Engineering:Kamancheh

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Short description: Iranian bowed string instrument
Kamancheh
2 Kamānches, Persia, ca. 1880.jpg
Persian Kamānches, ca. 1880
String instrument
Other namesKamancha, Kamanche, Kemancheh, Kamanjah, Kabak kemane
Classification Bowed strings
DevelopedIran
Playing range
g3-e7
Related instruments
Musicians
  • Sayat Nova
  • Ali-Asghar Bahari
  • Kayhan Kalhor
  • Ardeshir Kamkar
  • Saeed Farajpouri
  • Habil Aliev
  • Mehdi Bagheri
Builders
  • Ebrahim Ghanbari Mehr
  • Bayyaz Amir-Ataaie
  • Saeed Maleki
  • Qodratollah Kurdi
  • Emad Kosari
Sound sample
Art of crafting and playing with Kamantcheh/Kamancha, a bowed string musical instrument
CountryAzerbaijan and Iran
Reference01286
Inscription history
Inscription2017 (13th session)
ListRepresentative
Kamancheh

The kamancheh (also kamānche or kamāncha) (Persian: کمانچه‎, Azerbaijani: kamança, Armenian: քամանչա, Kurdish: کەمانچە ,kemançe‎) is an Iranian bowed string instrument used in Persian,[1] Azerbaijani,[2] Armenian,[3] Kurdish,[4] Georgian, Turkmen, and Uzbek music with slight variations in the structure of the instrument.[5][6] The kamancheh is related to the rebab which is the historical ancestor of the kamancheh and the bowed Byzantine lyra.[7] The strings are played with a variable-tension bow.

In 2017, the art of crafting and playing with Kamantcheh/Kamancha was included into the UNESCO Intangible Cultural Heritage Lists of Azerbaijan and Iran.[8]

Name and etymology

The word "kamancheh" means "little bow" in Persian (kæman, bow, and -cheh, diminutive).[9] The Turkish word kemençe is borrowed from Persian, with the pronunciation adapted to Turkish phonology. It also denotes a bowed string instrument, but the Turkish version differs significantly in structure and sound from the Persian kamancheh. There is also an instrument called kabak kemane literally "pumpkin-shaped bow instrument" used in Turkish music which is only slightly different from the Iranian kamancheh.[10]

Structure

The kamancheh has a long neck including fingerboard which kamancheh maker shapes it as a truncated inverse cone for easy bow moving in down section, pegbox in both side of which four pegs are placed, and finial[11] Traditionally kamanchehs had three silk strings, but modern instruments have four metal strings. Kamanchehs may have highly ornate inlays and elaborately carved ivory tuning pegs. The body has a long upper neck and a lower bowl-shaped resonating chamber made from a gourd or wood, usually covered with a membrane made from the skin of a lamb, goat or sometimes a fish, on which the bridge is set. From the bottom protrudes a spike to support the kamancheh while it is being played, hence in English, the instrument is sometimes called the spiked fiddle. It is played sitting down held like a cello though it is about the length of a viol. The end-pin can rest on the knee or thigh while the player is seated in a chair.[6]

Kamancheh is usually tuned like an ordinary violin (G, D, A, E).

  • Kamancha on the Armenian miniature, XVI or XVII century.

  • Qajar Iran miniature of a woman playing the kamancheh.

  • A woman playing the kamancheh. Detail from a wall painting in which Mohammad Ali Shah Qajar is surrounded by musicians and dancers. Painted by Abuʾl-Qasim, dated 1816.[12]

  • Woman playing kamancheh, ca. 1820.

  • The Armenian ashugh Sayat-Nova playing a kamanacheh, ca. 1964.

  • Azerbaijani kamancheh player Malik Mansurov.

  • Kayhan Kalhor performance in Vahdat Hall, Tehran, 2016.

  • Kamancheh player, Kermanshah, Iran, 2008.

  • Kamancha player, Yerevan.

Notable kamancheh players

  • Habil Aliyev
  • Mehdi Bagheri
  • Ali-Asghar Bahari
  • Mark Eliyahu
  • Kayhan Kalhor
  • Ardeshir Kamkar
  • Kourosh Babaei
  • Sayat-Nova
  • Yaara Beeri

See also

References

  1. ↑ Global Minstrels: Voices of World Music. Elijah Wald. 2012. p. 227. ISBN 9781135863685. 
  2. ↑ "Kamancha". UNESCO. http://unesco.preslib.az/en/page/FWdGKng1R2. "In the Republic of Azerbaijan it constitutes a major element of classical and folkloric music, and performances occupy a central place in a wide number of social and cultural gatherings." 
  3. ↑ Dowsett, Charles (1997). Sayatʻ-Nova: an 18th-century troubadour: a biographical and literary study. Leuven: Peeters Publishers. p. 4. ISBN 90-6831-795-4. 
  4. ↑ "Iranian Kurdish musician wins prestigious award". Kurdistan24. 19 August 2019. https://www.kurdistan24.net/en/news/46dfb901-1ecd-40d3-b8c7-1c872fe622d4. 
  5. ↑ "Pastimes of Central Asians. Musicians. A Man Practising the Kamancha, a Long-necked Stringed Instrument". World Digital Library. 1865. http://www.wdl.org/en/item/10824/#time_periods=1850-1899&page=8. 
  6. ↑ 6.0 6.1 Martin, Andrew R.; Mihalka, Matthew Ph.D., eds (2020). "Music Around the World: A Global Encyclopedia [3 Volumes"]. Music Around the World: A Global Encyclopedia [3 Volumes]. ABC-CLIO. p. 442. ISBN 9781610694995. https://books.google.com/books?id=wvb2DwAAQBAJ. 
  7. ↑ "Iranian string instrument 'Kamancheh' to be inscribed on UNESCO list". 11 April 2015. http://en.mehrnews.com/detail/News/106573. 
  8. ↑ "Art of crafting and playing with Kamantcheh/Kamancha, a bowed string musical instrument". UNESCO. https://ich.unesco.org/en/RL/art-of-crafting-and-playing-with-kamantcheh-kamancha-a-bowed-string-musical-instrument-01286. 
  9. ↑ "کمانچه – پارسی ویکی". http://www.loghatnaameh.com/dehkhodaworddetail-517f91e26c9a482aa5447c3e20c4aff8-fa.html. 
  10. ↑ "Kabak kemane ve Kemancha hakkında rehber". http://www.frmtr.com/muzik-enstrumanlari/5496809-kabak-kemane-ve-kemancha-hakkinda-rehber.html. 
  11. ↑ Chandrakausika, R.A.M. (2013-03-08). "The Masters of Kamanche". https://saxonianfolkways.wordpress.com/2013/03/08/the-masters-of-kamanche/. 
  12. ↑ Jonathan M. Bloom, Sheila S. Blair (Ed.): The Grove Encyclopedia of Islamic Art and Architecture. Volume 1. Oxford University Press, Oxford 2009, p. 8

Further reading

External links



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