Engineering:List of large sensor interchangeable-lens video cameras

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List of digital video cameras with an image sensor larger than 2/3 inch and producing video in a horizontal resolution equal or higher than 1920 pixels.

Digital video cameras

Brand Camera Sensor size Crop factor[1] Lens Mount[2] Recording media[3] Codec Maximum video resolution ISO range Dynamic range (at native/peak ISO) Shutter type Anamorphic shooting Internal filters Frame rate(s−1)
Arri Alexa[4]
Alexa Plus 		23.76 x 13.37 mm 1.52 Arri PL SxS card, T-link recorder (optional XR module upgrade)[5] 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card)
12-bit ARRIRAW (T-link recorder or XR drive) 		2048 x 1152 (ProRes/DNxHD codecs to SxS card)
2880 x 1620 (ARRIRAW to external recorders or XR drive)
3164 x 1778 (ProRes with XR module upgrade)[6] 		160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8)[7] Rolling None by default, 2x and 1.33x desqueeze with license[8] Optical low pass, IR, UV 0,75 - 60 (default), 0.75 - 120 (with high speed license)[9]
Arri Alexa Plus 4:3[10]
Alexa M 		23.76 x 17.82 mm 1.52 Arri PL SxS card, T-link recorder (optional XR module upgrade)[5] 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card)
12-bit ARRIRAW (T-link recorder or XR drive) 		2048 x 1152 (ProRes/DNxHD codecs to SxS card)
2880 x 2160 (ARRIRAW to external recorders or XR drive)
3164 x 1778 (ProRes with XR module upgrade)[6] 		160 - 3200 (800 native) 13.8 stops[11] Rolling 2x and 1.33x desqueeze[8] Optical low pass, IR, UV 0.75 - 120[9]
Arri Alexa Studio 23.76 x 17.82 mm 1.52 Arri PL SxS card, T-link recorder (optional XR module upgrade)[5] 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card)
12-bit ARRIRAW (T-link recorder or XR drive) 		2048 x 1152 (ProRes/DNxHD codecs to SxS card)
2880 x 1620 (ARRIRAW to external recorders or XR drive)
3164 x 1778 (ProRes with XR module upgrade)[6] 		160 - 3200 (800 native) 13.8 stops[11] Mechanical 2x and 1.33x desqueeze[8] Optical low pass, IR, UV, ND 0.6-1.3[12] 0.75 - 120[9]
Arri Alexa HD
Alexa HD Plus[13]
 23.76 x 13.37 mm 1.52 Arri PL SxS card 12-bit 4444 ProRes, 10-bit DNxHD (with license) 1920 x 1080 160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Rolling None by default, 2x and 1.33x desqueeze with license[8] Optical low pass, IR, UV 0,75 - 60 (default), 0.75 - 120 (with high speed license)[9]
Arri Alexa Mini[12] 28.25 x 18.17 mm 1.28 Arri PL, EF, B4 (interchangeable) CFast 2.0 card, SDI-6G recorders 12-bit 4444 ProRes XQ, ARRIRAW 3424 x 2202 (ARRIRAW)
3164 x 1778 (ProRes)
3840 x 2160 (In-camera upscaled ProRes)[14] 		160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Rolling 2x and 1.33x desqueeze Optical low pass, IR, UV, ND 0.6, 1.2, 2.1 0,75 - 200 (ProRes), 0.75 - 30 (ARRIRAW to CFast 2.0 card), 0,75 - 200 (ARRIRAW to external recorders)
Arri Alexa LF 36.7 x 25.54 mm 0.98 LPL, ships with Arri PL adapter SXR drive 12-bit ARRIRAW, ProRes 4444 XQ 4448x3096 (ARRIRAW)
 160 - 3200 (800 native) 13.5 stops[11] Rolling 2x and 1.33x desqueeze Optical low pass, IR, UV 23.98-150
Arri Alexa Mini LF 36.7 x 25.54 mm 0.98 LPL, ships with Arri PL adapter Codex Compact Drive 12-bit ARRIRAW, ProRes 4444 XQ 4448x3096 (ARRIRAW)
 160 - 3200 (800 native) 13.5 stops[11] Rolling 2x and 1.33x desqueeze Optical low pass, IR, UV, ND 0.6, 1.2, 1.8 23.98-90
Arri Alexa SXT[15]
Alexa SXT Plus 		28.17 x 18.13 mm[16] 1.28 Arri PL SXR drive 12-bit 4444 ProRes XQ, 12-bit ARRIRAW 3414 x 2198 (ARRIRAW), 4096 x 2637 (In-camera upscaled ProRes) 160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Rolling 2x and 1.33x desqueeze[17] Optical low pass, IR, UV, internal ND filter module with filters sold separately[18] 0,75 - 120
Arri Alexa SXT Studio[15] 28.17 x 18.13 mm[16] 1.28 Arri PL SXR drive 12-bit 4444 ProRes XQ, 12-bit ARRIRAW 3414 x 2198 (ARRIRAW), 4096 x 2637 (In-camera upscaled ProRes) 160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Mechanical 2x and 1.33x desqueeze[17] Optical low pass, IR, UV, internal ND filter module with filters sold separately[18] 0,75 - 120
Arri Alexa XT[13]
Alexa XT Plus
Alexa XT M 		28.17 x 18.13 mm[16] 1.28 Arri PL XR drive (optional SXR module upgrade, excluding Alexa XT M)[19] 12-bit 4444 ProRes XQ, 10-bit 4:4:4 DNxHD (XR drive only), 12-bit ARRIRAW 2048 x 1152 (DNxHD)
3164 × 1778 (ProRes)
3414 x 2198 (ARRIRAW)[16]
4096 x 2637 (In-camera upscaled ProRes with SXR module upgrade) 		160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Rolling 2x and 1.33x desqueeze[17] Optical low pass, IR, UV, internal ND filter module with filters sold separately[18] 0,75 - 120
Arri Alexa XT Studio[13]
 28.17 x 18.13 mm[16] 1.28 Arri PL XR drive (optional SXR module upgrade) 12-bit 4444 ProRes XQ, 10-bit 4:4:4 DNxHD (XR drive only), 12-bit ARRIRAW 2048 x 1152 (DNxHD)
3164 × 1778 (ProRes)
3414 x 2198 (ARRIRAW)[16]
4096 x 2637 (In-camera upscaled ProRes with SXR module upgrade) 		160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Mechanical 2x and 1.33x desqueeze[17] Optical low pass, IR, UV, ND 0.6-1.3[12] 0,75 - 120
Arri Alexa XT B+W Monochrome[20] 28.17 x 18.13 mm[16] 1.28 Arri PL XR drive (optional SXR module upgrade) ProRes XQ, DNxHD (XR drive only), ARRIRAW 2048 x 1152 (DNxHD)
3164 × 1778 (ProRes)
3414 x 2198 (ARRIRAW)[16]
4096 x 2637 (In-camera upscaled ProRes with SXR module upgrade) 		160 - 3200 (2000 native) 15 stops[20] Rolling 2x and 1.33x desqueeze[17] Omits bayer filters, internal ND filter module with filters sold separately[18] 0,75 - 120
Arri Alexa 65[21] 54.12 x 25.58 mm 0.67 Arri XPL XR drive ARRIRAW 6560 x 3102 160 - 3200 (800 native) 14 stops Rolling 0,75 - 27 (60 fps upcoming)
Arri Alexa 35[22] 27.99 x 19.22 mm Arri PL, LPL, Canon EF (interchangeable) Codex Compact Drive ARRIRAW, Apple ProRes 4444 XQ 4608 × 3164 160 - 6400 16.3 stops (Log C,-8, +9)[23][24] Rolling 1x-2x desqueeze Optical low pass, IR, UV, ND 0.6, 1.2, 1.8 0.75 - 120
Arri Amira[25]
 23.76 x 13.37 mm 1.52 Arri PL, B4, EF (interchangeable) CFast 2.0 card ProRes (10-bit 4:2:2 by default, 4:2:2 HQ and 12-bit 4444 with license)[26]ARRIRAW (with license) 1920 x 1080 (default)
2048 x 1152 (with 2K license)

