Henry Moore, Family Group (1950), patinated bronzeBull Head Attachment, about 700-600 BCE, Urartian, northwest Iran, bronze – Cleveland Museum of Art, early example of metal coloring
The chemical coloring of metals involve processes that change the color of metal surfaces with different chemical solutions. These processes can be categorized into four types:
Anodizing – electrolytic passivation process used to increase the thickness of the natural oxide layer, producing a porous surface that can accept organic or inorganic dyes easily. In the case of titanium, niobium, and stainless steel, the color formed depends on the thickness of the oxide (which is determined by the anodizing voltage).
Physical vapor deposition (PVD) – coating the surface with a thin film of vaporized material. This is the best method for coloring stainless steel, for the color produced is much more durable than those via other processes.[2]
Chemically coloring a metal is distinct from simply coating it via a method such as gilding or mercury silvering, since chemical coloring involves a chemical reaction, whereas simple coating does not.
Modern possibilities of using laser to patinate copper and of using microscopic fungi to patinate copper and iron are also being researched.[3][4]
The process of chemically coloring metal is as old as metalworking technology. Some of the earliest-known examples of colored metal objects are about 5,000 years old. They are bronze casts with some silver-colored parts, which originate from the Anatolian region.[5] Similar processes can be found on some ancient Egyptian copper sheets.[6] Another example of early chemical coloring of metals is the Nebra sky disc, which has a green patina and gold inlays. An early example of black colored iron is a Celtic spearhead found in the River Thames dated between 200 and 50 BC.[7][8]
Pliny the Elder mentioned liver of sulfur and the distinction between naturally occurring and artificial patina in the first century CE. Another ancient document about the chemical coloring of metals is the Leyden papyrus X (3rd century CE).[9] Zosimos of Panopolis, a Greek-Egyptian alchemist who lived in the late 3rd and early 4th centuries is attributed with some of the oldest written recipes for chemical coloring of metals.[7]
At the time of the Renaissance, the most significant documents were the Treatise on Goldsmithing and the Treatise on Sculpture by Italian mannerist, sculptor, and goldsmith Benvenuto Cellini.[10] Patination is briefly mentioned by Italian painter and writer Giorgio Vasari and by Pomponius Gauricus in his work De Sculptura in 1504. André Felibien mentions techniques for patination of bronze sculptures in his work Principes in 1699.[11]
The beginning of modern science-based chemical or electrochemical coloring of metals is marked by Leopoldo Nobili's (1784–1835) discovery of Nobilis colored rings in 1826.[12] Leonhard Elsner, Alexander Watt, Antoine César Becquerel (1788–1878) and Rudolf Christian Böttger (1806–1881) are also important people in the early history of electrochemical coloring of metals. George Richards Elkington (1801–1865) patented a process for electroplating silver and gold in 1840,[13] which was further refined by J.E. Stareck in 1937.[14][15] In the 19th century, the first manuals dedicated exclusively to the chemical coloring of metals were published.[16]
In 1868, Puscher reported on the application of multicolored or lustre patina based on sodium thiosulphate and lead acetate for the first time (contemporary recipes for this patina use copper compounds instead of lead).[17][18]
Great progress was made in the industrial application of chemical coloring of metals in the early 20th century. 1904 saw the first use of selenium-based black and multicolor patinas for steel, copper and brass. Around 1905, the first patents for black nickel (German patents DRP 183972 and DRP 201663) and black oxide (circa 1915–1922, German patents DRP 292603, DRP 357198, DRP 368548) were made.[19] Between 1923 and 1928, the first UK patents relating to oxidized aluminium were published,[20][21] and black chromium was developed in 1929 (German patent GP 607, 420).{{Citation needed|date=April 2026}
After the Second World War, there was a growing interest in green patinated copper sheets, which were intended primarily for architectural use.[22][23][24] Technologies for anodic oxidation of titanium,[25] and later niobium and tantalum, have evolved since the mid-1960s. Technology for coloring stainless steel via anodic oxidation was developed in 1957.[26]
