Social:Oral Bible translation
Oral Bible translation (OBT) is a method of translating the Bible that emphasizes spoken communication rather than written texts.[1][2][3] It is primarily used in communities where oral traditions are the dominant mode of learning and transmission.[4][5] Drawing on insights from multimodality and performance criticism,[6][7] the process typically involves teams who render passages aloud, test them through dialogue and storytelling, and adapt them to local forms of performance such as song, poetry, or narrative.[8][9] OBT highlights features of the biblical texts that lend themselves to oral presentation, including rhythm, repetition, and dialogue.[10][11] The approach is intended to make the Bible accessible to audiences who may not read or write, while also reflecting the oral-aural qualities inherent in the source texts.[12][13]
References
- ↑ Cleaver, Bronwen (2023). "Oral Bible Translation and Its Role in the Future of Bible Translation" (in en). The Bible Translator 74 (1): 5–20. doi:10.1177/20516770231152271. ISSN 2051-6770. https://journals.sagepub.com/doi/10.1177/20516770231152271.
- ↑ Maxey, James A. (2009). From orality to orality: a new paradigm for contextual translation of the Bible. Biblical performance criticism. Eugene, OR: Cascade Books. ISBN 978-1-60608-324-6.
- ↑ Regt, Lénart J. de (2013). "Bible Translation and Orality". Journal of Translation 9 (1): 17–22. doi:10.54395/jot-45rpn. https://www.sil.org/resources/publications/entry/53006.
- ↑ Brown, H. A. (1968). "Oral Literature and Bible Translating" (in en). The Bible Translator 19 (1): 17–18. doi:10.1177/000608446801900104. ISSN 2051-6770. https://journals.sagepub.com/doi/10.1177/000608446801900104.
- ↑ De Vries, Lourens (2000). "Bible Translation and Primary Orality" (in en). The Bible Translator 51 (1): 101–114. doi:10.1177/026009350005100101. ISSN 2051-6770. https://journals.sagepub.com/doi/10.1177/026009350005100101.
- ↑ Maxey, James A. (2025). Expanding Approaches to Bible Translation: Multimodal Perspectives. Eugene, Oregon: Wipf and Stock Publishers. ISBN 978-1-6667-7130-5.
- ↑ Maxey, James (2009-01-01). "Performance Criticism and its Implications for Bible Translation: Part I: Oral Performance and New Testament Studies" (in EN). The Bible Translator 60 (1): 37–49. doi:10.1177/026009350906000105. ISSN 2051-6770. https://doi.org/10.1177/026009350906000105.
- ↑ Chiwoko Banda, Maxwell (2024). "Oral Bible Translation as a Means of Enhancing Bible Engagement in Oral Communities: A Survey of Rural Congregations of the Church of Central Africa Presbyterian, Nkhoma Synod, in Malawi" (in en). The Bible Translator 75 (2): 245–264. doi:10.1177/20516770241255594. ISSN 2051-6770. https://journals.sagepub.com/doi/10.1177/20516770241255594.
- ↑ Dickie, June (2017). "Using Features of Indigenous Poetry and Music in the Oral Performance of Some Praise Psalms in Isizulu". Journal of Translation 13 (1): 1–10. doi:10.54395/jot-v622c. https://www.sil.org/resources/publications/entry/72281.
- ↑ Frost, Joshua; Mustin, Nikki; Beal, Heather (2024). "Attaining Quality in Oral Bible Translation: A Guide to Effective Practice". Journal of Translation 20 (2): 21–62. doi:10.54395/JOT-FMBOBT. https://www.sil.org/resources/publications/entry/100604.
- ↑ Naudé, Jacobus A. (2021-10-18), Gambier, Yves; van Doorslaer, Luc, eds., "Religious texts and oral tradition" (in en), Handbook of Translation Studies (Amsterdam: John Benjamins Publishing Company) 5: pp. 191–198, doi:10.1075/hts.5.rel5, ISBN 978-90-272-0887-3, https://benjamins.com/online/hts/articles/rel5, retrieved 2025-11-07
- ↑ Achtemeier, Paul J. (1990). "Omne verbum sonat: The New Testament and the Oral Environment of Late Western Antiquity". Journal of Biblical Literature 109 (1): 3. doi:10.2307/3267326. https://scholarlypublishingcollective.org/sblpress/jbl/article/109/1/3/182117.
- ↑ Naudé, Jacobus A., and Tshokolo J. Makutoane. 2006. “Reanimating Orality: The Case for a New Bible Translation in Southern Sotho.” Old Testament Essays 19 (2): 723–38.
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