2880 x 1620 (ARRIRAW)
3840 x 2160 (in-camera upscaling with license)[27]

160 - 3200 (800 native) 14.5 stops (Log C)[28]
13.1 stops (usable)[29] 		Rolling None Optical low pass, IR, UV, ND 0.6, 1.2, 2.1 0,75 - 100 (default), 200 and 4K 60 with license
Arri D-20
D-21 		24.9 x 18.15 mm 1.45 Arri PL HD-SDI recorder, T-link recorder Uncompressed 12-bit 4:4:4 signal (HD-SDI recorders), ARRIRAW (T-link recorders) 1920 x 1080 (HD-SDI recorders)
2880 x 2160 (ARRIRAW recorders) 		50 - 320 (D-20)
100 - 800 (D-21, 200 native)[30] 		11 stops (Log C data mode, +6, -5)[31] Mechanical 2x desqueeze Optical low pass, IR 1 - 60
Blackmagic Cinema Camera[32] 15.81 x 8.88 mm CMOS 2.28 Canon EF, MFT, Arri PL 2.5" SSD 10-bit 4:2:2 ProRes, 10-bit DNxHD, 12-bit CinemaDNG RAW 1920 x 1080 (ProRes/DNxHD)
2432 x 1366 (CinemaDNG RAW) 		200 - 1600 (800 native) 13 stops (BMD Film, +6, -7)[33][34] Rolling None None 23.98, 24, 25, 29.97, 30
Blackmagic Micro Cinema Camera 12.48 x 7.02 mm CMOS 2.88 MFT SD card 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW 1920 x 1080 200 - 1600 (800 native) 13 stops Rolling None None 23.98 - 60[35]
Blackmagic Pocket Cinema Camera[32]
 12.48 x 7.02 mm CMOS 2.88 MFT SD card 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW 1920 x 1080 200 - 1600 (800 native) 13 stops (BMD Film, +6, -7)[33][34] Rolling None None 23.98, 24, 25, 29.97, 30
Blackmagic Pocket Cinema Camera 4K[32] 18.96 x 10 mm CMOS 1.9 Active MFT CFast card, SD card, USB-C drives 10-bit 4:2:2 ProRes, 12-bit Blackmagic RAW[36] 4096 x 2160 (BRAW)
3840 x 2160 (ProRes) 		100-25,600

(400 & 3200 dual native ISO)[37]

13.1 stops (BMD Film ISO 400, +5.5, -7.6)
12.2 stops (BMD Film ISO 3200, +5.1, -7.2)[33] 		Rolling None None 23.98 - 60
Blackmagic Pocket Cinema Camera 6K 23.1 x 12.99 mm CMOS Canon EF CFast card, SD card, USB-C drives 10-bit 4:2:2 ProRes, 12-bit Blackmagic RAW[36] 6144 x 3456 (BRAW)
4096 x 2160 (ProRes) 		100-25,600

(400 & 3200 dual native ISO)[37]

13.5 stops (BMD Film ISO 400, +5.9, -7.8)
12.2 stops (BMD Film ISO 3200, +5.6, -6.5)[33] 		Rolling None None 23.98 - 60
Blackmagic Pocket Cinema Camera 6K (L-Mount) 36 x 24 mm CMOS 1 Leica L-Mount CFexpress card, USB-C drives 12-bit Blackmagic RAW, 8-bit 4:2:0 H.264 6048 x 4032

(BRAW)

1920 x 1080 (H.264)

100-25,600

(400 & 3200 dual native ISO)

13.5 stops (BMD Film ISO 400, +5.9, -7.8)
12.1 stops (BMD Film ISO 3200, +5.6, -6.5) 		Rolling 4.8K 6:5 sensor windowing Optical low pass 23.98 - 120
Blackmagic Pocket Cinema Camera 6K Pro 23.1 x 12.99 mm CMOS Canon EF CFast card, SD card, USB-C drives 10-bit 4:2:2 ProRes, 12-bit Blackmagic RAW[36] 6144 x 3456 (BRAW)
4096 x 2160 (ProRes) 		100-25,600

(400 & 3200 dual native ISO)[37]

13.5 stops (BMD Film ISO 400, +5.9, -7.8)
12.1 stops (BMD Film ISO 3200, +5.6, -6.5)[33] 		Rolling 3.7K 6:5 sensor windowing ND 0.3, 0.6, 0.9 23.98 - 120
Blackmagic Production Camera 4K[32] 21.12 x 11.88 mm CMOS 1.7 Canon EF, MFT, Arri PL 2.5" SSD 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW 3840 x 2160 (ProRes)
4000 x 2160 (CinemaDNG Raw) 		200 - 800 (400 native)[38] 12 stops (BMD Film, per manufacturer)[33]
8.2 stops (usable)[29] 		Global None None 23.98, 24, 25, 29.97, 30
Blackmagic Ursa 4K[39]
 21.12 x 11.88 mm CMOS 1.7 Canon EF, Arri PL, B4 (interchangeable) CFast 2.0 card 10-bit 4:4:4 ProRes, 12-bit CinemaDNG RAW 3840 x 2160 (ProRes)
4000 x 2160 (CinemaDNG Raw) 		200 - 1600 (400 native)[40] 12 stops (BMD Film)[33] Global[41] None None 23.98, 24, 25, 29.97, 30, 50, 60
Blackmagic Ursa 4.6K 25.34 x 14.25 mm& CMOS 1.42 Canon EF, Arri PL, B4 (interchangeable) CFast 2.0 card 12-bit 4444 ProRes XQ, 12-bit CinemaDNG RAW 4608 x 2592 (CinemaDNG RAW)
3840 x 2160 (ProRes) 		200 - 1600 (800 native) 15 stops Rolling 3K 1.2:1 sensor windowing and 2x desqueeze, 1.3x desqueeze None 23.98 - 120
Blackmagic Ursa Mini 4K[33] 21.12 x 11.88 mm 1.7 Canon EF, Arri PL CFast 2.0 card 10-bit 4:4:4 ProRes, 12-bit CinemaDNG RAW 3840 x 2160 (ProRes)
4000 x 2160 (CinemaDNG Raw) 		200 - 1600 (400 native)[40] 12 stops (BMD Film)

