Astronomy:The Cosmonaut

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The Cosmonaut
Premiere in Madrid in May 2013
Directed byNicolás Alcalá
Produced byCarola Rodríguez
Bruno Teixidor
StarringKatrine De Candole
Leon Ockenden
Max Wrottesley
Music byJoan Valent
CinematographyLuis Enrique Carrión
Edited byCarlos Serrano Azcona
Nicolas Alcalá
Release date
  • 9 May 2013 (2013-05-09) (Las Palmas Film Festival)
Running time
93 minutes.
CountrySpain
LanguageEnglish
Budget€860,000

The Cosmonaut (El Cosmonauta) is a Spanish science-fiction film directed by Nicolás Alcalá and produced by Carola Rodríguez and Bruno Teixidor. It premiered in May 2013. As the first feature-length project of Riot Cinema Collective, it is notable for its use of crowdfunding and a Creative Commons license during production.

The film was released free online on May 14th, 2013 under a Creative Commons license.[1]

Plot

In 1967, two young friends, Stas and Andrei, arrive at the newly constructed Star City near Moscow, where the first cosmonauts trained. Here, a race against the clock to beat the Americans into space is taking place.

Stas and Andrei witness first-hand the political intrigue, power struggles, and the successes and failures of the Soviet Union in achieving some of the 20th century's greatest milestones. They meet Yulia, a communications technician, with whom they form a strong bond—always bordering on love but never fully realized.

Influences

The Cosmonaut's conception and filmmaking approach draw from the works of some of the world's most renowned filmmakers. The project’s dossier[2] specifically mentions Wong Kar-wai (and his frequent collaborator Christopher Doyle), Andrei Tarkovsky, José Luis Guerín, and Robert Bresson as key influences. There are numerous thematic and narrative links to Andrei Tarkovsky's works, including the exploration of memory, lost love, and reality. The names of the two main characters, Andrei and Stas Arsenievich, even reflect Tarkovsky's name and patronymic.

Further connections to Tarkovsky are evident in the collaborators’ list, which includes names like Eduard Artemyev and Marina Tarkovskaya, Tarkovsky’s sister. The fictional Program K, featuring a hummingbird icon used prominently in the film's promotion, is inspired by real Soviet efforts to send a cosmonaut to the Moon.

Production

The idea for The Cosmonaut originated from two main sources: the conversations between Nicolás Alcalá and Bruno Teixidor (the primary creative minds behind the project's visual design) about conspiracies, Lost Cosmonauts theories, and the Soviet space program; and the poetry book Poetics for Cosmonauts by Henry Pierrot. While the main plot core underwent numerous revisions during development, key elements—such as the return of an astronaut to Earth after a long trip to the Moon—remained intact. After reading Poetics for Cosmonauts, the script evolved into its current form. Preproduction for the short film began in October–November 2008.

2009

Crowdfunding

Inspired by productions such as A Swarm of Angels and Artemis Eternal, The Cosmonaut is the first Spanish feature film that makes use of the crowdfunding financing method. There were two ways to get involved in The Cosmonaut’s production:[3]

Release

The film, when finished, will be released on the Internet available for download and in HD. Also, besides the full movie on HD, all raw footage shot during the movie's filming will be uploaded too. As the film is licensed under a Creative Commons Attribution-ShareAlike License, the users will be able to download, lend, re-cut or use the film footage in any way they wish. This way, the audience not only will be allowed, but also encouraged by the producers themselves, to create new versions of the film and other derivative works.[citation needed]

2010

Crowdfunding and financing

Yuri's Night

Distribution and transmedia

2011

Save The Cosmonaut

After having raised €120,000 during the first two years, the decision was taken to shoot with that money together with €120,000 more contributed by a Russian co-producer. One week before shooting, when all the tickets were purchased and all the reservations made, the co-producer had to withdraw. A desperate campaign was then launched requesting the community to help save the movie.[4]

More than 600 people contributed a total of €131,000 in 3 days, beating all the world crowdfunding records in such a short period of time[5], and allowing the film to be shot. With such a huge success, the possibility of investing was kept during the entirety of shooting. A streaming window was created so the investors could watch the shooting they had made possible live. Lánzanos, the Spanish crowdfunding platform that collaborated during the whole campaign, faced, together with The Cosmonaut's team, what they called "their most beautiful failure of design": the raising status bar exceeded 173%, going beyond the box it was embedded in. The same happened on the film website.

