Art:Second Impressionist Exhibition
Title page of the catalog of the Second Impressionist Exhibition | |
| Native name | 2nd Exposition de Peinture |
|---|---|
| Date | April 1876 |
| Venue | 11 Rue Le Peletier |
| Location | Paris, France |
| Type | Art exhibition |
| Organized by | Société anonyme des artistes peintres, sculpteurs, graveurs, etc. |
The Second Impressionist Exhibition was an art exhibition held by Société anonyme des artistes peintres, sculpteurs, graveurs, etc.[lower-alpha 1] in Paris, France in 1876. It was the second exhibition held by the group following the First Impressionist Exhibition two years earlier in 1874.
History
In April 1876, the Impressionists held a second public exhibition. The Second Impressionist Exhibition was held in Paul Durand-Ruel's gallery at 11 rue Le Peletier. About two-hundred fifty paintings by twenty artists were shown at the exhibition. In contrast with the first first show, the paintings were grouped by artist, rather than commingling them. Seventeen of the artists that participated in the first exhibition, notably Paul Cézanne, did not participate in the second show. The second show did, however, include some newcomers, such as Gustave Caillebotte. Édouard Manet once again declined to participate, and after being rejected from the Salon of 1876, instead held his own solo show at his studio.[1]
Reception

The Second Impressionist Exhibition had fewer visitors overall compared the First Impressionist Exhibition. The press, however, was just as vicious as with the first.[2]
Writing Le Figaro, Albert Wolff called the exhibtion a dissaster and compared it to previous Opera house fire. He particularly criticized the Impressionist's use of colors. In regards to Renoir's Torse de femme au soleil, Wolff compared the colors of the woman's skin to that of a rotting corpse.[3] In response to this article, Berthe Morisot's husband Eugène Manet considered challening Wolff to a duel, but was dissuaded.[4]
Participating artists
The exhibition catalog lists nineteen artists as participated in the Second Impressionist Exhibition in 1876.[5]
- Édouard Béliard
- Pierre-Isidore Bureau (fr)
- Gustave Caillebotte
- Adolphe-Félix Cals
- Edgar Degas
- Marcellin Desboutin
- Jacques François
- Alphonse Legros
- Léopold Levert
- Ludovic-Napoléon Lepic
- Jean-Baptiste Millet (fr)
- Claude Monet
- Berthe Morisot
- Léon-Auguste Ottin (fr)
- Camille Pissarro
- Pierre-Auguste Renoir
- Stanislas-Henri Rouart
- Alfred Sisley
- Charles Tillot
List of artworks
The exhibition catalog for the Second Impressionist Exhibition lists artworks numbered 1 through 252. Several of these entries contain multiple artworks each.[5] Four artworks were shown at the exhibition hors catalogue ("out of catalog"), meaning that they were exhibited but were not listed in the catalog. These artworks have been identified as being displayed at the exhibition through references in contemporary reviews.[6][7] These hors catalogue artworks are numbered as "HC#" in the list below.
| No. | Title | Image | Artist | Date | Technique | Dimensions | Current location | Notes |
|---|---|---|---|---|---|---|---|---|
| 1. | Bords de l'Oise | Edouard Béliard | 1875 | Oil on canvas | 74 cm × 94 cm (29 in × 37 in) | Musée d'Etampes | [8] | |
| 2. | Fabriques au bord de l'Oise | Edouard Béliard | ||||||
| 3. | Rue de village | Edouard Béliard | ||||||
| 4. | La Rue de Chaufour à Etampes. Effet de neige. | Edouard Béliard | ||||||
| 5. | Port de Granville | Edouard Béliard | ||||||
| 6. | Rue de l'Hermitage, à Pontoise | Edouard Béliard | ||||||
| 7. | Ru Dorée, à Pontoise | Edouard Béliard | ||||||
| 8. | Promenade des Fossés, à Pontoise | Edouard Béliard | 1872 | Oil on canvas | 55 cm × 46 cm (22 in × 18 in) | Musée Tavet-Delacour | [9] | |
| 9. | Route de Champagne, près l'Isle-Adam | Edouard Béliard | ||||||
| 10. | Jouy-leComte, clair de lune | Edouard Béliard | ||||||
| 11. | Château de Valmondois | Edouard Béliard | ||||||
| 12. | Entrèe de village à Champagne, près l'Isle-Adam | Edouard Béliard | ||||||
| 13. | Meules au clair de lune | Edouard Béliard | ||||||
| 14. | Entrèe de Nesles | Edouard Béliard | ||||||
| 15. | A voines dans la plaine de Champagne | Edouard Béliard | ||||||
| 16. | Usine à Pacy-sur-Eure | Edouard Béliard | ||||||
| 17. | Raboteurs de parquets | Gustave Caillebotte | 1875 | Oil on canvas | 100 cm × 145.4 cm (39.4 in × 57.2 in) | Musée d'Orsay, Paris | [8] | |