8.5 stops (usable)[42]

Global[41] None None 23.98 - 60
Blackmagic Ursa Mini 4.6K 25.34 x 14.25 mm 1.42 Canon EF, Arri PL CFast 2.0 card 12-bit 4444 ProRes XQ, 12-bit CinemaDNG RAW 4608 x 2592 (CinemaDNG RAW)
3840 x 2160 (ProRes) 		200 - 1600 (800 native) 15 stops

~12 stops (usable)[42]

Rolling 3K 1.2:1 sensor windowing and 2x desqueeze, 1.3x desqueeze None 23.98 - 60
Blackmagic Ursa Mini Pro[33] 25.34 x 14.25 mm 1.42 Canon EF, Arri PL (interchangeable) CFast 2.0 card, SD card 12-bit 4444 ProRes XQ, 12-bit CinemaDNG RAW 4608 x 2592 (CinemaDNG RAW)
3840 x 2160 (ProRes) 		200 - 1600 (800 native) 15 stops Rolling 3K 1.2:1 sensor windowing and 2x desqueeze, 1.3x desqueeze IR ND 0.6, 1.2, 1.8 23.98 - 60
Blackmagic Ursa Mini Pro G2[43] 25.34 x 14.25 mm 1.42 Canon EF, Arri PL, B4, F-Mount (interchangeable) CFast 2.0 card, SD card 12-bit 4444 ProRes XQ, 12-bit Blackmagic RAW[36] 4608 x 2592 (BRAW)

3840x2160 (Prores)

200 - 3200 (800 native)[44] 15 stops Rolling 3K 1.2:1 sensor windowing and 2x, 1.3x desqueeze IR ND 0.6, 1.2, 1.8 23.98 - 120
Blackmagic Ursa Mini Pro 12K[45] 27.03 x 14.25 mm 1.42 Canon EF, Arri PL, F-Mount (interchangeable) CFast 2.0 card, SD card, 2.5-inch SSD via URSA Mini Recorder 12-bit Blackmagic RAW[36] 12,288 x 6480 200 - 3200 (800 native)[44] 14 stops Rolling 1.2:1 sensor windowing and 2x, 1.3x desqueeze IR ND 0.6, 1.2, 1.8, optical low pass (OLPF model)[46] 23.98 - 160
Canon C70[47] 26.2 x 13.8 mm 1.46 Canon RF (RF to EF adapter included) SD card 10 bit 4:2:2 XF-AVC, HEVC, 12-bit Cinema RAW Light 4096 x 2160 100 - 102,400 (800 native) 12.8 stops[48] Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 (ND 0.6, 1.2, 1.8, 2.4, 3.0 expanded) 23.98-120
Canon C100
 24.6 x 13.8 mm 1.46 Canon EF SD card, HDMI recorder 8-bit 4:2:0 AVCHD (internal recording), uncompressed 4:2:2 signal (HDMI recorders) 1920 x 1080 320 to 80,000 (850 native) 12 stops (Canon Log, -6.7, +5.3)[49] Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 1-30 (1-60)
Canon C100 Mark II
 24.6 x 13.8 mm 1.46 Canon EF SD card, HDMI recorder 8-bit 4:2:0 AVCHD, MP4 (internal recording), uncompressed 4:2:2 signal (HDMI recorders) 1920 x 1080 320 to 102,400 (850 native) 12 stops (Canon Log, -6.7, +5.3)[49] Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 1-60
Canon C200 24.6 x 13.8 mm 1.46 Canon EF, Arri PL (interchangeable with mount kit) CFast 2.0 card, SD card 12-bit Cinema RAW Light (to CFast card), 8-bit 4:2:0 MPEG4 (to SD card, uncompressed 4K 12-bit signal (HDMI recorders) or 2K signal (HD-SDI recorders) 4096 x 2160 (Cinema RAW Light)
3840 x 2160 (MPEG4) 		100 to 102,400 (800 native) 13 stops Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 (ND 0.6, 1.2, 1.8, 2.4, 3.0 expanded) 23.98-60 (4K) 23.98-120 (1080p)
Canon C300[50]
 24.6 x 13.8 mm 1.46 Canon EF, Arri PL CF card, HDMI/HD-SDI recorder 8-bit 4:2:2 MPEG2 (internal recording), uncompressed signal (HDMI/HD-SDI recorders) 1920 x 1080 320 to 80,000 (850 native) 12 stops (Canon Log, -6.7, +5.3)[51] Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 1-30 (1-60)
Canon C300 Mark II[50]
 24.6 x 13.8 mm 1.46 Canon EF, Arri PL (interchangeable by Canon) CFast 2.0 card, HDMI/HD-SDI recorder 10-bit 4:2:2 MPEG2 (4K internal recording), 12-bit 4:4:4 MPEG2 (2K internal recording), uncompressed 4K 12-bit signal (HDMI recorders) or 2K signal (HD-SDI recorders) 4096 x 2160 320 to 102,400 (800 native) 12.3 stops (Canon Log 2)[52] Rolling None Optical low pass, IR, ND 0.6 - 3 1-30 (4K)
1-120 (2K)
Canon C300 Mark III[53] 26.2 x 13.8 mm 1.37 Canon EF, Arri PL (interchangeable with mount kit) CFexpress card, SD card, HDMI/HD-SDI recorder 12-bit Cinema RAW Light, 10-bit 4:2:2 MPEG2, uncompressed 4K 12-bit signal (HDMI/HD-SDI recorders) 4096 x 2160 100 to 102,400 (800 native)[54] 12.8 stops (Canon Log)[55] Rolling 2x and 1.33x desqueeze Optical low pass, IR, ND 0.6 - 3 1-120 (4K)
1-180 (2K)
Canon C500[50]
 26.2 x 13.8 mm 1.37 Canon EF, Arri PL CF card, HDMI/HD-SDI recorder 8-bit 4:2:2 MPEG2 (internal recording), uncompressed 4K 10-bit 4:4:4 or 2K 12-bit 4:4:4 signal (HD-SDI recorders) 1920 x 1080 (internal recording)
4096 x 2160 (HD-SDI recorders) 		320 to 80,000 (850 native) 12 stops (Canon Log, -6.7, +5.3)[56] Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 1-30 (1-60)
Canon C500 Mark II[50]
 38.1 x 20.1 mm 0.94 Canon EF, Arri PL (interchangeable) CFexpress card, SD card, HDMI/HD-SDI recorder 12-bit Cinema RAW Light, 10-bit 4:2:2 MPEG2, uncompressed 4K 12-bit signal (HD-SDI recorders) 5952 x 3140 100 to 102,400 (800 native) 13.1 stops (Canon Log)[57] Rolling 2x and 1.33x desqueeze Optical low pass, IR, ND 0.6, 1.2, 1.8 1-30 (1-60)
Canon C700
C700 GS PL 		26.2 x 13.8 mm 1.37 Canon EF, Arri PL (interchangeable by Canon) CFast 2.0 card, SD card, Codex recorder 12-bit 4444 ProRes, 12-bit 4:4:4 XF-AVC (to CFast 2.0 card), 8-bit XF-AVC (SD card), 12-bit RAW (to external recorders) 4096 x 2160 (internal recording)
4512 x 2376 (RAW to external recorder) 		100 to 102,400 (850 native) 15 stops (Canon Log 2, -8.7, +6.3)[58]
14 stops (GS PL global shutter) 		Rolling
Global (GS PL version) 		1.3x and 2x desqueeze Optical low pass, IR, ND 0.6, 1.2, 1.8, 2.4, 3.6 23.98-60 (6K), 23.98-120 (2K)
Canon C700 FF 38.1 x 20.1 mm 0.94 Canon EF, Arri PL (interchangeable by Canon) CFast 2.0 card, SD card, Codex recorder 12-bit 4444 ProRes, 12-bit 4:4:4 XF-AVC (to CFast 2.0 card), 8-bit XF-AVC (SD card), 12-bit RAW (to external recorders) 4096 x 2160 (internal recording)
5952 x 3140 (RAW to external recorder) 		100 to 102,400 (850 native) 15 stops (Canon Log 2, -8.7, +6.3)[58]
14 stops (GS PL global shutter) 		Rolling
Global (GS PL version) 		1.3x and 2x desqueeze Optical low pass, IR, ND 0.6, 1.2, 1.8, 2.4, 3.6 23.98-60 (ProRes/XF-AVC), 23.98-120 (4K RAW), 23.98-240 (2K RAW)
Canon ME20F-SH [59][60] Full frame 35 mm Canon EF 1920 x 1080 800 to 4,560,000 12 stops IR, ND 1/8, 1/64 23.98-59.94
Dalsa Origin II[50]
 34 x 17.2 mm 1.06 Arri PL 1920 x 1080 30
Digital Bolex D16 12.85 x 9.64 mm CCD 2.8 C-mount, EF, MFT, PL CF card, internal flash storage (non-removable) 12-bit 4:4:4 CinemaDNG RAW 2048 x 1152 100 - 800 (200 native)[61] 12 stops[62] Global None Optical low pass 23.98-90
Digital Bolex D16 Monochrome 12.85 x 9.64 mm CCD 2.8 C-mount, EF, MFT, PL CF card, internal flash storage (non-removable) CinemaDNG RAW 2048 x 1152 13 stops[63] Global None Omits bayer filters 23.98-90
Hitachi SK-UHD8000[64] Super 35 Arri PL 7680 X 4320 8K
Ikegami SHK-810[65] Super 35 Arri PL 7680 X 4320 8K
JVC GY-LS300 Super 35 1.5 Micro Four Thirds SD card (dual slot: mirror, relay, proxy, sequential) H.264 8 bit 4:2:0 / 4:2:2 up to 150 Mbit/s 4096 x 2160 4K

