Social:Hoteps

Short description: Afrocentrist group of African Americans

Hoteps are members of an Afrocentrist African American subculture that focuses on Ancient Egypt as a source of Black pride. The group has been described as promoting pseudohistory and misinformation about Black history. Hoteps espouse a mixture of Black radicalism and social conservatism.

One of their more recognizable beliefs is the idea that Ancient Egypt was a racially homogeneous civilization that was uniformly made up of a single ethnic group of Black people, as opposed to the mainstream understanding that ancient Egypt was an extremely diverse society consisting of people with a range of skin tones who were indigenous to the Egyptian Nile valley, as well as ethnic groups from the surrounding deserts, Libyans, Nubians, and eventually Greeks and Arabs, after conquests.

Etymology

The term "hotep" was originally used among Afrocentrists as a greeting, similar to "I come in peace", but by the mid-2010s had come to be used disparagingly to "describe a person who's either a clueless parody of Afrocentricity" or "someone who's loudly, conspicuously and obnoxiously pro-black but anti-progress."

Views

Hoteps espouse a mixture of black radicalism and social conservatism, often through generating social media content on sites such as Twitter and Instagram. Members of the subculture promote conspiracy theories, often through internet memes, as well as inaccurate historical claims. Hoteps often denounce homosexuality and interracial marriage, promote the view that Black women should be subordinate to Black men, and oppose LGBT rights and feminism, which they view as inimical to Black liberation. A substantial number of hoteps promote anti-Semitic conspiracy theories. Commentator Matthew Sheffield wrote in 2018 that "a significant portion of self-identified hoteps have so much in common with far-right white nationalism" that the subculture "has been dubbed the 'ankh right' by some of its black critics" (a play on the term "alt-right").

In 2017, The Root defined hoteps as "people who have overdosed on 'Pan-Afrikan' ideologies they obtained by reading badly designed websites, Hidden Colors DVDs... and poor-quality YouTube videos explaining Illuminati symbology to scary background music."

Origin

In the 1930s, hotep ideology originated in the Islam-inspired teachings of Wallace Fard Muhammad, a door-to-door salesman and founder of the American black nationalist organization Nation of Islam. Claiming he was the incarnation of Noble Drew Ali, Muhammad "borrowed from traditional Islamic behavioral practices" to create "a myth designed especially to appeal to African Americans". Prominent members included Malcolm X and Elijah Muhammad.

Although its members are not always called "hoteps", the community originated in response to early 20th-century Egyptomania within the black community of the United States as well as in response to the emergence of Afrocentrism following the civil rights movement (with a later resurgence in the 1980s and 1990s).

Adherents

Notable people who have promoted hotep ideas, or have been described as part of hotep subculture, include Kanye West, Kyrie Irving, and Umar Johnson.

Depictions in popular culture

In 2018, the Netflix series Dear White People featured a hotep antagonist, Trevor, played by Shamier Anderson.

In 2019, comedian Robin Thede portrayed a recurring hotep character on multiple segments of A Black Lady Sketch Show.

Reception

Critics have argued that hotep beliefs are too narrow-minded (they only focus on Ancient Egypt, as opposed to Sub-Saharan Africa and other aspects of African history). Black feminists argue that hoteps perpetuate patriarchy and rape culture by policing women's sexuality and tolerating predatory black men.

Anthropologist Miranda Lovett, writing in the online magazine Sapiens, critiqued Hotep-promoted internet memes that "juxtapose incongruous elements of African culture and contemporary life" and present Black women as "Nubian queens" or "mothers of civilization" who "are expected to serve primarily as support to their Black husbands". Lovett argues: "The Hoteps movement is a testament to the uniquely painful and complicated history of African Americans. It is anchored in a long tradition of looking to Africa for points of needed pride. Yet it also risks propagating false histories and conventions, and, ironically, disparaging Black women and those who are LGBTQ in the service of elevating Black identity."

See also

• Ancient Egyptian race controversy
• Black Hebrew Israelites
• Cleopatra race controversy
• Moorish Science Temple of America
• Nation of Islam
• Nuwaubian Nation
• Five-Percent Nation

Further reading

• Hotep, Uhuru (July 2008). "Intellectual maroons: architects of African sovereignty.". Journal of Pan African Studies 2 (5): 3–20. Gale A192353409. 
• McMurray, Anaya (September 2008). "Hotep and Hip-Hop". Meridians 8 (1): 74–92. doi:10.2979/MER.2008.8.1.74. 
• Amponsah, Emma-Lee (13 June 2023). "Towards a Black Cultural Memory: Black Consciousness and Connectivity in the Online-Offline Continuum". African Diaspora 15 (1): 28–54. doi:10.1163/18725465-bja10034. 
• Adair Radney, El-Ra (21 December 2023). "African American Redemption in the Pan-African Metropolis: Africanized Identities, Pan-African Lives and the African World Festival in Detroit". Journal of Black Studies. doi:10.1177/00219347231214827.