Social:List of internet aesthetics
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This is a list of internet aesthetics, including online visual styles, internet subcultures, fashion trends, digital art movements, and media-based aesthetics.[1]
A
- Analog horror – Horror aesthetic imitating VHS tapes and analog broadcasts.[2]
- Angelcore – Soft heavenly aesthetic inspired by angels, clouds, and white tones.[3]
- Animecore – Aesthetic inspired by anime art styles and Japanese pop culture.[4]
- Arcadecore – Nostalgic aesthetic inspired by retro arcades and pixel games.[5]
B
- Backrooms aesthetic – Liminal aesthetic featuring empty office-like spaces.[6]
- Barbiecore – Bright pink aesthetic inspired by Barbie-themed fashion and design.[7]
- Bloomcore – Nature aesthetic emphasizing flowers and colorful gardens.[8]
- Blokecore – Football-inspired fashion aesthetic based on sportswear.[9]
C
- Cafécore – Cozy aesthetic inspired by cafés, coffee shops, and warm lighting.[10]
- Cartooncore – Aesthetic inspired by cartoons and animated media.[11]
- Chaoscore – Fast-paced chaotic aesthetic involving cluttered visuals and randomness.[12]
- Cottagecore – Rural lifestyle aesthetic focused on nature and simplicity.[13]
- Cryptidcore – Aesthetic inspired by folklore creatures and mysterious animals.[14]
- Cybercore – Futuristic aesthetic featuring neon technology and cyberspace themes.[15]
- Cyberpunk – Dystopian futuristic aesthetic involving advanced technology and urban decay.[16]
D
- Dark academia – Academic aesthetic centered around classical literature and gothic imagery.[17]
- Decora – Japanese fashion aesthetic involving colorful layered accessories.[18]
- Dreamcore – Surreal nostalgic aesthetic inspired by dreams and liminal imagery.[19]
E
- Earthcore – Nature-based aesthetic centered around forests, rocks, and earthy colors.[20]
- Emocore – Emotional aesthetic associated with emo music and fashion.[21]
F
- Fairycore – Fantasy nature aesthetic inspired by fairies and magical forests.[22]
- Frutiger Aero – Glossy early-2000s aesthetic featuring bubbles, grass, and clean technology.[23]
G
- Goblincore – Nature-focused aesthetic celebrating moss, mushrooms, and imperfect objects.[24]
- Grunge – Rebellious aesthetic inspired by 1990s alternative culture.[25]
K
- Kidcore – Nostalgic colorful aesthetic inspired by childhood media and toys.[26]
- Kawaiicore – Cute Japanese-inspired aesthetic emphasizing pastel colors and mascots.[27]
L
- Liminal space – Aesthetic focused on empty transitional environments that feel uncanny.[28]
- Lovecore – Romantic aesthetic centered around hearts, love letters, and affection imagery.[29]
M
- Mallsoft – Vaporwave subgenre inspired by shopping malls and elevator music.[30]
- Matrixcore – Futuristic green-tinted cyber aesthetic inspired by The Matrix franchise.[31]
- Minimalism – Aesthetic emphasizing simplicity and reduced visual clutter.[32]
N
- Naturecore – Nature aesthetic centered around forests, plants, and wildlife.[33]
- Nostalgiacore – Aesthetic centered around nostalgia for earlier decades.[34]
P
- Pastel goth – Gothic fashion aesthetic incorporating pastel colors.[35]
- Poolrooms aesthetic – Liminal aesthetic featuring endless tiled swimming pool spaces.[36]
S
- Scene – Bright internet fashion subculture popular during the 2000s.[37]
- Softcore – Gentle pastel aesthetic emphasizing softness and comfort.[38]
- Steampunk – Retrofuturistic aesthetic inspired by Victorian steam-powered technology.[39]
- Synthwave – Retro neon aesthetic inspired by 1980s electronic culture.[40]
T
- Traumacore – Emotional aesthetic exploring trauma and childhood memories.[41]
- Tropicalcore – Bright tropical aesthetic inspired by beaches and islands.[42]
V
W
- Weirdcore – Surreal internet aesthetic emphasizing distorted nostalgia and psychological unease.[44]
Y
- Y2K – Aesthetic inspired by late-1990s and early-2000s fashion and technology.[45]
References
- ↑ Papuc, Oana Teodora (2022). "Exploring Liminal Aesthetics: The "Glitchy and Decayed" Worlds of Vaporwave, Semiotic Assemblages, and Internet Linguistics". Studia UBB Philologia 67 (4): 165–186. doi:10.24193/subbphilo.2022.4.08.
- ↑ Blank, Trevor J. (2023). "The Digital Folklore of Analog Horror". New Media & Society.
- ↑ Bell, Alice (2021). "Fantasy Aesthetics in Digital Communities". Transformative Works and Cultures.
- ↑ Napier, Susan J. (2005). Anime from Akira to Howl's Moving Castle. Palgrave Macmillan. ISBN 9781403970521.