3840 x 2160 4K

400 - 25600

(400 native)

11.8 stops

(-6.3, + 5.5)[66]

Rolling None ND 0.6, 1.2, 1.8 23.976-120
Panasonic AG-AF100

AG-AF101 AG-AF102 AG-AF105[67]

17.8 x 10 mm 2.02 Micro Four Thirds SD card(dual slot, only sequential) AVCHD 4:2:0 8 bit 24 Mbit/s

RAW 4:2:2 8 bit (external)

1920 x 1080 200 - 3200

(400 native)

10.2 stops

(-5.9, +4.3) at ISO 800[68]

Rolling None ND 0.6, 1.2, 1.8 12-60
Panasonic AJ-HPX3700[69]
 2/3" CCD x 3 4.09 2/3 inch bayonet mount[70] H.264, AVC-Intra 100 1920 x 1080 24, 1-60
Panasonic AJ-HPX2000[71] 2/3" CCD x 3 4.09 2/3 inch bayonet mount DVCPRO HD 137 Mbit/s 1920 x 1080 60 (interlaced)
Panasonic AJ-HPX3100GJ[72] 2/3" CCD x 3 4.09 2/3 inch bayonet mount AVC-Intra 100, DVCPRO HD 68 Mbit/s 1920 x 1080 30 (60)
Panasonic AK-SHB800GJ [73][74] Full frame 35mm CMOS EF lens mount 8K
Panasonic AU-EVA1 Full frame 35mm MOS 1.5 EF lens mount SDHC, SDXC MOV: 4:2:2 10 bit/4:2:0 8 bit

AVCHD: 4:2:0 8 bit

4096 x 2160 NATIVE: 800, 2500

800 Base: 200 to 2000

2500 Base: 1000 to 25600

14 stops Rolling ND Filter: CLEAR, 0.6ND, 1.2ND, 1.8ND, Electrical driven

IR Cut Filter: USER assignable IR shooting (filter ON/OFF)