| 18. | Raboteurs de parquets | Gustave Caillebotte | 1876 | Oil on canvas | 80 cm × 100 cm (31 in × 39 in) | Private collection | [8] | |
| 19. | Jeune Homme jouant du piano | Gustave Caillebotte | 1876 | Oil on canvas | 80 cm × 116 cm (31 in × 46 in) | Private collection | [8] | |
| 20. | Jeune homme à sa fenêtre (Young Man at His Window) |
Gustave Caillebotte | 1876 | Oil on canvas | 116.2 cm × 81 cm (45.7 in × 31.9 in) | J. Paul Getty Museum | [8][10] | |
| 21. | Déjeûner | Gustave Caillebotte | 1876 | Oil on canvas | 52 cm × 75 cm (20 in × 30 in) | Private colllection | [8] | |
| 22. | Jardin | Gustave Caillebotte | ||||||
| 23. | Jardin | Gustave Caillebotte | ||||||
| 24. | Après déjeûner | Gustave Caillebotte | ||||||
| 25. | Soleil couchant | Adolphe-Félix Cals | ||||||
| 26. | Ferme de Saint-Siméon, Printemps | Adolphe-Félix Cals | ||||||
| 27. | Sous les arbres | Adolphe-Félix Cals | ||||||
| 28. | Madelaine | Adolphe-Félix Cals | ||||||
| 29. | Femme allaitant son enfant | Adolphe-Félix Cals | ||||||
| 30. | A la Ferme de Saint-Siméon (Sunday at the Saint-Siméon Farm) |
Adolphe-Félix Cals | 1876 | Oil on canvas | 60 cm × 120 cm (24 in × 47 in) | Unknown | [11] | |
| 31. | Cour à Honfleur (Intérieur de cour à Honfleur) |
(No free image) | Adolphe-Félix Cals | 1872 | Oil on canvas | 54.5 cm × 64.5 cm (21.5 in × 25.4 in) | Unknown | [11] |
| 32. | La Leçon | Adolphe-Félix Cals | ||||||
| 33. | Portrait de Mme X... | Adolphe-Félix Cals | Drawing | |||||
| 34. | Les Enfants de pêcheur | Adolphe-Félix Cals | ||||||
| 35. | Le Repas frugal | Adolphe-Félix Cals | ||||||
| 36. | Portraits dans un bureau (Nouvelle-Orléans) (A Cotton Office in New Orleans) |
Edgar Degas | 1873 | Oil on canvas | 73 cm × 92 cm (29 in × 36 in) | Musée des beaux-arts de Pau | [11] | |
| 37. | Examen de danse (The Dance Class) |
Edgar Degas | 1874 | Oil on canvas | 82.6 cm × 76.2 cm (32.5 in × 30.0 in) | Metropolitan Museum of Art, New York | [11] | |
| 38. | Portrait de M. E. M... (Portrait of Eugene Manet) |
Edgar Degas | 1874 | Oil on canvas | 65 cm × 81 cm (26 in × 32 in) | Private collection | [11] | |
| 39. | Portrait de femme (ébauche) (Madame Théodore Gobillard) |
Edgar Degas | 1869 | Oil on canvas | 54.3 cm × 65.1 cm (21.4 in × 25.6 in) | Metropolitan Museum of Art, New York | [11] | |
| 40. | Cour d'une maison (Nouvelle-Orléans, esquisse) (Enfants assis sur le seuil d'une maison) |
Edgar Degas | 1873 | Oil on canvas | 60 cm × 75 cm (24 in × 30 in) | The Ordrupgaard Collection, Copenhagen, Denmark | [12] | |
| 41. | Blanchisseuses (Women Ironing) |
Edgar Degas | c. 1875–76 c. 1882–86 |
Oil on canvas | 82.5 cm × 75 cm (32.5 in × 29.5 in) | Norton Simon Museum, Pasadena, California | [12][13] | |
| 42. | Ebauche de portrait | Edgar Degas | Pastel | |||||
| 43. | Portrait, le soir (Melancholy), (Portrait, le soir) |
Edgar Degas | 1860's | Oil on canvas | 19 cm × 24.7 cm (7.5 in × 9.7 in) | The Phillips Collection, Washington D.C. | [lower-roman 1][14] | |
| Portrait, le soir (Madame Camus), (Portrait, le soir) |
Edgar Degas | c. 1869–70 | Oil on canvas | 72.7 cm × 92.1 cm (28.6 in × 36.3 in) | National Gallery of Art, Washington, D.C. | [lower-roman 1][14] | ||
| 44. | Salle de danse (La Répétition au foyer de la danse) |
Edgar Degas | c. 1870-72 | Oil on canvas | 40.6 cm × 54.6 cm (16.0 in × 21.5 in) | The Phillips Collection, Washington D.C. | [14] | |
| 45. | Id. | |||||||
| 47. | Coulisses | Edgar Degas | c. 1874-76 | Oil on canvas | 73.5 cm × 59.5 cm (28.9 in × 23.4 in) | Art Institute of Chicago | [14] | |
| 48. | Id. | |||||||
| 49. | Blanchisseuse (silhouette) | Edgar Degas | 1873 | Oil on canvas | 54.3 cm × 39.4 cm (21.4 in × 15.5 in) | Metropolitan Museum of Art, New York | [15] | |
| 50. | Blanchisseuse portrait du linge | |||||||
| 51. | Divers croquis de danseuses (Various dancer sketches):
|
Edgar Degas | Thinned oil paint and sepia on pink paper | 40 cm × 32 cm (16 in × 13 in) | Private collection | [15] | ||
| Edgar Degas | Essence on pink paper | 39.4 cm × 27.8 cm (15.5 in × 10.9 in) | Cabinet des dessins, Louvre, Paris | [15] | ||||
| 52. | Dans un Café (L'Absinthe) | [lower-roman 2][16] | ||||||
| 53. | Orchestre | Edgar Degas | ||||||
| 54. | Blanchisseuse | Edgar Degas | ||||||
| 55. | Femme se lavant le soir | Edgar Degas | ||||||
