Thesis, antithesis, synthesis

Short description: A progression of three ideas; the third idea resolves the conflict of the first two

In philosophy, the triad of thesis, antithesis, synthesis (German: These, Antithese, Synthese; originally: Thesis, Antithesis, Synthesis) is a progression of three ideas or propositions. The first idea, the thesis, is a formal statement illustrating a point; it is followed by the second idea, the antithesis, that contradicts or negates the first; and lastly, the third idea, the synthesis, resolves the conflict between the thesis and antithesis. It is often used to explain the dialectical method of German philosopher Georg Wilhelm Friedrich Hegel, but Hegel never used the terms himself; instead his triad was concrete, abstract, absolute. The thesis, antithesis, synthesis triad actually originated with Johann Fichte.

History of the idea

Thomas McFarland (2002), in his Prolegomena to Coleridge's Opus Maximum, identifies Immanuel Kant's Critique of Pure Reason (1781) as the genesis of the thesis/antithesis dyad. Kant concretises his ideas into:

• Thesis: "The world has a beginning in time, and is limited with regard to space."
• Antithesis: "The world has no beginning and no limits in space, but is infinite, in respect to both time and space."

Inasmuch as conjectures like these can be said to be resolvable, Fichte's Grundlage der gesamten Wissenschaftslehre (Foundations of the Science of Knowledge, 1794) resolved Kant's dyad by synthesis, posing the question thus:

• Are synthetic judgments a priori possible?
  • No synthesis is possible without a preceding antithesis. As little as antithesis without synthesis, or synthesis without antithesis, is possible; just as little possible are both without thesis.

Fichte employed the triadic idea "thesis–antithesis–synthesis" as a formula for the explanation of change. Fichte was the first to use the trilogy of words together, in his Grundriss des Eigentümlichen der Wissenschaftslehre, in Rücksicht auf das theoretische Vermögen (1795, Outline of the Distinctive Character of the Wissenschaftslehre with respect to the Theoretical Faculty): "Die jetzt aufgezeigte Handlung ist thetisch, antithetisch und synthetisch zugleich." ["The action here described is simultaneously thetic, antithetic, and synthetic."]

Still according to McFarland, Schelling then, in his Vom Ich als Prinzip der Philosophie (1795), arranged the terms schematically in pyramidal form.

According to Walter Kaufmann (1966), although the triad is often thought to form part of an analysis of historical and philosophical progress called the Hegelian dialectic, the assumption is erroneous:

Whoever looks for the stereotype of the allegedly Hegelian dialectic in Hegel's Phenomenology will not find it. What one does find on looking at the table of contents is a very decided preference for triadic arrangements. ... But these many triads are not presented or deduced by Hegel as so many theses, antitheses, and syntheses. It is not by means of any dialectic of that sort that his thought moves up the ladder to absolute knowledge.

Gustav E. Mueller (1958) concurs that Hegel was not a proponent of thesis, antithesis, and synthesis, and clarifies what the concept of dialectic might have meant in Hegel's thought.

"Dialectic" does not for Hegel mean "thesis, antithesis, and synthesis." Dialectic means that any "ism" – which has a polar opposite, or is a special viewpoint leaving "the rest" to itself – must be criticized by the logic of philosophical thought, whose problem is reality as such, the "World-itself".

According to Mueller, the attribution of this tripartite dialectic to Hegel is the result of "inept reading" and simplistic translations which do not take into account the genesis of Hegel's terms:

Hegel's greatness is as indisputable as his obscurity. The matter is due to his peculiar terminology and style; they are undoubtedly involved and complicated, and seem excessively abstract. These linguistic troubles, in turn, have given rise to legends which are like perverse and magic spectacles – once you wear them, the text simply vanishes. Theodor Haering's monumental and standard work has for the first time cleared up the linguistic problem. By carefully analyzing every sentence from his early writings, which were published only in this century, he has shown how Hegel's terminology evolved – though it was complete when he began to publish. Hegel's contemporaries were immediately baffled, because what was clear to him was not clear to his readers, who were not initiated into the genesis of his terms.

An example of how a legend can grow on inept reading is this: Translate "Begriff" by "concept," "Vernunft" by "reason" and "Wissenschaft" by "science" – and they are all good dictionary translations – and you have transformed the great critic of rationalism and irrationalism into a ridiculous champion of an absurd pan-logistic rationalism and scientism.

The most vexing and devastating Hegel legend is that everything is thought in "thesis, antithesis, and synthesis."

Karl Marx (1818–1883) and Friedrich Engels (1820–1895) adopted and extended the triad, especially in Marx's The Poverty of Philosophy (1847). Here, in Chapter 2, Marx is obsessed by the word "thesis"; it forms an important part of the basis for the Marxist theory of history.

Writing pedagogy

In modern times, the dialectic of thesis, antithesis, and synthesis has been implemented across the world as a strategy for organizing expositional writing. For example, this technique is taught as a basic organizing principle in French schools:

The French learn to value and practice eloquence from a young age. Almost from day one, students are taught to produce plans for their compositions, and are graded on them. The structures change with fashions. Youngsters were once taught to express a progression of ideas. Now they follow a dialectic model of thesis-antithesis-synthesis. If you listen carefully to the French arguing about any topic they all follow this model closely: they present an idea, explain possible objections to it, and then sum up their conclusions. ... This analytical mode of reasoning is integrated into the entire school corpus.

Thesis, Antithesis, and Synthesis has also been used as a basic scheme to organize writing in the English language. For example, the website WikiPreMed.com advocates the use of this scheme in writing timed essays for the MCAT standardized test:

For the purposes of writing MCAT essays, the dialectic describes the progression of ideas in a critical thought process that is the force driving your argument. A good dialectical progression propels your arguments in a way that is satisfying to the reader.

The thesis is an intellectual proposition.

The antithesis is a critical perspective on the thesis.

The synthesis solves the conflict between the thesis and antithesis by reconciling their common truths, and forming a new proposition.

See also

Books

• Encyclopedia of the Philosophical Sciences
• Science of Logic
• The Phenomenology of Spirit

People

• Heinrich Moritz Chalybäus
• David Icke § Problem–reaction–solution

Topics

• Aufheben
• Fusion of horizons
• Truth

External links

• Dialectical Inquiry
• A passage from Karl Marx' works using the terms

es:Tríada dialéctica