23.98p - 240p
Panasonic Varicam 35[75] 26.688 mm × 14.184 mm 1.35 35 mm, PL expressP2 card, P2 card, microP2 card V-RAW 12 bit/10 bit, AVC-Intra4K444, ProRes 4444 4096 x 2160 800 - 12,800 (800 & 5000 dual native ISO) 14+ stops Rolling 1.33:1 and 2.0:1 desqueeze UV/IR-cut filter, ND 0.6, 1.2, 1.8, CLEAR 23.98p - 120p
Panasonic Varicam LT 26.688 mm × 14.184 mm 1.35 EF, PL expressP2 card, P2 card, microP2 card V-RAW 12 bit/10 bit, AVC-Intra4K444, ProRes 4444 4096 x 2160 800 - 12,800 (800 & 5000 dual native ISO) 14+ stops Rolling 1.33:1 and 2.0:1 desqueeze UV/IR-cut filter, ND 0.6, 1.2, 1.8, CLEAR 23.98p - 59.94
Panavision Millennium DXL[76] 40.96 x 21.60mm 0.88 Panavision PV mount Mini RedMag SSD 16-bit Redcode RAW, ProRes, DNxHD 8192 x 4320 800 native 14.8 stops[77] 2x and 1.33x desqueeze 23.98 - 60 (8K)
Panavision Millennium DXL 2[76] 40.96 x 21.60mm 0.88 Panavision PV mount Mini RedMag SSD 16-bit Redcode RAW, ProRes, DNxHD 8192 x 4320 1600 native 14.9 stops[78] 2x and 1.33x desqueeze 23.98 - 60 (8K)
Panavision Genesis[79] 24.89 x 16.86mm 1.45 Panavision PV mount HD-SDI recorder, SSR-1 recorder, HDCAM recorder 10-bit 4:4:4 signal (HD-SDI recorders) 1920 x 1080 400 - 1600 (400 native) 8 stops[80] Global None[81] 30 (1-60)
Panavision HD900F[82] 2/3" CCD 4.09 Panavision PV mount HDCAM 1920 x 1080 30 (24)
Red Epic Dragon[50]
 30.7 x 15.8 mm 1.25 PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade)[83] 16-bit .r3d 6144 x 3160 80 – 12800 (250 native)[84] 14.8 stops (RedLogFilm, -8.3, +6.5)[77][85][86] Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] Combination optical low pass/IR (interchangeable with low-light optimized version),[89] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-100 (6K)
1-120 (5K)
1-150 (4K)
1-200 (3K)
1-300 (2K)
Red Epic Dragon Monochrome[90] 30.7 x 15.8 mm 1.25 PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade) .r3d 6144 x 3160 Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] Omits bayer filters, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-100 (6K)
1-120 (5K)
1-150 (4K)
1-200 (3K)
1-300 (2K)
Red Epic Mysterium-X[50]
 27.7 x 14.6 mm 1.38 PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade) 16-bit .r3d 5120 x 2700 80 – 12800 (800 native) 12.5 stops (-7, +5.5)[86] Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] Optical low pass, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-120 (5K)
1-180 (3K)
1-225 (2K)
Red Epic Mysterium-X Monochrome[91] 27.7 x 14.6 mm 1.38 PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade) .r3d 5120 x 2700 80 – 12800 (2000 native) Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] Omits bayer filters, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-120 (5K)
1-180 (3K)
1-225 (2K)
Red Epic-W Gemini[50]
 30.72 x 18 mm 1.25 PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX 5120 x 3000 (r3d)
4096 x 2160 (ProRes, DNxHR) 		800, 3200 dual native ISO rating with Standard OLPF)[92] 15.2 stops[93] Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] Combination optical low pass/IR (interchangeable with low-light optimized version),[89] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-30 (8K)
1-75 (6K)
1-96 (5K)
1-120 (4K)
1-150 (3K)
1-240 (2K)
Red Epic-W Helium[50]
 29.9 x 15.8 mm 1.28 PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX 8192 x 4320 (r3d)
4096 x 2160 (ProRes, DNxHR) 		1280-2500 (Balanced ISO rating with Standard OLPF)[92] 15.2 stops[93] Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] Combination optical low pass/IR (interchangeable with low-light optimized version),[89] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-30 (8K)
1-75 (6K)
1-96 (5K)
1-120 (4K)
1-150 (3K)
1-240 (2K)
Red Komodo[94] 27.03 x 14.25 mm 1.416 Canon RF CFast 2.0 card 12-bit .r3d 6144 x 3240 12.5 stops (R3D HQ)

12.2 stops (ProRes 422 HQ)[95]

Global Yes No 23.98-40 (6K)

23.98-48 (5K)

23.98-60 (4K)

23.98-120 (2K)

Red One[96]
 24.4 x 13.7 mm 1.48 PL, EF, F-mount (interchangeable) CF card, Red Hard Drive (optional RedMag SSD module upgrade)[97] 12-bit .r3d 4096 x 2304 100 - 2000 (320 native) 11.3 stops[98] Rolling 1.22:1 sensor windowing and 2x desqueeze 1-30 (120)
Red One Mysterium-X[50]
 24.2 x 12.5 mm 1.59 PL, EF, F-mount (interchangeable) CF card, Red Hard Drive (optional RedMag SSD module upgrade)[97] 12-bit .r3d 4480 x 2304 100 - 6400 (800 native) 11.9 stops (-7, +5)[68] Rolling 1.22:1 sensor windowing and 2x desqueeze 1-30 (120)
Red Raven[99] 23.04 x 10.8 mm 1.56 Canon EF Mini RedMag SSD 16-bit .r3d, 10-bit 422 ProRes 4608 × 2160 (r3d)
2048 × 1080 (ProRes) 		250 native 14.8 stops (RedLogFilm, -8.3, +6.5)[77][85][86] Rolling None Combination optical low pass/IR 1-120 (4K)
1-160 (3K)
1-240 (2K)
Red Scarlet Mysterium-X 27.7 x 14.6 mm 1.38 PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade) 16-bit .r3d 5120 x 2700 (Maximum 12 fps)
4096 x 2160 		80 – 12800 (800 native) 11.9 stops (-7, +5)[68] Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] None Optical low pass, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-12 (5K)
1-30 (4K)
1-48 (3K)
1-60 (1080p)
1-120 (1K)
Red Scarlet Dragon 30.7 x 15.8 mm 1.17 PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade) 16-bit .r3d 6144 x 3160 (Maximum 12 fps)
5120 x 2700 		80 – 12800 (250 native)[84] 14.8 stops (RedLogFilm, -8.3, +6.5)[77][85][86] Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] Combination optical low pass/IR (interchangeable with low-light optimized version),[89] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-12 (6K)
1-48 (5K)
1-60 (4K)
1-80 (3K)
1-120 (2K)
Red Scarlet-W Dragon 25.6 x 13.5 mm 1.41 PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 10-bit 4:2:2 ProRes HQ 5120 × 2700 (r3d)
2048 × 1080 (ProRes) 		250 native[84] 14.8 stops (RedLogFilm, -8.3, +6.5)[77][85][86] Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] Combination optical low pass/IR (interchangeable with low-light optimized version),[89] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-60 (5K)
1-120 (4.5K)
1-150 (4K)
1-200 (3K)
1-300 (2K)
Red V-Raptor 40.96 x 21.60 mm 0.93 Canon RF (EF with adapter) CFexpress 16-bit .r3d, ProRes 4444 XQ 8192 × 4320 (r3d)
4096 x 2160 (ProRes) 		14.9 stops[100] Rolling 2x-1.25x desqueeze Combination optical low pass/IR 1-150 (8K)
1-200 (6K)
1-300 (4K)
1-600 (2K)
Red Weapon Dragon 6K 30.7 x 15.8 mm 1.25 PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 12-bit 4444 ProRes XQ 6144 x 3160 (r3d)
2048 x 1152 (ProRes) 		250 native[84] 14.8 stops (RedLogFilm, -8.3, +6.5)[77][85][86] Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] Combination optical low pass/IR (interchangeable with low-light optimized version),[89] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-100 (6K)
1-120 (5K)
1-150 (4K)
1-200 (3K)
1-300 (2K)
Red Weapon Dragon 8K 40.96mm x 21.6mm 0.93 PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX 8192 x 4320 (r3d)
4096 x 2160 (ProRes)
4096 x 2160
(DNxHR) 		250 native[84] 14.8 stops (RedLogFilm, -8.3, +6.5)[77][85][86] Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] Combination optical low pass/IR (interchangeable with low-light optimized version),[89] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1 - 75 (8K)
Red Weapon Helium 29.9mm x 15.8mm 1.28 PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX 8192 x 4320 (r3d)
4096 x 2160 (ProRes, DNxHR) 		1280-2500 (Balanced ISO rating with Standard OLPF)[92] 15.2 stops[93] Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] Combination optical low pass/IR (interchangeable with low-light optimized version),[89] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1 - 60 (8K)
Red Weapon Monstro 8K VV 40.96 mm x 21.60 mm 0.93 PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX 8192 x 4320 (r3d)
4096 x 2160 (ProRes)
4096 x 2160
(DNxHR) 		250-12,800, default 800 14.9 stops[78] Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] Combination optical low pass/IR (interchangeable with low-light optimized version),[89] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 60 fps (8K)