| 56. | Petites Paysannes se baignant à la mer vers le soir | Edgar Degas | 1875 | Oil on canvas | 65.1 cm × 81 cm (25.6 in × 31.9 in) | McLean Collection, Northern Ireland | [17] | |
| 57. | Modiste | Edgar Degas | ||||||
| 58. | Portrait | Edgar Degas | ||||||
| 59. | Blanchisseuse | Edgar Degas | Drawing | |||||
| HC1. | Les Danseuses | Edgar Degas | [18] | |||||
| 60. | Chanteurs des rues | Marcellin Desboutin | 1872 | Drypoint | 30.5 cm × 21.7 cm (12.0 in × 8.5 in) | Cabinet des estampes, Bibliothèque nationale, Paris | [17] | |
| 61. | Etude d'Enfant | Marcellin Desboutin | ||||||
| 62. | Portrait of Jean-Baptiste Faure | (No image) | Marcellin Desboutin | Oil on canvas | 40.6 cm × 37.5 cm (16.0 in × 14.8 in) | Wheelock Whitney & Company, New York | [17] | |
| 63. | Les Premiers Pas | (No image) | Marcellin Desboutin | Engraving | 19.8 cm × 28 cm (7.8 in × 11.0 in) | Unknown | [19] | |
| 62. | Portrait de M. F... | Marcellin Desboutin | ||||||
| 63. | Les Premiers pas | Marcellin Desboutin | ||||||
| 64. | Le Violoncelliste | Marcellin Desboutin | ||||||
| 65. | Tête d'Etude | Marcellin Desboutin | ||||||
| 66. | Portrait (Portrait od Mme Hector de Callias) |
Marcellin Desboutin | 1879 | Etching and drypoint | 24 cm × 16 cm (9.4 in × 6.3 in) | Fine Arts Museums of San Francisco | [19] | |
| 67. | Portraits et Etudes (Jules Jacquemart, graveur) |
Marcellin Desboutin | 1876 | Etching | 16 cm × 12.2 cm (6.3 in × 4.8 in) | Fine Arts Museums of San Francisco | [20] | |
| 68. | Portraits et Etudes (Norbert Gœneutte, peintre) |
Marcellin Desboutin | 1876 | Drypoint | 24.7 cm × 15.9 cm (9.7 in × 6.3 in) | The Metropolitan Museum of Art, New York | [20] | |
| 69. | Portraits et Etudes (Henri Rouart, peintre et collectionneur) |
Marcellin Desboutin | 1875 | Etching | 27.2 cm × 20 cm (10.7 in × 7.9 in) | The Metropolitan Museum of Art, New York | [20] | |
| 70. | Portraits | Marcellin Desboutin | Drypoint | |||||
| 71. | Portraits (Leroy, imprimeur d'eaux-fortes) |
(No image) | Marcellin Desboutin | Etching and drypoint | 29.5 cm × 20.9 cm (11.6 in × 8.2 in) | Cabinet des estampes, Bibliothèque nationale, Paris | [20] | |
| 72. | Portraits | Marcellin Desboutin | Drypoint | |||||
| 73. | Raisins | Jacues François | ||||||
| 74. | Prunes | Jacues François | ||||||
| 75. | Estamo de tabacco à l'Alhambra | Jacues François | ||||||
| 76. | Portrait de Mme M... | Jacues François | ||||||
| 77. | La Dessert | Jacues François | ||||||
| 78. | Roses jaunes et Raisin | Jacues François | ||||||
| 79. | Raisin et Grenades | Jacues François | ||||||
| 80. | Raisin et Grenade | Jacues François | ||||||
| 81. |
|
Alphonse Legros | Drypoint | 33.5 cm × 23 cm (13.2 in × 9.1 in) | Cabinet des estampes, Bibliothèque nationale, Paris | [21] | ||
| (No image) | Alphonse Legros | Etching | 42 cm × 23 cm (16.5 in × 9.1 in) | Cabinet des estampes, Bibliothèque nationale, Paris | [21] | |||
| (No image) | Alphonse Legros | Etching | 37 cm × 26.5 cm (14.6 in × 10.4 in) | Cabinet des estampes, Bibliothèque nationale, Paris | [21] | |||
| Alphonse Legros | Drypoint | 28 cm × 20 cm (11.0 in × 7.9 in) | Cabinet des estampes, Bibliothèque nationale, Paris | [21] | ||||
| (No image) | Alphonse Legros | Drypoint on laid paper | 21 cm × 29.8 cm (8.3 in × 11.7 in) | Cabinet des estampes, Bibliothèque nationale, Paris | [21] | |||
| Alphonse Legros | Etching | 24 cm × 31.5 cm (9.4 in × 12.4 in) | Cabinet des estampes, Bibliothèque nationale, Paris | [21] | ||||
| Alphonse Legros | Etching | 27.1 cm × 37 cm (10.7 in × 14.6 in) | Cabinet des estampes, Bibliothèque nationale, Paris | [22] | ||||
| 82. | La Morte | Alphonse Legros | Etching and aquatint | 55 cm × 39 cm (22 in × 15 in) | Cabinet des estampes, Bibliothèque nationale, Paris | [23] | ||
| 83. |
|
Alphonse Legros | Etching | 26.7 cm × 36.9 cm (10.5 in × 14.5 in) | Cabinet des estampes, Bibliothèque nationale, Paris | [24] | ||
| Alphonse Legros | 1860 | Etching and drypoing | 37 cm × 26.7 cm (14.6 in × 10.5 in) | The Boston Public Library, Print Department | [24] | |||
| Alphonse Legros | Etching | 23 cm × 15.7 cm (9.1 in × 6.2 in) | Cabinet des estampes, Bibliothèque nationale, Paris | [24] | ||||
| Alphonse Legros | Etching and drypoint | 32.5 cm × 25.9 cm (12.8 in × 10.2 in) | The Boston Public Library, Print Department | [25] | ||||
| (No Image on Commons yet) | Alphonse Legros | Lithograph | 17.4 cm × 28.9 cm (6.9 in × 11.4 in) | Cabinet des estampes, Bibliothèque nationale, Paris | [25] | |||