Media coverage and reception

After over a year of promotion, the project received certain degree of attention from the national media in Spain. There were reports about the film in various television channels of the country: TVE, in the news program of LaSexta,[6] CNN+ and Cuatro,[7] and in a divulgative program of La 2.[8] [20]; as well as in different newspapers, magazines and radios: El País, El Mundo, ABC, Público, AND, La Gaceta, Fotogramas, Cadena Ser, los 40 Principales. We can also find among these the Spanish edition of Cahiers du Cinéma. The main coverage of the project, however, came through the Internet. A great quantity of blogs and web based media dedicated articles to the film, between them some of the most influential blogs of Spain. Some examples of this include the digital version of El País,[9] the daily newspaper with the biggest print run in the country, or Microsiervos,[10] one of the most visited blogs in Spanish. The media reaction wasn't limited to Spain: some English-speaking blogs wrote about the project as well.[11] The film holds a 60% audience score on Rotten Tomatoes.[12]

CosmoNauts concert

Most of the media attention towards the project was generated after a two-day music festival. The festival, named "CosmoNauts", was announced in The Cosmonaut blog on 9 June 2009.[13] It was organized as a mass event to promote the film; during two days (29 and 30 June), nine bands belonging to the indie scene of Madrid played in front of an audience that, according to the organization, reached 400 people between the two days, with the emerging filmmaker Nacho Vigalondo as the master of ceremonies. The concert, held in Madrid in the Sala Heineken,[14] wasn't able to fill the seating capacity of the concert hall, mainly due to schedule hardships (the concert was held in the middle of a working week, and at the end of the month), and the organization's inexperience. While it was a mild economic failure, the organizers of the concert ascribe the subsequent promotional success of the movie and the later peak of sales in the online store to the festival, and, therefore, consider it a success.[15]

Travelling at zero gravity

The Cosmonaut team, in collaboration with Improba Spain (the collective of followers of Improv Everywhere in Spain), carried out a promotional flashmob on 29 January 2010, in Puerta del Sol, Madrid. The object of the event was to simulate a Moon landing in downtown Madrid, and it had a remarkable attendance, even some of the passers-by joined the performance.

Controversy

The crowdfunding movie project The Cosmonaut has suffered a serious PR drawback[16][17] due to a public relationship problem related to the director and writer, Nicolás Alcalá. In his response (which he made public) to a resume from a man named "Carlos", Alcalá made some very peculiar remarks about the structure of the email and its purpose. Thus, with the intention of humiliating this man, he made comments, such as: "If you are a fishmonger, tell us, we have a job for you." (It can be read in Spanish here.[18]) Spanish social media responded very harshly to the public comment, with multiple reactions across the web,[19][20][21][22][23] and thousands of angry responses on their blogs, leading to a public declaration from the director[24] where he made a public apology for his comments.