Now, the possibilities of using bacterial cultures in the patination of copper and iron are being investigated, and laser-induced staining of copper and its alloys, niobium, titanium, stainless steel, and chromium plated objects, are being tested.[27][28][29]
Green: Objects are coated with a solution of 250 grams of ammonium carbonate / 250 grams of ammonium chloride / 1 litre of water, each layer is dried for 24 hours. If the amount of chlorides decreases, the color will be more bluish-green, if carbonate decreases, more yellow.[31]
Black: Object is coated in linseed oil and heated to 300–400 °C. This process can be used many metals, excepting those with low melting points (e.g., lead, tin).[34]
Brown: Item is coated in a 5% aqueous solution of ferric chloride and later abraded.[34]
Titanium (Ti)
Object is immersed in a 3% solution of trisodium phosphate, with color depending on voltage.[35]
↑B.A. Dajnowski, J. Marczak, A. Sarzyński, M. Strzelec, J.L. Mass, A. Lins, S.I. Shah, R. Murray, T.P. Beebe Jr., Z. Voras Creating Laser Patinas on Copper Alloys: Origins of Colors and Their Implications on Copper Alloys, METAL 2016, New Delhi 2017. Conference Proceedings, p.153–160
↑E. Joseph, A. Simon, S. Prati, M. Wörle, D. Job, R. Mazzeo. Development of an analytical procedure for evaluation of the protective behaviour of innovative fungal patinas on archaeological and artistic metal artefacts. Analytical and Bioanalytical Chemistry 2011, 399 (9), 2899-2907. (Paper in forefront and cover image)
↑LaNiece, Susan; Craddock, Paul : Metal Plating and Patination: Cultural, Technical and Historical Developments, Boston 1993., p.6
↑
Hughes, R.; Rowe, M. The Colouring, Bronzing and Patination of Metals, London, 1982, page 10
↑ 7.07.1Giumlia-Mair, Alessandra (1 December 2020). "Plating and Surface Treatments on Ancient Metalwork". Advances in Archaeomaterials1 (1): 1–26. doi:10.1016/j.aia.2020.10.001.
↑L. Nobili: Sui colori in generale ed in particolare sopra una nuova scala cromatica dedotta dalla metallocromia ad uso delle scienze e delle arti, Antologia, 39, 117, 1830 e su Bibl. Univ. 15, 337, 1830; e 16, 35, 1830
↑Fishlock, David : Metal Colouring, Teddington 1962., p.219
↑Malherbe M. P., 1904, “Coloring of Metals”, Scientific American Supplement, 57.
↑"An improved process for providing a resistant coating upon the surfaces of aluminium or aluminium alloys" GB patent 290901A, published 1928-05-24
↑"Improved process of protecting surfaces of aluminium of aluminium alloys" GB patent 223994A, published 1924-11-03
↑, Clarence E. & George L. Craig"Production of an adherent patina upon copper or its alloys" US patent 1974140A, published 1933-06-24, issued 1934-09-18, assigned to Battelle Memorial Institute, Inc.
↑, K.E. Matthson & O. Holm Rolf"Method for applying green patina to objects, preferably made from copper or copper alloys" CA patent 734897A, published 1966-05-24, issued 1966-05-24, assigned to Svenska Metallverken AB
↑, Tsutomu & Kazuo Toda"Formation of patina on copper or copper alloy surface by electrolysis" JP patent S53142935A, published 1977-05-20, issued 1978-12-13, assigned to Mitsubishi Metal Corp.
↑Fishlock, David : Metal Colouring, Teddington 1962.
↑Deutsches Kupfer Institut: Chemische Färbungen von Kupfer und Kupferlegierungen, Berlin 1974., p.19
↑Deutsches Kupfer Institut: Chemische Färbungen von Kupfer und Kupferlegierungen, Berlin 1974., p.33
↑Deutsches Kupfer Institut: Chemische Färbungen von Kupfer und Kupferlegierungen, Berlin 1974., p.38
↑ 34.034.1Angier, R.H.: Firearm Blueing and Browning, Onslow County 1936.
↑Untracht, O.: Jewelry concepts and technology, New York 1980.
↑Bobrikova, I.G.; Selivanov, V.N.: Tehnologii elektrohimicheskoi i himichskoi hudozhestvenno dekorativnoi obrabotki metalov i ih splavov, Novocherkask 2009., p. 87
Fishlock, D. (1962). Metal Colouring. Teddington: R. Draper. OCLC3982659.
Hughes, R.; Rowe, M. (1991). The Colouring, Bronzing and Patination of Metals (3rd ed.). London: Thames and Hudson. ISBN9780500015018. OCLC24734412.
LaNiece, S.; Craddock, P. (1993). Metal Plating and Patination: Cultural, Technical and Historical Developments. Oxford: Butterworth-Heinemann. ISBN9780750616119. OCLC27336439.
Runfola, M. (2014). Patina : 300+ Coloration Effects for Jewelers & Metalsmiths. Loveland: Interveave Press. ISBN9781620331392. OCLC871436497.
External links
Lewton Brain, C.: Patinas for small studios (pdf-file), 1985
Budija, G.: Collection of formulas for the chemical, electrochemical and heat colouring of metals, the cyanide free immersion plating and electroplating (pdf file), Zagreb 2025
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