| Aphonse Legros | Etching | 12.8 cm × 9.8 cm (5.0 in × 3.9 in) | Cabinet des estampes, Bibliothèque nationale, Paris | [25] | ||||
| 84. | Lutrin (Le Lutrin No. 2) |
Alphonse Legros | Etching | 12.8 cm × 9.8 cm (5.0 in × 3.9 in) | Cabinet des estampes, Bibliothèque nationale, Paris | [25] | ||
| 85. | Portrait de petite Fille (La Petite Marie) |
Alphonse Legros | Drypoint on Japanese paper | 23.2 cm × 16.9 cm (9.1 in × 6.7 in) | The Boston Public Library, Print Department | [25] | ||
| 86. | Bonhomme misère | Alphonse Legros | Etching | 23 cm × 15.3 cm (9.1 in × 6.0 in) | AchenBach Foundation for Graphic Arts, San Francisco | [25] | ||
| 87. | Portrait de l'historien Carlysle | Alphonse Legros | Etching and drypoint | 44.8 cm × 35.2 cm (17.6 in × 13.9 in) | The Boston Public Library | [26] | ||
| 88. | Tête de Viellard | Alphonse Legros | Dryoint | |||||
| Femmes de Boulogne | Alphonse Legros | |||||||
| 89. | Grand Paysage, coup de vent | Alphonse Legros | ||||||
| 90. | L'Homme au Mouton | Alphonse Legros | ||||||
| 91. | La Communion | Alphonse Legros | ||||||
| 92. | Paysage | Alphonse Legros | ||||||
| 93. | Vue de Portrieux | Léopold Levert | ||||||
| 94. | Plage de Portrieux | Léopold Levert | ||||||
| 95. | Port de Portrieux | Léopold Levert | ||||||
| 96. | La Jetée de Portrieux | Léopold Levert | ||||||
| 97. | Bords de l'Essonne | Léopold Levert | ||||||
| 98. | Maison à Vaulry | Léopold Levert | ||||||
| 99. | La Ferme de Saint-Marc | Léopold Levert | ||||||
| 100. | Vue prise a Buttier | Léopold Levert | ||||||
| 101. | Le Chemin Vert á Noiseau | Léopold Levert | ||||||
| 102. | L'Ile de Vacheru (clair de lune) | Ludovic-Napoléon Lepic | ||||||
| 103. | Effet de brouillard en mer | Ludovic-Napoléon Lepic | ||||||
| 104. | Etude de bateaux | Ludovic-Napoléon Lepic | ||||||
| 105. | La Plage de Berck | Ludovic-Napoléon Lepic | ||||||
| 106. | Le Christ de la Plage de Berck | Ludovic-Napoléon Lepic | ||||||
| 107. | Bateaux de la baie de Somme | Ludovic-Napoléon Lepic | ||||||
| 108. | Un Brisant (Etude) | Ludovic-Napoléon Lepic | ||||||
| 109. | La Plage de Hourdel | Ludovic-Napoléon Lepic | ||||||
| 110. | Le Beaupré | Ludovic-Napoléon Lepic | ||||||
| 111. | Forcé ! | Ludovic-Napoléon Lepic | ||||||
| 112. | Bateaux de la plage de Berck | Ludovic-Napoléon Lepic | ||||||
| 113. | :a Bouée N° 2, Baie de Somme | Ludovic-Napoléon Lepic | ||||||
| 114. | Clair de Lune en mer (Manche) | Ludovic-Napoléon Lepic | ||||||
| 115. | Effet de Soleil (Manche) | Ludovic-Napoléon Lepic | ||||||
| 116. | La Plage de Cayeux (Effet de nuit) | Ludovic-Napoléon Lepic | ||||||
| 117. | Le Halage d'un bateau | Ludovic-Napoléon Lepic | ||||||
| 118. | Un Cabestan | Ludovic-Napoléon Lepic | ||||||
| 119. | Le Voilier | Ludovic-Napoléon Lepic | ||||||
| 120. | Bateau à sec | Ludovic-Napoléon Lepic | ||||||
| 121. | Le Charpentier | Ludovic-Napoléon Lepic | ||||||
| 122. | La Plage | Ludovic-Napoléon Lepic | ||||||
| 123. | Le Chantier de Cayeux | Ludovic-Napoléon Lepic | ||||||
| 124. | Pompei (5 Aquarelles d'après nature) | Ludovic-Napoléon Lepic | Watercolor | |||||
| 125. | Le Quai Sancte Lucià à Naples | Ludovic-Napoléon Lepic | Watercolor | |||||
| 126. | Filets (2 Aquarelles) | Ludovic-Napoléon Lepic | Watercolor | |||||
| 127. | Barque échouée (Baie de Somme) (2 Aquarelles) | Ludovic-Napoléon Lepic | Watercolor | |||||
| 128. | Falaises du Tréport | Ludovic-Napoléon Lepic | Watercolor | |||||
| 129. | Soleil en mer | Ludovic-Napoléon Lepic | ||||||
| 130. | L'Eglise de Cayeux | Ludovic-Napoléon Lepic | Watercolor | |||||
| 131. | Barque Napolitaine | Ludovic-Napoléon Lepic | ||||||
| 132. | Les Souterrains du port de Naples | Ludovic-Napoléon Lepic | Watercolor | |||||
| 133. | Fontaine à la Cava, près Naples | Ludovic-Napoléon Lepic | Watercolor | |||||
| 134. | La Ballade de Pendus | Ludovic-Napoléon Lepic | Etching | |||||
| 135. | Croquis Hollandais (2 Cadres) | Ludovic-Napoléon Lepic | Etching | |||||
| 136. | Canal en Hollande, lever de Lune | Ludovic-Napoléon Lepic | Etching | |||||
| 137. | Tête de Chein. Epreuve tirée sur plaque sans gravure | Ludovic-Napoléon Lepic | ||||||
| 138. | Femme gardant les Vaches | Jean-Baptiste Millet | Watercolor | |||||
| 139. | La Ferme | Jean-Baptiste Millet | Watercolor | |||||
| 140. | La Chaumière | Jean-Baptiste Millet | Watercolor | |||||