75 fps (8K 2.4:1)

100 fps (6K 2.4:1)

96 fps (5K)

120 fps (5K 2.4:1)

150 fps (4K 2.4:1)

200 fps (3K 2.4:1)

240 fps (2K)

300 fps (2K 2.4:1)

Sony F35[101]
 21.6 x 13.3 mm 1.67 Arri PL 1920 x 1080 400 native[102] 11.3 stops (-5, +6.3)[68] Global 1-60
Sony F65[103]
 24.7 x 13.1 mm 1.46 Arri PL SR Memory Recorder 8182 x 2160 800 native 14 stops (-7, +7)[103][104] Mechanical 2x and 1.3x desqueeze[105] Optical low pass, ND 0.9, 1.2, 1.5, 1.8 1-60
Sony F55[103]
 24 x 12.7 mm 1.46 Sony FZ, Arri PL SxS card, AXS-R5 Recorder 4096 x 2160 1250 native 14 stops[103] Global 1.3x and 2x desqueeze[106] Optical low pass (interchangeable), ND 0.9, 1.8 1-60
Sony NEX-FS100[107]
 21.6 x 13.3 mm 1.67 E-mount MPEG4 AVCHD 28 Mbit/s 1920 x 1080 800 native 11.5 stops (-6.5, +5)[108] Rolling None 1, 2, 4, 8, 15, 30, 60
Sony NEX-FS700[107]NEX-FS700E

NEX-FS700U NEX-FS700R

23.6 x 13.3 mm 1.53 E-mount SD card, Memory Stick, HD-SDI recorder, AXS-R5 recorder MPEG4 AVCHD 4096 x 2160 (updated FS700/E or FS700U/R native; available only when using an external recorder)

1920x1080 (all)

500 native[109] 12 stops (-7, +5)[110] Rolling ND 0.6, 1.2, 1.8 1-240
Sony NEX-EA50 23.5 x 15.6 mm 1.54 E-mount SD card, Memory Stick AVCHD 2.0 28 Mbit/s 1920 x1080 160-5000 Rolling 60, 50, 30, 25, 24
Sony NEX-VG10[111] 23.4 x 15.6 mm 1.54 E-mount SD card, Memory Stick AVCHD 24 Mbit/s 1920 x 1080 Rolling 60i, 30
Sony NEX-VG20[112] 23.4 x 15.6 mm 1.54 E-mount SD card, Memory Stick AVCHD 2.0 24 Mbit/s 1920 x 1080 Rolling None 60, 50, 30, 25, 24
Sony NEX-VG30 23.4 x 15.6 mm 1.54 E-mount SD card, Memory Stick AVCHD 2.0 24 Mbit/s 1920 x 1080 Rolling None 60, 50, 30, 25, 24
Sony NEX-VG900[113] 35.8 x 23.9 mm 1.01 E-mount SD card, Memory Stick AVCHD 2.0 28 Mbit/s 1920 x 1080 Rolling None 60, 50, 30, 25, 24
Sony PMW-F3K, PMW-F3L[114]
 21.6 x 13.3 mm 1.67 FZ- mount, PL-mount SxS card MPEG2 35 Mbit/s 1440 x 1080 800 native[115] 11.2 stops (-7, +4.3)[68] Rolling ND 0.9, 1.8 1, 2, 4, 8, 15, 30, 60
Sony PMW-F5 24 x 12.7 mm 1.5 E-mount, PL-mount MPEG2 35 Mbit/s 1920 x 1080 (default)
4096 x 2160 (with 4K license[116] or altering internal preferences)[117] 		2000 native 14 stops[103] Rolling 1.3x and 2x desqueeze[106] Optical low pass (interchangeable), ND 0.9, 1.8 1, 2, 4, 8, 15, 30, 60
Sony Sony PXW-FS5 24 x 12.7 mm 1.5 E-mount SD card XAVC Long, AVCHD 3840 x 2160 3200 native 14 stops[103] Rolling ND 0.6, 1.2, 1.8, 2.1
Sony Sony PXW-FS7 24 x 12.7 mm 1.5 E-mount XQD card, HD-SDI and HDMI 2.0 recorder XAVC Intra, XAVC Long, MPEG 2 600 Mbit/s, ProRes (422 HQ, 422 1080p, upcoming[118]) 4096 x 2160 2000 native 14 stops[103]12.5 stops (usable)[42] Rolling ND 0.6, 1.2, 1.8 23.98 - 60 (4K), 23.98 - 180 (1080p)
Sony VENICE[119] 36 x 24 mm with full frame license, 24.3 x 12.8 mm by default 1 E-mount, PL mount (add-on) SxS card, AXS-R7 recorder (add-on, optional, records onto AxS cards) 10-bit XAVC, 422 Apple ProRes (SxS card), 16-bit RAW (AXS-R7 recorder) 6048 x 4032 (with full frame license)
4096 x 2160 (default) 		500 and 2500 dual native 15 stops (-9, +6) Rolling 4:3 sensor-windowing and 2x desqueeze with license ND 0.3-2.4 23.98 - 120 (4K), 23.98 - 60 (6K)
Vision Research, Inc Phantom 65[120] 52.1 x 30.5 mm 0.69 Arri PL (standard), Nikon F / Mamiya 645 (optional) Cine RAW 2341 Mbit/s 4096 x 2440 141, (1080p320)
Vision Research Phantom Flex[121] 52.1 x 30.5 mm 0.69 Arri PL (standard), Nikon F / Mamiya 645 (optional) Cine RAW 3181 Mbit/s 2560 x 1600 9.9 stops (-5.4, +4.5)[68] 1455 (1080p2570)

