Biography:Libby Heaney

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Short description: British artist, physicist and lecturer


Libby Heaney
Alma materImperial College London
University of Leeds
Central Saint Martins
Scientific career
InstitutionsUniversity of Oxford
National University of Singapore
Royal College of Art
ThesisEntanglement of non-interacting Bose gases (2008)
Websitelibbyheaney.co.uk

Libby Heaney is a British artist and quantum physicist known for her pioneering work on AI and quantum computing. She works on the impact of future technologies and is widely known to be the first artist to use quantum computing as a functioning artistic medium.[1] Her work has been featured internationally, including in the Victoria and Albert Museum, Tate Modern and the Science Gallery.

Early life and scientific career

Heaney is from Tamworth, Staffordshire.[2] She lived in Amington, and went to Greenacres Primary School and [3] Woodhouse High School, now called Landau Forte Academy Amington. She took her GCSEs in 1999.[4]

She studied physics at Imperial College London, graduating in 2005 with first class honours.[5][6] Libby pursued a successful career in quantum physics, completing a PhD thesis on mode entanglement in ultra-cold atomic gases at the University of Leeds,[7] and pursued her own research as a postdoctoral fellow at the University of Oxford and at the National University of Singapore. In 2008, Heaney was awarded the Institute of Physics Very Early Career Woman in Physics Award (now Jocelyn Bell Burnell Medal and Prize).[8]

Artistic career

In 2013 Heaney returned to the UK and completed a master's degree at the University of the Arts London. She studied arts and science at Central Saint Martins and graduated in 2015.[2] She then became a lecturer at the Royal College of Art, teaching Information Experience Design.[9] In 2016, she created Lady Chatterley's Tinderbot which presented Tinder conversations between real users and AI bots programmed using Lady Chatterley's Lover. Lady Chatterley's Tinderbot was covered by BBC News, TheJournal.ie and the Irish Examiner and was exhibited internationally.[10][11][12]

In 2017, Heaney was commissionned by Sky Arts and the Barbican Centre to design Britbot, an internet bot built using artificial intelligence and the citizenship book Life in the UK: a guide for new residents.[13] The book, a manual for the citizenship test, has been described by Heaney as being "largely a white male privileged version of British history and culture".[14] The bot spoke to  the public about what it meant to be British and learnt from their responses to become an ever changing, plural version of Britishness.[2] She was awarded an Arts Council England grant to widen participation of the Britbot to social media.[15] Heaney has exhibited Britbot at the Victoria and Albert Museum, at CogX, the Sheffield Documentary Festival the Edinburgh TV festival, and Art Ai in Leicester.[16][17][18][19]

She has been creating with quantum computing since 2019,[20] and has created artworks using quantum computing for Light Art Space (LAS) in Berlin, Somerset House and arebyte in London.[21][22][23] Using quantum code, storytelling, and immersive installations and performances, Libby Heaney's works such as Ent- and slimeqore explore and warn against the double-edged potential of quantum computing and its exploitation by private companies. In 2022, Ent- received the Lumen Prize immersive environment award.

Major works

Ent- and The Evolution of Ent-: QX (2022)

In 2022, Libby Heaney was commissioned by Light Art Space to create Ent-, a 360 immersive installation that revisits Bosch’s Garden of Earthly Delights through quantum.[24] The work uses quantum computing as both a medium and a paradigm through which to conceive human and non-human relations.

Ent- was exhibited at LAS, Ars Electronica, and arebyte gallery in London.[24][25][26] The work was also modified to fit a full dome projection at the Deutsches Museum in Munich, projected onto a public facade in Seoul, and turned into a playable version for an exhibition at Nahmad Contemporary in New York.[27]

In 2022, Ent- was a winner in the Art Science Category of the Falling Walls prize and received the Lumen Prize immersive environment award.[28][29]

The Evolution of Ent-:QX, first displayed at arebyte gallery in London, builds on Ent- and imagines a fictional quantum computing company (QX) that appropriates, parodies and subverts the language of big tech in order to educate the viewer on current profit-oriented uses of quantum computing as well as propose new ways to think about and use the technology.[26]

In 2023, Ent- was acquired and displayed by the 0xCollection, a new media arts institution based in Basel, in their inaugural exhibition in Prague.[30]

Touch is response-ability (2020)

Touch is response-ability is an instagram performance and touch screen installation where participants activate animations by flicking through instagram stories. The performance investigates representations of the female body in art history and through computer vision to see how stereotypes are socially constructed and maintained. Images of the body are passed through a quantum algorithm, and as the users interact with them they progressively become fragmented and dissolve beyond recognition.