| 141. | Moulin à eau | Jean-Baptiste Millet | Watercolor | |||||
| 142. | Coin de Ferme | Jean-Baptiste Millet | ||||||
| 143. | Ferme du Fays | Jean-Baptiste Millet | ||||||
| 144. | Le Pré | Jean-Baptiste Millet | ||||||
| 145. | Le Verger (Sépia) | Jean-Baptiste Millet | ||||||
| 146. | Le Labourage (Sépia rehaussée) | Jean-Baptiste Millet | ||||||
| 147. | La Fermière | Jean-Baptiste Millet | Watercolor | |||||
| 148. | Le Petit bras (Argenteuil) | Claude Monet | ||||||
| 149. | La Seine à Argenteuil | Claude Monet | 1875 | Oil on canvas | 59.7 cm × 81.3 cm (23.5 in × 32.0 in) | San Francisco Museum of Modern Art | [27] | |
| 150. | La Chemin d'Epinay. Effet de neige | Claude Monet | 1875–1876 | Oil on canvas | 60 cm × 100 cm (24 in × 39 in) | Albright-Knox Art Gallery, Buffalo, New York | [27] | |
| 151. | La Plage à Sainte-Adresse | Claude Monet | 1867 | Oil on canvas | 75.8 cm × 102.5 cm (29.8 in × 40.4 in) | The Art Institute of Chicago | [28] | |
| 152. | Le Pont du chemin de fer (Argenteuil) | Claude Monet | 1873 | Oil on canvas | 66 cm × 99 cm (26 in × 39 in) | Private Collection | [28] | |
| 153. | Japonnerie | Claude Monet | 1876 | Oil on canvas | 231.8 cm × 142.3 cm (91.3 in × 56.0 in) | Museum of Fine Arts, Boston | [28] | |
| 154. | La Prairie | Claude Monet | 1874 | Oil on canvas | 57 cm × 80 cm (22 in × 31 in) | National Gallery, Berlin | [28] | |
| 156. | Le Pont d'Argenteuil | Claude Monet | 1874 | Oil on canvas | 60 cm × 80 cm (24 in × 31 in) | Musée d'Orsay, Paris | [28] | |
| 158. | Effet d'Automne | Claude Monet | 1874 | Oil on canvas | 54 cm × 73 cm (21 in × 29 in) | Collection of Mrs. John Hay Whitney, New York | [29] | |
| 159. | Les Dalhias | Claude Monet | 1875 | Oil on canvas | 54 cm × 65.5 cm (21.3 in × 25.8 in) | Nàrodni Galeri, Prauge | [30] | |
| 160. | Les Bateaux d'Argenteuil | Claude Monet | 1875 | Oil on canvas | [30] | |||
| 161. | La Promenade | Claude Monet | 1875 | Oil on canvas | 100 cm × 81 cm (39 in × 32 in) | National Gallery of Art, Washington D.C. | [30] | |
| 162. | Paneau décoratif | Claude Monet | 1873 | Oil on canvas | 162 cm × 203 cm (64 in × 80 in) | Musée d'Orsay | [30] | |
| 163. | Le Printemps | Claude Monet | 1872 | Oil on canvas | 57.5 cm × 69.5 cm (22.6 in × 27.4 in) | The Union League Club of Chicago | [30] | |
| 164. | Les Bains de la Grenouillère | Claude Monet | 1869 | Oil on canvas | 74.6 cm × 99.7 cm (29.4 in × 39.3 in) | The Metropolitan Museum of Art, New York | [31] | |
| 165. | Bateaux de pêche. (Etude) | Claude Monet | ||||||
| HC2. | La Liseuse or Springtime | Claude Monet | 1872 | Oil on canvas | 50 cm × 65 cm (20 in × 26 in) | The Walters Art Gallery, Baltimore | [31] | |
| 166. | Au Bal | Berthe Morisot | 1874 | Oil on canvas | 62 cm × 52 cm (24 in × 20 in) | Musée Marmottan, Paris | [31] | |
| 167. | Le Lever | Berthe Morisot | Oil on canvas | 46 cm × 38 cm (18 in × 15 in) | Unknown | [31] | ||
| 168. | La Toilette | Berthe Morisot | 1874 | Oil on canvas | 54 cm × 45 cm (21 in × 18 in) | Private collection | [32] | |
| 169. | Déjeûner sur l'herbe | Berthe Morisot | 1875 | Oil on canvas | 60 cm × 74 cm (24 in × 29 in) | Private collection | [32] | |
| 170. | Vude du Solent (Ile de Wight) | Berthe Morisot | ||||||
| 171. | West Cowes (Ile de Wight) | Berthe Morisot | ||||||
| 172. | Le Bateau à vapeur | Berthe Morisot | 1875 | Oil on canvas | 32 cm × 45 cm (13 in × 18 in) | Unknown | [33] | |
| 173. | Plage de Fécamp | Berthe Morisot | 1873 | Oil on canvas | 24 cm × 51 cm (9.4 in × 20.1 in) | Unknown | [33] | |
| 174. | Un Chantier | Berthe Morisot | 1874 | Oil on canvas | 33 cm × 41 cm (13 in × 16 in) | Private collection | [33] | |
| 175. | Un Percher de Blanchisseuse | Berthe Morisot | 1875 | Oil on canvas | 33 cm × 40.6 cm (13.0 in × 16.0 in) | National Gallery of Art, Washington D.C. | [33] | |
| 176. | Vue d'Angleterre | (No Image on Commons) | Berther Morisot | Oil on canvas | 46 cm × 56 cm (18 in × 22 in) | Unknown | [33] | |
| 177. | Vue d'Angleterre | Berthe Morisot | 1875 | Oil on canvas | 38 cm × 46 cm (15 in × 18 in) | Private collection | [33] | |
| 178. | Figure de femme | Berthe Morisot | 1875 | Oil on canvas | 57 cm × 31 cm (22 in × 12 in) | Galerie Schröder un Leisewitz, Bremen, Germany | [34] | |
| 179. | Avant d'un yacht | Berthe Morisot | 1875 | Watercolor over pencil sketch | 21 cm × 26.7 cm (8.3 in × 10.5 in) | Sterling and Francine Clark Art Institute, Williamstown, Massachusetts | [35] | |
