowship in Art and Activism at Bard College.[15][16]

Exhibitions

DAAR projects have been published and exhibited at the Venice Biennale, Home Works in Beirut, the Istanbul Biennial, the Bozar in Brussels, NGBK in Berlin, Sharjah Biennale,[17] the Architecture Biennale Rotterdam, Architekturforum Tirol in Innsbruck, the Tate in London,[18] the Oslo Triennial, the Pompidou Centre in Paris.

On January 27, 2012, DAAR exhibited at the Nottingham Contemporary Gallery. The exhibition was entitled ‘Common assembly’, and the "focal point of the exhibition is a large suspended staircase, representing a section at 1:1 scale where the lawless line cuts straight through the derelict Palestinian parliament building in Jerusalem"[19] The parliament building is on both Israeli and Palestinian territory, causing the legal status of the building to be unknown. DAAR's 'Common assembly' questions the thickness or a border line and suggests that the line itself is an extraterritorial zone.[citation needed]

Teaching

DAAR's members have taught lectured and published internationally including a term as guest professors at the Berlage Institute,[20] Bir Zeit University, Bard-Al Quds, and Goldsmiths.[citation needed]

Alessandro Petti is currently Professor in Architecture and Social justice at the Royal Institute of Art in Stockholm.[21]

Book

In 2013, DAAR published 'Architecture after Revolution' with the Berlin-based publisher Strenberg Press.[22]

According to Strenberg, the authors present a series of provocative projects that try to imagine "the morning after revolution."[5]

References

  1. ↑ Petti, Alessandro; Hilal, Sandi; Weizman, Eyal (2013) (in en). Architecture After Revolution. Sternberg Press. ISBN 9783943365795. https://books.google.com/books?id=p9vnJLh9cu4C&q=Decolonizing+Architecture+Art+Residency. 
  2. ↑ "About" (in en-US). 2008-04-11. http://www.decolonizing.ps/site/about/. 
  3. ↑ "Daar - Decolonizing Architecture" (in en-GB). 2013-09-09. https://www.antiatlas.net/daar-decolonizing-architecture-en/. 
  4. ↑ Bidoun. "Decolonizing Architecture" (in en). https://www.bidoun.org/articles/decolonizing-architecture. 
  5. ↑ 5.0 5.1 "Sternberg Press – Sandi Hilal, Alessandro Petti, Eyal Weizman". http://www.sternberg-press.com/?pageId=1480. Retrieved 29 November 2015. 
  6. ↑ Los Angeles Times – Culture Monster (25 January 2011) Top REDCAT curator leaving for post at Walker Art Center in Minneapolis
  7. ↑ 7.0 7.1 Prins Claus Fonds (2010) profile
  8. ↑ Decolonizing Architecture institute, participants
  9. ↑ Ozler, Levent (22 November 2010) Decolonizing Architecture
  10. ↑ Hochberg, Gil (2020-05-01). "From Heritage to Refugee Heritage". Comparative Studies of South Asia, Africa and the Middle East 40 (1): 43–50. doi:10.1215/1089201x-8186027. ISSN 1089-201X. http://dx.doi.org/10.1215/1089201x-8186027. 
  11. ↑ Hilal, S.; Petti, A.; Weizman, E.; Perugini, N. (2013-09-01). "The lawless line". London Review of International Law 1 (1): 201–209. doi:10.1093/lril/lrt011. ISSN 2050-6325. http://dx.doi.org/10.1093/lril/lrt011. 
  12. ↑ "Prince Claus Fund – Network". http://www.princeclausfund.org/en/network/decolonizing.html. Retrieved 29 November 2015. 
  13. ↑ "Grant History – Foundation for Arts Initiatives". https://ffaiarts.net/grant-history/. 
  14. ↑ "Iakov Chernikhovs Architecture Prize 2010 Top Ten Finalists" (in en-US). 29 November 2010. http://www.archdaily.com/92027/iakov-chernikhovs-architecture-prize-2010-top-ten-finalists. Retrieved 29 November 2015. 
  15. ↑ "The Keith Haring Fellowship in Art and Activism (2014-present) – Human Rights at Bard" (in en-US). https://blogs.bard.edu/hrp2019/bard-college-harring-fellows/. 
  16. ↑ Blahut, Chelsea. "The Harvard Graduate School of Design Announces its 2017 Loeb Fellows". https://www.architectmagazine.com/design/culture/harvard-gsd-announces-its-2017-loeb-fellows_o. 
  17. ↑ "Sharjah Art Foundation – Decolonizing Architecture Art Residency (DAAR)". http://www.sharjahart.org/people/people-by-alphabet/d/daar. 
  18. ↑ "Architecture after Revolution | Tate". http://www.tate.org.uk/whats-on/tate-modern/talks-and-lectures/architecture-after-revolution. Retrieved 29 November 2015. 
  19. ↑ "Decolonising Architecture's 'Common assembly' (Nottingham Contemporary) | Ceasefire Magazine". https://ceasefiremagazine.co.uk/review-decolonizing-architectureart-residency-daars-common-assembly/. 
  20. ↑ "Return to the Common / 2011–2012 / The Berlage". http://www.theberlage.nl/events/details/2012_04_25_return_to_the_common. Retrieved 29 November 2015. 
  21. ↑ "Petra Bauer and Alessandro Petti to join the faculty - Announcements - Art & Education". https://www.artandeducation.net/announcements/105567/petra-bauer-and-alessandro-petti-to-join-the-faculty. 
  22. ↑ "Critical Proximity" (in it-IT). http://www.domusweb.it/en/reviews/2014/03/07/critical_proximity.html. Retrieved 29 November 2015. 



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