The work was originally commissioned by Hervisions at LUX in 2020 and performed on the LUX instagram account. It was also exhibited at Etopia Zaragoza in 2021 and at Art SG with Gazelli Art House in 2023.[31][32]

Lady Chatterley's Tinderbot (2016)

In Lady Chatterley’s Tinderbot, Libby Heaney programmed a bot to engage in conversations on Tinder by using lines from the 1928 novel Lady Chatterley’s Lover, by D.H. Lawrence. The work was first shown as an interactive installation in 2016 at the Dublin Science Gallery, allowing visitors to swipe left or right to navigate through various conversations.

Lady Chatterley’s Tinderbot was also exhibited at Sonar+D in Barcelona (2017), the Telefonica Fundacion in Lima (2017), the Lowry in Salford (2018), RMIT gallery in Melbourne (2021), Microwave Festival in Hong Kong (2022) and was shortlisted for the HEK-Basel Net-based art award in 2018.[33][34][35][36][37]

Selected exhibitions

  • 2023 - Synesthetic Immersion, 0xCollection, Prague[38]
  • 2023 - slimeQrawl, Shoreditch Arts Club, London[39]
  • 2023 - ...and that's only (half) the story, PLUS ONE Gallery, Antwerp[40]
  • 2023–Present Futures Festival, Centre of Contemporary Art, Glasgow[41]
  • 2023 - Realtime: Lilypads: Mediating Exponential Systems, NXT Museum, Amsterdam[42]
  • 2023 - My Rhino is not a Myth, Art Encounters Biennial, Timisoara[43]
  • 2023 - Ent-er the Garden of Forking Paths, Gazelli Art House, London[44]
  • 2023 - Energeia, Etopia, Zaragoza[45]
  • 2022 - Every Kind of Wind: Calder and the 21st Century, Nahmad Contemporary, New York[27]
  • 2022 - remiQXing still, Fiumano Clase, London[46]
  • 2022 - the Evolution of Ent-: QX, arebyte, London[26]
  • 2022 - Ent-, Light Art Space x Schering Stiftung, Berlin[24]
  • 2022 - Among the Machines, Zabludowicz Collection, London[47]
  • 2022 - BioMedia, ZKM, Karlsruhe[48]
  • 2021 - CASCADE, Southbank Centre, London[49]
  • 2021 - Agency is the Ability to Act, Holden Gallery, Manchester[50]
  • 2021 - BIAS, Science Gallery, Dublin [51]
  • 2021 - Ars Electronica, Linz[52]
  • 2021 - AI & Music, S+T+ARTS & Sonar Festival, CCCB, Barcelona[53]
  • 2020 - Real Time Constraints, arebyte, London[54]
  • 2019 - Euro(re)visions, Goethe Institut, London[55]
  • 2019 - Higher Resolutions with Hyphen Labs, Tate Modern, London[56]
  • 2019 - Open Fest with Sky Arts, Barbican, London[57]
  • 2018 - Digital Design Weekend, V&A, London[58]
  • 2018 - FAKE, Science Gallery, Dublin[59]
  • 2017 - Ars Electronica, Linz[60]
  • 2017 - Entangled: Quantum Computer Art, Royal College of Art, London[61]
  • 2017 - Humans Need Not Apply, Science Gallery, Dublin[62]

Awards and honours

Her awards include:

  • 2022 - Lumen Prize, BCS Immersive Environment Award (for Ent-)[63]
  • 2022 - Mozilla Foundation Creative Media Award, USA[64]
  • 2022 - nominated for the S+T+ARTS prize[65]
  • 2021 - Adaptation Award, Artquest, London
  • 2021 - British Council Amplify Collaboration Award[66]
  • 2018 - Arts Council England, National Lottery Project Grant[67]
  • 2018 - HeK Basel Net Based Art Award (shortlisted for Tinderbot)[68]