| 180. | Entrée de la Midina. Ile de Wight | Berthe Morisot | Watercolor over graphite on off-white paper | 19 cm × 17.4 cm (7.5 in × 6.9 in) | Fogg Art Museum | [36] | ||
| 181. | Vue de la Tamise | Berthe Morisot | 1875 | Watercolor on paper | 17 cm × 23 cm (6.7 in × 9.1 in) | Unknown | [36] | |
| 182. | Trois dessins au pastel | Berthe Morisot | ||||||
| 183. | La Maison Bleue (Butte Montmartre) | Léon-Auguste Ottin | ||||||
| 184. | Mont Cassin. Versand sud. (Butte Montmartre) | Léon-Auguste Ottin | ||||||
| 185. | En plen Soileil. Versant sud. (Butte Montmartre) | Léon-Auguste Ottin | ||||||
| 186. | Sur le Versant nord. (Butte Montmartre) | Léon-Auguste Ottin | ||||||
| 187. | Le Plateau de la Butte | Léon-Auguste Ottin | ||||||
| 188. | La Maison Lorcinier (Butte Montm.) | Léon-Auguste Ottin | ||||||
| 189. | La ru de Mont-Cenis (Butte Montmartre) | Léon-Auguste Ottin | ||||||
| 190. | Retraite de Russi. Versant ouest. (Butte Montmartre) | Léon-Auguste Ottin | ||||||
| 191. | La Maison Rouge, l'Abreuvoir (Butte Montmartre) | Léon-Auguste Ottin | ||||||
| 192. | Petite rue Saint-Denis (Butte Montmartre) | Léon-Auguste Ottin | ||||||
| 193. | La Tour Solferino (Butte Montmartre) | Léon-Auguste Ottin | ||||||
| 194. | Au Cimetière (Butte Montmartre) | Léon-Auguste Ottin | ||||||
| 195. | 7 pièces
|
Léon-Auguste Ottin | ||||||
| 196. | 3 pièces
|
Léon-Auguste Ottin | ||||||
| 197. | Printemps. Soleil couchant | Camille Pissarro | ||||||
| 198. | Un Etang à Montfoucault (Mayenne) | Camille Pissarro | 1874 | Oil on canvas | 53.5 cm × 65.5 cm (21.1 in × 25.8 in) | Private collection | [36] | |
| 199. | Gelée blanche avec brouillard | (No picture on commons)) | Camille Pissarro | Oil on canvas | 54 cm × 65 cm (21 in × 26 in) | Unknown | [36] | |
| 200. | Niege. Coteaux de l'Hermitage (Pontoise) | (No image on commons) | Camille Pissarro | 1874 | Oil on canvas | 54.6 cm × 65.4 cm (21.5 in × 25.7 in) | Private collection | [37] |
| 201. | Ferme à Montfoucault | Camille Pissarro | 1874 | Oil on canvas | 60 cm × 73.5 cm (23.6 in × 28.9 in) | Musée d'Art et d'Histoire, Geneva | [37] | |
| 202. | Les Coteaux du Choux | File:Camille Pissarro A Cowherd at Valhermeil, Auvers-sur-Oise The Metropolitan Museum of Art.jpg | Camille Pissarro | 1874 | Oil on canvas | 54.9 cm × 92.1 cm (21.6 in × 36.3 in) | The Metropolitan Museum of Art, New York | [37] |
| 203. | Le Berger | (No image) | Camille Pissarro | Oil on canvas | 60 cm × 73 cm (24 in × 29 in) | Unknown | [38] | |
| 204. | Effet de neige à Pontoise | Camille Pissarro | ||||||
| 205. | Effet de Neige. Coteaux d'Osny | Camille Pissarro | ||||||
| 206. | Les Jardins de l'Hermitage | Camille Pissarro | ||||||
| 207. | Paysanne | Camille Pissarro | [38] | |||||
| 208. | Village de l'Hermitage | Camille Pissarro | ||||||
| 209. | Femme et Enfant | Pierre-Auguste Renoir | ||||||
| 210. | Sur la terrasse (Portrait de Madame Chocquet debout) |
File:Pierre-Auguste Renoir - Portrait of Madame Choquet by the window (Pushkin Museum).jpg | Pierre-Auguste Renoir | 1876 | Oil on canvas | 67 cm × 54 cm (26 in × 21 in) | Pushkin Museum, Moscow | [37] |
| 211. | Portrait | Pierre-Auguste Renoir | [39] | |||||
| 212. | Etude (Torse de femme au soleil) |
Pierre-Auguste Renoir | 1876 | Oil on canvas | 81 cm × 64.8 cm (31.9 in × 25.5 in) | Musée d'Orsay, Paris | [40] | |
| 213. | Liseuse (Madame Chocquet lisant) |
(Image not on commons) | Pierre-Auguste Renoir | Oil on canvas | 65.5 cm × 55 cm (25.8 in × 21.7 in) | Private collection | [40] | |
| 214. | Tête d'homme (Portrait de Monsieur Victor Chocquet) |
File:Renoir Chocquet.jpg | Pierre-Auguste Renoir | 1876 | Oil on canvas | 46 cm × 37 cm (18 in × 15 in) | Am Römerholz, Switzerland | [lower-roman 3][41] |
| Tête d'homme (Portrait de Monsieur Victor Chocquet) |
File:Pierre-Auguste Renoir 115.jpg | Pierre-Auguste Renoir | 1876 | Oil on canvas | 46 cm × 37 cm (18 in × 15 in) | Am Römerholz, Switzerland | [lower-roman 3][42] | |
| 215. | Portrait d'Enfant | Pierre-Auguste Renoir | ||||||
| 216. | Tête d'Enfant | Pierre-Auguste Renoir | ||||||
| 217. | Tête de femme (Buste de femme or Femme à la rose) |
(No image on commons) | Pierre-Auguste Renoir | Oil on canvas | 33 cm × 27 cm (13 in × 11 in) | Private collection | [41] | |
| 218. | Portrait de Mlle S... | Pierre-Auguste Renoir | ||||||