See also

References

  1. "Watch It Now: Crowdfunding Wonder 'The Cosmonaut' Goes Live | No Film School" (in en). https://nofilmschool.com/2013/05/watch-it-now-crowdfunding-wonder-the-cosmonaut-goes-live. 
  2. "The Cosmonaut". S268192873.mialojamiento.es. http://s268192870.mialojamiento.es/The_Cosmonaut.pdf. 
  3. Riot Cinema (2009-05-14). "The Cosmonaut in 5 steps on Vimeo". Vimeo.com. http://vimeo.com/4652176. 
  4. Astle, Randy (2013-05-16). "Crowdfunding a Transmedia Phenomenon: Director Nicolás Alcalá on The Cosmonaut" (in en-US). https://filmmakermagazine.com/70585-crowdfunding-a-transmedia-phenomenon-director-nicolas-alcala-on-the-cosmonaut/. 
  5. Astle, Randy (2013-05-16). "Crowdfunding a Transmedia Phenomenon: Director Nicolás Alcalá on The Cosmonaut" (in en-US). https://filmmakermagazine.com/70585-crowdfunding-a-transmedia-phenomenon-director-nicolas-alcala-on-the-cosmonaut/. 
  6. "LASEXTA NOTICIAS. LISTA FALCIANI. Última hora, política, economía, sociedad, internacional, deportes, cultura, solidaridad, vídeos - ATRESMEDIA". Lasextanoticias.com. http://www.lasextanoticias.com/videos/ver/el_cosmonauta/177751. 
  7. "Noticias En". Cuatro.com. http://www.cuatro.com/noticias/videos/produccion-internet/20090908ctoultpro_7/. 
  8. "Cámara abierta 2.0 - El cosmonauta, un largometraje Creative Commons, Cámara abierta 2.0" (in es). Rtve.es. 2009-07-22. http://www.rtve.es/mediateca/videos/20090722/cosmonauta-largometraje-creative-commons/548854.shtml?s1=programas&s2=tras-la-2&s3=camara-abierta-20. 
  9. Méndez, Manuel Ángel (2009-07-30). "Productor de películas desde dos euros | Edición impresa | EL PAÍS". El País (Elpais.com). https://www.elpais.com/articulo/semana/Productor/peliculas/euros/elpeputeccib/20090730elpciblse_4/Tes. 
  10. "El Cosmonauta | Microsiervos (Películas / TV)". Microsiervos. 2009-05-19. https://www.microsiervos.com/archivo/peliculas-tv/el-cosmonauta.html. 
  11. "Has THE COSMONAUT Discovered The Future Of Film Making?". TwitchFilm. 2009-05-28. http://twitchfilm.net/news/2009/05/has-the-cosmonaut-discovered-the-future-of-film-making.php. 
  12. "The Cosmonaut | Rotten Tomatoes" (in en). https://www.rottentomatoes.com/m/the_cosmonaut. 
  13. [1]
  14. [2]
  15. [3]
  16. "Humillado públicamente por una empresa tras enviar su currículum - Yahoo! Finanzas". Es.finance.yahoo.com. 2012-09-19. http://es.finance.yahoo.com/blogs/finyahoofinanzases/humillado-p-blicamente-empresa-enviar-curr-culum-132614810.html. 
  17. "Humillado pĂşblicamente por una empresa tras enviar su currĂculum". Huffingtonpost.es. 2012-09-20. http://www.huffingtonpost.es/2012/09/20/humillado-publicamente-po_n_1899367.html. 
  18. "Share photos and videos on Twitter". Twitpic. http://twitpic.com/avyyhh/full. 
  19. "De productores 'cools de El Cosmonauta a tiranos que humillan a jóvenes que buscan trabajo | Con noticias de Facebook". Blogs.lainformacion.com. 2012-09-21. http://blogs.lainformacion.com/con-noticias-de-facebook/2012/09/21/riot-cinema-de-la-financiacion-colectiva-al-odio-colectivo/. 
  20. "Humillado públicamente por una empresa tras enviar su currículum". ForoCoches. 2012-09-19. http://www.forocoches.com/foro/showthread.php?t=2929122. 
  21. "Sitio suspendido". Theartiststools.com. http://www.theartiststools.com/riot-cinema/. 
  22. "Riot Cinema Collective publicly humiliates a guy to send his curriculum vitae - The show must go on". Dotsonthei.blogspot.com.es. 2012-09-21. http://dotsonthei.blogspot.com.es/2012/09/riot-cinema-collective-publicly.html. 
  23. "Humillado públicamente por una empresa tras enviar su currículum". Meneame.net. https://www.meneame.net/story/humillado-publicamente-empresa-tras-enviar-curriculum. 
  24. "EDITADO. Disculpa Pública (Cosas que no debes hacer si buscas trabajo en Riot Cinema) - Cinema On Fire". Cinema On Fire. Blog.riotcinema.com. 2012-09-17. http://blog.riotcinema.com/cosas-que-no-debes-hacer-si-buscas-trabajo-en-riot-cinema/. 

Further reading

  • "The Creative Crowd's Greatest Hits". Wired. April 2010