- ↑ Heinonen, Yrjö (2021). "Retrowave and Digital Nostalgia". Popular Music Studies.
- ↑ Wu, Haoxing (2022). "Dreamcore's Inheritance and Transcendence of Liminal Space". Journal for Cultural Research 26 (2). doi:10.1080/14797585.2022.2097013.
- ↑ "How Barbiecore became a major fashion trend". BBC. https://www.bbc.com/.
- ↑ Feng, Yidan (2023). "Digital Cottage Aesthetics". Journal of Visual Culture.
- ↑ "What is Blokecore?". The Guardian. https://www.theguardian.com/.
- ↑ Feng, Yidan (2023). "Digital Cottage Aesthetics". Journal of Visual Culture.
- ↑ Wells, Paul (1998). Understanding Animation. Routledge.
- ↑ Papuc, Oana Teodora (2022). "Exploring Liminal Aesthetics". Studia UBB Philologia 67 (4).
- ↑ Feng, Yidan (2023). "Cottagecore: The Romanticization of Rural Simplicity in Digital Culture". Journal of Visual Culture.
- ↑ Blank, Trevor J. (2009). Folklore and the Internet. Utah State University Press.
- ↑ Cavallaro, Dani (2000). Cyberpunk and Cyberculture. Athlone Press.
- ↑ McFarlane, Anna (2020). The Routledge Companion to Cyberpunk Culture. Routledge.
- ↑ "Dark Academia and the rise of aesthetic subcultures online". The New York Times. https://www.nytimes.com/.
- ↑ Kawamura, Yuniya (2012). Fashioning Japanese Subcultures. Berg.
- ↑ Wu, Haoxing (2022). "Dreamcore's Inheritance and Transcendence of Liminal Space". Journal for Cultural Research 26 (2). doi:10.1080/14797585.2022.2097013.
- ↑ Feng, Yidan (2023). "Digital Cottage Aesthetics". Journal of Visual Culture.
- ↑ Greenwald, Andy (2003). Nothing Feels Good. St. Martin's Press.
- ↑ Bell, Alice (2021). "Fantasy Aesthetics in Digital Communities". Transformative Works and Cultures.
- ↑ "The nostalgia of Frutiger Aero design". https://www.designboom.com/.
- ↑ "The rise of Goblincore online". Vice. https://www.vice.com/.
- ↑ Yarm, Mark (2011). Everybody Loves Our Town. Crown Publishing.
- ↑ Kazarin, V. N. (2024). "Modus of Nostalgia in Weird-Liminal Aesthetics". Concept: Philosophy, Religion, Culture 8 (2).
- ↑ Kinsella, Sharon (2000). Adult Manga. University of Hawaii Press.
- ↑ Ginter-Agreda, Julio (2024). Liminal Space: The Transient Experience of the Architecturally Obsolete (Thesis). University of British Columbia.
- ↑ Bell, Alice (2021). "Fantasy Aesthetics in Digital Communities". Transformative Works and Cultures.
- ↑ Papuc, Oana Teodora (2022). "Exploring Liminal Aesthetics". Studia UBB Philologia 67 (4).
- ↑ Whissel, Kristen (2014). Spectacular Digital Effects. Duke University Press.
- ↑ Meyer, James (2001). Minimalism: Art and Polemics in the Sixties. Yale University Press.
- ↑ Feng, Yidan (2023). "Digital Cottage Aesthetics". Journal of Visual Culture.
- ↑ Kazarin, V. N. (2024). "Modus of Nostalgia in Weird-Liminal Aesthetics". Concept: Philosophy, Religion, Culture 8 (2).
- ↑ Hodkinson, Paul (2002). Goth: Identity, Style and Subculture. Berg.
- ↑ Wu, Haoxing (2022). "Dreamcore's Inheritance and Transcendence of Liminal Space". Journal for Cultural Research. doi:10.1080/14797585.2022.2097013.
- ↑ "Remembering Scene culture". The Guardian. https://www.theguardian.com/.
- ↑ Bell, Alice (2021). "Fantasy Aesthetics in Digital Communities". Transformative Works and Cultures.
- ↑ Bowser, Rachel A. (2016). Like Clockwork: Steampunk Pasts, Presents, and Futures. University of Minnesota Press.
- ↑ Heinonen, Yrjö (2021). "Retrowave and Synthwave Nostalgia". Popular Music Studies.
- ↑ Wu, Haoxing (2022). "Dreamcore's Inheritance and Transcendence of Liminal Space". Journal for Cultural Research. doi:10.1080/14797585.2022.2097013.
- ↑ Bell, Alice (2021). "Fantasy Aesthetics in Digital Communities". Transformative Works and Cultures.
- ↑ Papuc, Oana Teodora (2022). "Exploring Liminal Aesthetics". Studia UBB Philologia 67 (4).
- ↑ Kazarin, V. N. (2024). "Modus of Nostalgia in Weird-Liminal Aesthetics". Concept: Philosophy, Religion, Culture 8 (2).
- ↑ "The return of Y2K fashion". Vogue. https://www.vogue.com/.