| 219. | Femme au piano | File:Pierre-Auguste Renoir - Woman at the Piano - 1937.1025 - Art Institute of Chicago.jpg | Pierre-Auguste Renoir | 1875 | Oil on canvas | 93 cm × 75 cm (37 in × 30 in) | Art Institute of Chicago | [41] |
| 220. | Portrait de M. M. (Potrait de Claude Monet peigmant) |
File:Auguste Renoir - Claude Monet - Google Art Project.jpg | Pierre-Auguste Renoir | 1875 | Oil on canvas | 85 cm × 65.5 cm (33.5 in × 25.8 in) | Musée d'Orsay, Paris | [41] |
| 221. | Déjeûner chsez Fournaise (Le Déjeuner au nord de la rivièra or Rower's Lunch) |
File:Pierre-Auguste Renoir - Lunch at the Restaurant Fournaise (The Rowers' Lunch) - 1922.437 - Art Institute of Chicago.jpg | Pierre-Auguste Renoir | 1875 | Oil on canvas | 54 cm × 65 cm (21 in × 26 in) | Art Institute of Chicago | [43] |
| 222. | Portrait de Mme D... | Pierre-Auguste Renoir | ||||||
| 223. | Portrait de jeune fille | File:Portrait of Mademoiselle Legrand, by Pierre-Auguste Renoir.JPG | Pierre-Auguste Renoir | 1875 | Oil on canvas | 81.3 cm × 59.6 cm (32.0 in × 23.5 in) | Philadelphia Museum of Art | [44] |
| 224. | Frédéric Bazille, peintre tué à Beaune-la-Rolande | File:Pierre-Auguste Renoir - Frédéric Bazille.jpg | Pierre-Auguste Renoir | 1867 | Oil on canvas | 106 cm × 74 cm (42 in × 29 in) | Musée d'Orsay, Paris | [44] |
| 225. | La Promenade (Mother and Children) |
File:Pierre-Auguste Renoir - La Promenade - Google Art Project.jpg | Pierre-Auguste Renoir | Oil on canvas | 170.2 cm × 108.3 cm (67.0 in × 42.6 in) | Frick Collection, New York | [44] | |
| 226. | Portrait de M° H... | Pierre-Auguste Renoir | Pastel | |||||
| HC3. | (Self Portrait) | File:Pierre-Auguste Renoir - Autoportrait, 1875.jpg | Pierre-Auguste Renoir | 1875 | Oil on canvas | 39.1 cm × 31.7 cm (15.4 in × 12.5 in) | Clark Art Institute, Williamstown, Massechusetts | [44] |
| 227. | Chemin bordé d'Arbres (Normandie) | Stanislas-Henri Rouart | ||||||
| 228. | Ancien Manoir | Stanislas-Henri Rouart | ||||||
| 229. | Vieille Ferme bretonne (Etude) | Stanislas-Henri Rouart | ||||||
| 230. | Bords de l'Indre | Stanislas-Henri Rouart | ||||||
| 231. | Chemin des Fourneaux | Stanislas-Henri Rouart | ||||||
| 232. | Vue de Melun | Stanislas-Henri Rouart | ||||||
| 233. | Enfants bretons | Stanislas-Henri Rouart | ||||||
| 234. | Manoir de Graddard (Encre de Chine) | Stanislas-Henri Rouart | ||||||
| 235. | Dans un Parc (Sépia) | Stanislas-Henri Rouart | ||||||
| 236. | Chaumières | Stanislas-Henri Rouart | ||||||
| 237. | Effet de neige | Alfred Sisley | ||||||
| 238. | Avenue de l'Abreuvoir. Effet de Givre | Alfred Sisley | ||||||
| 239. | Une Route aux environs de Marly | Alfred Sisley | ||||||
| 240. | L'Abreuvoir de Marly, en hiver | File:The-watering-place-at-marly-le-roi-in-winter-1875.jpg | Alfred Sisley | 1875 | Oil on canvas | 49.5 cm × 65.5 cm (19.5 in × 25.8 in) | National Gallery, London | [44] |
| 241. | Le Bord d'un Ruisseau. Environs de Paris | Alfred Sisley | ||||||
| 242. | Le Chemin des Aqueducts (The Aqueduct at Marly) |
File:Alfred Sisley - Aqueduct at Marly - Google Art Project.jpg | Alfred Sisley | 1874 | Oil on canvas | 54.3 cm × 81.3 cm (21.4 in × 32.0 in) | Toledo Museum of Art | [lower-roman 4][44] |
| Le Chemin des Aqueducts (Au pied de l'aqueduc de Louveciennes) |
File:Le Chemin des aqueducs.jpg | Alfred Sisley | 1876 | Oil on canvas | 46.5 cm × 55.5 cm (18.3 in × 21.9 in) | Am Römerholz, Switzerland | [lower-roman 4][42] | |
| 243. | Route de Saint-Germain | Alfred Sisley | ||||||
| 244. | Inondations à Port-Marly | File:L'inondation a Port-Marly.JPG | Alfred Sisley | 1876 | Oil on canvas | 60 cm × 81 cm (24 in × 32 in) | Musée d'Orsay, Paris | [45] |
| HC4. | Maisonsur les bords de la Marne | Alfred Sisley | ||||||
| 245. | Le Chaos de Villers | Charles Tillot | ||||||
| 246. | Vue prise des hauteurs du Chaos, à Villers | Charles Tillot | ||||||
| 247. | Falaises, à Villers | Charles Tillot | ||||||
| 248. | Falaises à Marée basse | Charles Tillot | ||||||
| 249. | Manoir de Graffard | Charles Tillot | ||||||
| 250. | Rochers et Plage à Villers | Charles Tillot | ||||||
| 251. | Plaine de Barbison | Charles Tillot | ||||||
| 252. | Intérieur du Bas-Bréau | Charles Tillot |
Catalog notes
- ↑ 1.0 1.1 Two paintings have been suggested as being entry number 43, Portrait, le soir. One of these two painting was shown at the Exhibition.