References

  1. ↑ "Libby Heaney: Ent- – Schering Stiftung" (in en-US). https://scheringstiftung.de/en/projektraum/libby-heaney/. 
  2. ↑ 2.0 2.1 2.2 elwyn.co. "Sky Arts Art 50 | 'The Britbot' by Libby Heaney" (in en). http://www.skyartsart50.tv/art-50-commissioned-projects/the-britbot-by-libby-heaney/. 
  3. ↑ Staffordshire Sentinel Wednesday 16 October 1991, page 11
  4. ↑ Tamworth Herald Friday 17 September 1999, page 28
  5. ↑ "Somerset House Studios: Libby Heaney - Google Arts & Culture" (in en). Google Cultural Institute. https://artsandculture.google.com/exhibit/HwKScJ9ttjDjIQ. 
  6. ↑ "Why can't we get physical?" (in en). The Independent. 2006-05-18. https://www.independent.co.uk/student/postgraduate/why-cant-we-get-physical-478699.html. 
  7. ↑ Heaney, Libby (2008). Entanglement of non-interacting Bose gases. jisc.ac.uk (PhD thesis). University of Leeds. OCLC 828574910. EThOS uk.bl.ethos.491808.
  8. ↑ Anon (2008). "Reaching for blue skies". Institute of Physics. http://www.iop.org/interactions/archive/INTMay08webTotal.pdf. 
  9. ↑ "Dr Libby Heaney". Royal College of Art. https://www.rca.ac.uk/more/staff/dr-libby-heaney/. 
  10. ↑ Youngs, Ian (2017-11-16). "When Lady Chatterley joined Tinder" (in en-GB). BBC News. https://www.bbc.com/news/entertainment-arts-41995722. 
  11. ↑ deBurca Butler, Jonathan (2017-02-14). "New exhibition addresses the blurring of the lines between humanity and the digital world". https://www.irishexaminer.com/lifestyle/artsfilmtv/new-exhibition-addresses-the-blurring-of-the-lines-between-humanity-and-the-digital-world-442890.html. 
  12. ↑ Murray, Sean (12 February 2017). "Lady Chatterley's Tinderbot: Modern dating at Dublin's Science Gallery" (in en). http://www.thejournal.ie/science-gallery-exhibits-3230398-Feb2017/. 
  13. ↑ "Britbot". https://www.britbot.org/. 
  14. ↑ "LIBBY HEANEY, art and quantum computing | CLOT Magazine" (in en-GB). 11 July 2019. https://www.clotmag.com/interviews/libby-heaney-when-quantum-computing-is-more-than-a-tool. 
  15. ↑ "About - Britbot". https://www.britbot.org/about. 
  16. ↑ "noisy chatterbots" (in en-US). ArtificiallyIntelligent. https://digitransglasgow.github.io/ArtificiallyIntelligent/contributions/15_Noisy.html. 
  17. ↑ "'Machine Dreams' at CogX 2018" (in en-GB). http://elluba.com/machine-dreams-exhibition-at-cogx-2018/. 
  18. ↑ elwyn.co. "Sky Arts Art 50 | 'Britbot' by Libby Heaney" (in en). http://www.skyartsart50.tv/projects/the-britbot-by-libby-heaney/. 
  19. ↑ "Phoenix Leicester - Britbot by Libby Heaney at Art AI Festival 2019" (in en). https://www.phoenix.org.uk/events/libby-heaney-britbot/. 
  20. ↑ "Libby Heaney, Quantum Computing Studies (Series), 2019-21" (in en). https://gazell.io/artists/255-libby-heaney/works/8611-libby-heaney-quantum-computing-studies-series-2019-21/. 
  21. ↑ Brown, Kate (2022-02-11). "Is It Time to Rethink the Art Exhibition? An Upstart Nonprofit Is Doing Just That With Radical Pop-Up Shows Across Berlin" (in en-US). https://news.artnet.com/art-world/las-foundation-berlin-2070911. 
  22. ↑ "Amplify 2020: Digital Installations and Film" (in en). 2020-11-23. https://www.somersethouse.org.uk/amplify-2020-digital-installations-and-film. 