Still cameras with video mode

Brand Camera Sensor size Lens Mount Recording media Maximum video resolution Native ISO Dynamic range (native/peak ISO) Shutter type Frame rate(s−1) Codec
Canon 1D Mark IV[122]
 27.9 x 18.6 mm Canon EF CF card, SD card 1920 x 1080 11.2 stops (-7, +4.3)[68] Rolling 23.976, 25, 29.97 (50, 59.94) H.264
Canon 1D X[122]
 36 x 24 mm Canon EF CF card 1920 x 1080 Rolling 24, 25, 30 (50, 60) MPEG4
Canon 1D C
 36 x 24 mm Canon EF CF card 4096 x 2160 11.7 stops[123] Rolling 24, 25, 30 (50, 60) MPEG4
Canon 5D Mark II[122]
 36 x 24 mm Canon EF CF card 1920 x 1080 160[124] 11.2 stops (-7, +4.2)[68] Rolling 24, 25, 30 H.264
Canon 5D Mark III[125] 36 x 24 mm Canon EF CF card, SD card, HDMI recorder 1920 x 1080 160[124] 11.2 stops
11.6 stops (sensor Raw)[126] 		Rolling 24, 25, 30 H.264 90 Mbit/s (internal recording), uncompressed signal (HDMI recording)
Canon 6D[127]
 35.8 x 23.9mm Canon EF SD card 1920 x 1080 160[124] Rolling 24, 25, 30 (50,60) H.264 90 Mbit/s
Canon 7D[122]
 22.3 x 14.9 mm Canon EF/EF-S CF card 1920 x 1080 160[124] 11 stops (-5.5, +5.4)[68] Rolling 24, 25, 30 (50,60) H.264
Canon 7D Mark II[122]
 22.3 x 14.9 mm Canon EF/EF-S CF card, SD card 1920 x 1080 160[124] Rolling 24, 25, 30 (50,60) H.264
Canon 60D[122]
 22.3 x 14.9 mm Canon EF/EF-S SD card 1920 x 1080 160[124] Rolling 24, 25, 30 H.264
Canon 550D[122]
 22.3 x 14.9 mm Canon EF/EF-S SD card 1920 x 1080 Rolling 24, 25, 30 H.264
Canon 600D[122]
 22.3 x 14.9 mm Canon EF/EF-S SD card 1920 x 1080 Rolling 24, 25, 30 H.264
Canon 650D[122]
 22.3 x 14.9 mm Canon EF/EF-S SD card 1920 x 1080 Rolling 24, 25, 30 H.264
Canon 700D[122]
 22.3 x 14.9 mm Canon EF/EF-S SD card 1920 x 1080 Rolling 24, 25, 30 H.264
Canon 750D[122]
 22.3 x 14.9 mm Canon EF/EF-S SD card 1920 x 1080 Rolling 24, 25, 30 H.264
Nikon D3100[122][128] 23.1 x 15.4 mm Nikon F SD card 1920 x 1080 Rolling 24 (24, 25, 30) MPEG4
Nikon D3200[122][129] 23.2 x 15.4 mm Nikon F SD card 1920 x 1080 Rolling 24, 25, 30 MPEG4
Nikon D4[130]
 36.0 x 23.9 mm Nikon F CF card, XQD card 1920 x 1080 Rolling 24, 25, 30 (50, 60) H.264/MPEG4 24 Mbit/s
Nikon D5100[122]
 23.6 x 15.7 mm Nikon F SD card 1920 x 1080 Rolling 24, 25, 30 MPEG4
Nikon D7000[122]
 23.6 x 15.7 mm Nikon F SD card 1920 x 1080 10.2 stops (-6.7, +3.6)[68] Rolling 24 (24, 25, 30) MPEG4
Nikon D750[131]
 35.9 x 24 mm Nikon F SD card, 8-bit uncompressed 4:2:2 via HDMI 1920 x 1080 Rolling 24, 25, 30, 50, 60 H.264/MPEG4, ~38 Mbit/s
Nikon D800[132]
 35.9 x 24 mm Nikon F CF card, SD card 1920 x 1080 Rolling 24, 25, 30 (50, 60) H.264/MPEG4 24 Mbit/s
Panasonic DMC-G3[122]
 17.3 x 13 mm Micro Four Thirds SD card 1920 x 1080 60 (60, 30) AVCHD
Panasonic DMC-GF2[122]
 17.3 x 13 mm Micro Four Thirds SD card 1920 x 1080 60 (60, 30) AVCHD
Panasonic DMC-GF3[122]
 17.3 x 13 mm Micro Four Thirds SD card 1920 x 1080 60 (60, 30) AVCHD
Panasonic DMC-GH1[122]
 18.89 x 14.48 mm Micro Four Thirds SD card 1920 x 1080 30 AVCHD
Panasonic DMC-GH2[122]
 18.89 x 14.48 mm Micro Four Thirds SD card 1920 x 1080 24, 60 (30) AVCHD 22 Mbit/s
Panasonic DMC-GH3[122]
 17.3 x 13 mm Micro Four Thirds SD card 1920 x 1080 24, 60 (30) H.264, AVCHD 2 (All-I, IPB) 22-72 Mbit/s
Panasonic DMC-GH4[122]
 17.3 x 13 mm Micro Four Thirds SD card 4096 x 2160 11 stops[133] 24, 60 (30) H.264, AVCHD 2 (All-I, IPB) 10-200 Mbit/s
Panasonic DC-GH5[122] 19.2 x 13 mm Micro Four Thirds SD card 4096 x 2256 24, 25, 30, 50, 60 (up to 240 at 1920x1080) AVCHD / H.264 / H.265

(10bit color and 4:2:2 chroma subsampling)

Panasonic DC-GH5s[134] 17.3 x 13 mm Micro Four Thirds SD card 4096 x 2160 400 and 2500[135](800, 5000 in V-Log) 2-60 (4K) 2-180 (HD) AVCHD / H.264 / H.265

(10bit color and 4:2:2 chroma subsampling) max. 400 Mbps

Panasonic DC-S1H 35.6 x 23.8mm L-mount SD card 5952 x 3968 640 and 4000 12.7 stops (iso 640)

12.3 stops (iso 4000)