- ↑ Listed in the catalogue, but probably not exhibited.
- ↑ 3.0 3.1 Two paintings have been suggested as being entry number 214, Tête d'homme. One of these two painting was shown at the Exhibition.
- ↑ 4.0 4.1 Two paintings have been suggested as being entry number 242, Le Chemin des aqueducts. One of these two painting was shown at the Exhibition.
Notes
- ↑ English: "Anonymous Society of painters, sculptors, engravers, etc."
References
- ↑ Rewald 1973, p. 366.
- ↑ Rewald 1973, p. 368.
- ↑ Rewald 1973, pp. 368–370.
- ↑ Rewald 1973, p. 370.
- ↑ 5.0 5.1 Moffett 1986, pp. 160–165.
- ↑ Moffett (1986), p. 6.
- ↑ Berson (1996), pp. vii, 283.
- ↑ 8.0 8.1 8.2 8.3 8.4 8.5 Berson (1996), pp. 33, 47.
- ↑ "Promenade des Fossés, à Pontoise". Ministère de la Culture. https://www.pop.culture.gouv.fr/notice/joconde/04380003105.
- ↑ "Young Man at His Window" (in en). The J. Paul Getty Museum Collection. https://www.getty.edu/art/collection/object/10A2Y1.
- ↑ 11.0 11.1 11.2 11.3 11.4 11.5 Berson (1996), pp. 34, 48.
- ↑ 12.0 12.1 Berson (1996), pp. 34, 49.
- ↑ "Women Ironing". Norton Simon Museum. https://www.nortonsimon.org/art/detail/M.1971.3.P/M.1979.17.P.
- ↑ 14.0 14.1 14.2 14.3 Berson (1996), pp. 35, 49.
- ↑ 15.0 15.1 15.2 Berson (1996), pp. 35, 50.
- ↑ Berson (1996), p. 35.
- ↑ 17.0 17.1 17.2 Berson (1996), pp. 36, 50.
- ↑ Berson 1996, pp. 36.
- ↑ 19.0 19.1 Berson (1996), pp. 36, 51.
- ↑ 20.0 20.1 20.2 20.3 Berson (1996), pp. 37, 51.
- ↑ 21.0 21.1 21.2 21.3 21.4 21.5 Berson (1996), pp. 37, 52.
- ↑ Berson (1996), pp. 37, 53.
- ↑ Berson (1996), pp. 37–38, 53.
- ↑ 24.0 24.1 24.2 Berson (1996), pp. 38, 53.
- ↑ 25.0 25.1 25.2 25.3 25.4 25.5 Berson (1996), pp. 38, 54.
- ↑ Berson (1996), pp. 38, 55.
- ↑ 27.0 27.1 Berson (1996), pp. 40, 56.
- ↑ 28.0 28.1 28.2 28.3 28.4 Berson (1996), pp. 40, 57.
- ↑ Berson (1996), pp. 41, 57.
- ↑ 30.0 30.1 30.2 30.3 30.4 Berson (1996), pp. 41, 58.
- ↑ 31.0 31.1 31.2 31.3 Berson (1996), pp. 41, 59.
- ↑ 32.0 32.1 Berson (1996), pp. 42, 59.
- ↑ 33.0 33.1 33.2 33.3 33.4 33.5 Berson (1996), pp. 42, 60.
- ↑ Berson (1996), pp. 42, 61.
- ↑ Berson (1996), pp. 42–43, 61.
- ↑ 36.0 36.1 36.2 36.3 Berson (1996), pp. 43, 61.
- ↑ 37.0 37.1 37.2 37.3 Berson (1996), pp. 43, 62.
- ↑ 38.0 38.1 Berson (1996), pp. 43.
- ↑ Berson (1996), pp. 43–44.
- ↑ 40.0 40.1 Berson (1996), pp. 44, 62.
- ↑ 41.0 41.1 41.2 41.3 Berson (1996), pp. 44, 63.
- ↑ 42.0 42.1 Berson (1996), pp. 45, 65.
- ↑ Berson (1996), pp. 44–45, 63.
- ↑ 44.0 44.1 44.2 44.3 44.4 44.5 Berson (1996), pp. 45, 64.
- ↑ Berson (1996), pp. 45–46, 65.
Bibliography
- Berson, Ruth (1996). The New Painting: Impressionism 1874-1886: Documentation. San Francisco: Fine Arts Museums of San Francisco. ISBN 0-295-96704-8. https://archive.org/details/newpaintingimpre0000unse/.
- Moffett, Charles S. (1986). The New Painting: Impressionism 1874-1886. San Francisco: Fine Arts Museums of San Francisco. ISBN 0-88401-047-3. https://archive.org/details/newpaintingimpre00moffrich/.
- Rewald, John (1973) (in en). The History of Impressionism (Fourth ed.). New York: Museum of Modern Art. ISBN ((0-87070-360-6)). https://archive.org/details/historyofimpress0000unse_x5j4/.
External links
- The Exhibition catalog (in French) for the 2nd Exposition de Peinture at the Bibliothèque nationale de France's Digital Library.