  23. ↑ "arebyte Gallery — The Evolution of Ent-: QX" (in en-US). https://www.arebyte.com/evolution-of-ent. 
  24. ↑ 24.0 24.1 24.2 Space (LAS), Light Art. "LIGHT ART SPACE (LAS) | Ent-" (in en). https://lightartspace.org/programme/ent. 
  25. ↑ "Ent-" (in de-DE). https://ars.electronica.art/planetb/de/ent/. 
  26. ↑ 26.0 26.1 26.2 "arebyte Gallery — The Evolution of Ent-: QX" (in en-US). https://www.arebyte.com/evolution-of-ent. 
  27. ↑ 27.0 27.1 "EVERY KIND OF WIND: CALDER AND THE 21ST CENTURY - Curated by Kelly Taxter - Exhibitions - Nahmad Contemporary" (in en). https://www.nahmadcontemporary.com/exhibitions/every-kind-of-wind-calder-and-the-21st-century. 
  28. ↑ "Art and Science | Falling Walls Science Summit" (in en-US). https://falling-walls.com/art-and-science/. 
  29. ↑ "Enter the Winners" (in en-GB). https://www.lumenprize.com/blog/enter-the-winners. 
  30. ↑ Anastasiou, Elle (2023-11-29). "0xCollection: an Art Institution for the Digital Age" (in en-GB). https://somethingcurated.com/2023/11/29/elle-anastasiou-0xcollection/. 
  31. ↑ etopia_01 (2021-01-19). "VisionarIAs. Arte e Inteligencia Artificial." (in es). https://etopia.es/visionarias-arte-e-inteligencia-artificial/. 
  32. ↑ "Event: ART SG | 2023" (in en). https://gazelliarthouse.com/art-fairs/48/. 
  33. ↑ "Somerset House Studios - Sónar+D Barcelona 2017" (in en). https://sonarplusd.com/en/programs/barcelona-2017/areas/marketlab/somerset-house-studios-presented-by-british-council. 
  34. ↑ "Performance with Art with Heart at The Lowry – Libby Heaney" (in en-GB). http://libbyheaney.co.uk/exhibitions/performance-with-art-with-heart-at-the-lowry/. 
  35. ↑ "Future U" (in en-AU). https://rmitgallery.com/exhibitions/future-u/. 
  36. ↑ "HALF HALF ::: MICROWAVE INTERNATIONAL NEW MEDIA ARTS FESTIVAL 2022 :::". http://www.microwavefest.net/festival2022/MainExhibition.html. 
  37. ↑ "Libby Heaney – HEK" (in fr). https://hek.ch/fr/projets/net-based-award-2018/libby-heaney-lady-chatterleys-tinderbot-2016-17. 
  38. ↑ "Synesthetic Immersion". 2023. https://0xcollection.org/event/synesthetic-immersion. 
  39. ↑ "slimeQrawl – Libby Heaney Autumn Moving Image Commission Launch" (in en-GB). 2023-09-06. https://shoreditchartsclub.com/events/slimeqrawl-libby-heaney. 
  40. ↑ Gallery, PLUS-ONE (2023-09-02). "... And that's only (half) the story" (in en). https://www.plus-one.be/exhibitions/and-that-s-only-half-the-story. 
  41. ↑ "Present Futures" (in en-GB). https://presentfutures.org/. 
  42. ↑ "Realtime". https://nxtmuseum.com/exhibition/realtime/. 
  43. ↑ "Art Encounters Biennial: My Rhino is Not a Myth. art science fictions" (in en). https://timisoara2023.eu/en/projects/art-encounters-biennial-my-rhino-is-not-a-myth-art-science-fictions/. 
  44. ↑ "Ent-er the Garden of Forking Paths | 30 March - 13 May 2023" (in en). https://gazelliarthouse.com/exhibitions/169-ent-er-the-garden-of-forking-paths-libby-heaney/#:~:text=Prompting%20thought%20on%20determinism,%20Ent,possibilities%20at%20the%20same%20time%E2%80%9D.. 
  45. ↑ "Energeia" (in es). https://etopia.es/evento/energeia/. 
  46. ↑ "Libby Heaney : remiQXing still | 16 September - 16 October 2022 - Overview" (in en). https://www.fiumanoclase.com/exhibitions/30-libby-heaney-remiqxing-still/overview/. 
  47. ↑ Collection, Zabludowicz. "Libby Heaney: slimeQore | Art Event at Zabludowicz Collection, London Art Gallery" (in en). https://www.zabludowiczcollection.com/events/view/libby-heaney-slimqore. 
  48. ↑ "BioMedia | 18.12.2021 - 00:00 to 28.08.2022 - 00:00 | ZKM" (in en). https://zkm.de/en/exhibition/2021/12/biomedia. 
  49. ↑ "Nabihah Iqbal x Libby Heaney: Cascade" (in en). https://www.southbankcentre.co.uk/whats-on/gigs/nabihah-iqbal-x-libby-heaney-cascade. 
  50. ↑ "MMU | Holden Gallery | Interruptions: Libby Heaney (03.02.21 - 10.02.21)". https://www.holdengallery.mmu.ac.uk/2021/interruptions-libby-heaney/. 
  51. ↑ "BIAS" (in en-GB). https://dublin.sciencegallery.com/bias. 
  52. ↑ "Ent-" (in de-DE). https://ars.electronica.art/planetb/de/ent/. 
  53. ↑ "AI and Music S+T+ARTS Festival | Activities" (in en). https://www.cccb.org/en/activities/file/ai-and-music-s-t-arts-festival/237296. 
  54. ↑ "arebyte Gallery — Real-Time Constraints" (in en-US). https://www.arebyte.com/realtime-constraints-copy. 
  55. ↑ "EURO(RE)VISION" (in en). https://www.goethe.de/ins/gb/en/kul/mag/21519780.html. 
  56. ↑ "Higher Resolution". http://www.hyphen-labs.com/higher-resolution.html. 
  57. ↑ "Barbican OpenFest: Art 50 | Barbican" (in en). 23 February 2019. https://www.barbican.org.uk/whats-on/2019/event/barbican-openfest-art-50. 
  58. ↑ Rich, Steve (2018-08-20). "Artificially Intelligent. Digital Design Weekend 2018 • V&A Blog" (in en-US). https://www.vam.ac.uk/blog/digital/artificially-intelligent-digital-design-weekend-2018. 
  59. ↑ "Fake" (in en-GB). https://dublin.sciencegallery.com/fake. 
  60. ↑ "School of the Future" (in de-DE). https://ars.electronica.art/newdigitaldeal/de/school-of-the-future/. 
  61. ↑ "Entangled: Art, Science and Quantum Computing (Part 1) • V&A Blog" (in en-US). 2017-06-05. https://www.vam.ac.uk/blog/museum-life/entangled-art-science-and-quantum-computing-part-1. 
  62. ↑ "Humans Need Not Apply" (in en-GB). https://dublin.sciencegallery.com/hnna. 
  63. ↑ "BCS Immersive Environment Award Winner" (in en-GB). https://www.lumenprize.com/2022-winners/bcs-immersive-environment-award-winner. 
  64. ↑ "10 Projects Rethinking Data Stewardship: Announcing Mozilla's Latest Creative Media Awards" (in en). 2022-03-14. https://foundation.mozilla.org/en/blog/10-projects-rethinking-data-stewardship-announcing-mozillas-latest-creative-media-awards/. 
  65. ↑ "Ent-" (in en-US). https://starts-prize.aec.at/en/ent/. 
  66. ↑ "Announcing: AMPLIFY D.A.I Collaboration Grants | Blog | Creative Economy | British Council". https://creativeconomy.britishcouncil.org/blog/21/03/05/amplify-dai-collaboration-grants/. 
  67. ↑ "Project Grants Awards - Arts Council England". Arts Council. 2018-10-08. https://www.artscouncil.org.uk/sites/default/files/download-file/ACPG_Awards_YTD_08_October_18_0.xlsx. 
  68. ↑ HeK. "HeK - net based award 2018" (in en). http://www.hek.ch/en/projects/net-based-award-2018.html. 



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