24, 25, 30, 48, 50, 60, 100, 120, 180 AVCHD / H.264 / H.265
Pentax K-01[136]
 23.4 x 15.6 mm Pentax K SD-Card 1920 x 1080 30p, 25p M-JPEG 95 Mbit/s
Pentax K-3 III[137]
 23.3 x 15.5 mm Pentax K SD-Card 3840 x 2160 100 Rolling 30p, 24p (60p, 30p, 24p) H264
Pentax K-30[138]
 23.7 x 15.7 mm Pentax K SD-Card 1920 x 1080 30p (25p, 24p) H264
Pentax K-5[139]
 23.4 x 15.6 mm Pentax K SD-Card 1920 x 1080 30p, 25p M-JPEG 95 Mbit/s
Samsung NX20 23.5 x 15.7 mm Samsung NX 1920 x 1080 30 H.264
Sony DSLR-A560[122]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony DSLR-A580[122]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony NEX-5[122]
 23.4 x 15.6 mm E-mount 1920 x 1080 Rolling 60 (30) AVCHD
Sony NEX-5N[122]
 23.4 x 15.6 mm E-mount 1920 x 1080 Rolling 60 (30) AVCHD
Sony NEX-7[122]
 23.4 x 15.6 mm E-mount 1920 x 1080 Rolling 60, 29.97 (30) NTSC
50, 25 PAL 		AVCHD/MPEG4
Sony SLT-A33[122]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony SLT-A35[122]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony SLT-A37[122]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) ?
Sony SLT-A55[122]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony SLT-A57[122]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) (NTSC countries)
50, 25 (PAL countries) 		AVCHD/MPEG4
Sony SLT-A65[122]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony SLT-A77[122]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) (NTSC countries)
50, 25 (PAL countries) 		AVCHD
Sony SLT-A99[122]
 35.8 x 23.8 mm Sony A-mount 1920 x 1080 60, 29.97 (30) AVCHD
Sony a7S 35.8 x 23.9 mm Sony E-mount SD card, Sony Memory Stick, 4K HDMI recorder 1920 x 1080 (internal recording)
3840 x 2160 (4K HDMI recorders) 		3200[140] 14.1 stops[123] Rolling 60, 29.97 (30) AVCHD
Sony a7S II 35.8 x 23.9 mm Sony E-mount SD card, Sony Memory Stick 3840 x 2160 50-409,600 (3200 native)[141] Rolling 23.98 - 30 (4K), 23.98 - 120 (1080p) XAVC S, AVCHD, MP4

See also

References

  1. ↑ Compared to 36x24mm still camera sensor
  2. ↑ Cameras with various lens mounts are available in such configurations but the lens mount is not interchangeable unless stated as such.
  3. ↑ Most cameras are capable of HDMI and HD-SDI recording, but this is only noted as a recording option if they provide expanded capabilities not available with internal recording.
  4. ↑ "Arri Makes a "Baby Alexa", Introducing the Alexa HD « Wide Open Camera" (in en-US). http://wideopencamera.com/cameras/arri-makes-a-baby-alexa-alexahd/. 
  5. ↑ 5.0 5.1 5.2 "ARRI Group: ALEXA XR MODULE FAQ". http://www.arri.com/camera/alexa/learn/alexa_xr_module_faq/. 
  6. ↑ 6.0 6.1 6.2 Bevir, George (2015-02-18). "Arri adds UHD recording to Amira". https://www.broadcastnow.co.uk/arri-adds-uhd-recording-to-amira/5083389.article. 
  7. ↑ "ARRI Group: Camera Details". http://www.arri.com/camera/alexa/cameras/camera_details/alexa/subsection/technical_data/. 
  8. ↑ 8.0 8.1 8.2 8.3 "ALEXA's Anamorphic De-Squeeze Explained | AbelCine". https://www.abelcine.com/articles/blog-and-knowledge/tutorials-and-guides/alexas-anamorphic-de-squeeze-explained. 
  9. ↑ 9.0 9.1 9.2 9.3 "ARRI Media GMBH :: 404 Not Found". http://www.arrimedia.com/news/view/23/alexa-high-speed. 
  10. ↑ "Go Anamorphic with the Arri ALEXA Plus 4:3 | AbelCine". https://www.abelcine.com/articles/blog-and-knowledge/tutorials-and-guides/go-anamorphic-with-the-arri-alexa-plus-43. 
  11. ↑ 11.0 11.1 11.2 11.3 "ARRI Alexa Classic & Mini LF Lab Test: Rolling Shutter, Dynamic Range and Latitude" (in en-US). 2021-04-21. https://www.cined.com/arri-alexa-classic-mini-lf-lab-test-rolling-shutter-dynamic-range-and-latitude/. 
  12. ↑ 12.0 12.1 12.2 "ALEXA Mini". https://www.arri.com/en/camera-systems/cameras/alexa-mini. 
  13. ↑ 13.0 13.1 13.2 "ARRI ALEXA Model comparison". ARRI. http://www.arri.de/camera/digital_cameras/cameras/alexa_model_comparison.html. Retrieved 2011-11-03. 
  14. ↑ "New ARRI ALEXA Mini: Same Image Quality in a Much Smaller Package". February 23, 2015. https://nofilmschool.com/2015/02/arri-alexa-mini-smaller-package-price-cost-release-date. 
  15. ↑ 15.0 15.1 "ARRI Group: Camera Details". http://www.arri.com/camera/alexa/cameras/camera_details/alexa-sxt. 
  16. ↑ 16.0 16.1 16.2 16.3 16.4 16.5 16.6 16.7 "ALEXA SXT W". https://www.arri.com/en/camera-systems/cameras/alexa-sxt-w. 
  17. ↑ 17.0 17.1 17.2 17.3 17.4 "ARRI Media GMBH :: 404 Not Found". http://www.arrimedia.com/downloads/download/101/arri-alexa-pocket-guide.pdf. 
  18. ↑ 18.0 18.1 18.2 18.3 "ARRI Alexa Internal Filter Module | Film and Digital Times". 4 April 2013. https://www.fdtimes.com/2013/04/03/arri-alexa-internal-filter-module/. 
  19. ↑ "Codex working hand in hand with ARRI to deliver better workflow for the ALEXA SXT". March 18, 2015. https://www.newsshooter.com/2015/03/18/codex-working-hand-in-hand-with-arri-to-deliver-better-workflow-for-the-alexa-sxt/. 
  20. ↑ 20.0 20.1 "ARRI Rental | ALEXA 65". http://www.arri-rental.com/camera/digital-cinematography/arri-alexa-xt-b-w-new/. 
  21. ↑ "ARRI Rental | ALEXA 65". http://www.arrirentalgroup.com/alexa65/. 
  22. ↑ "ALEXA 35 - 4.6K Super 35 digital camera | ARRI" (in en-US). https://www.arri.com/en/camera-systems/cameras/alexa-35. 
  23. ↑ "ARRI ALEXA 35 Announced – In-depth Video Interview about the New Camera" (in en-US). 2022-05-31. https://www.cined.com/arri-alexa-35-announced-17-stops-of-usable-dynamic-range-claimed/. 
  24. ↑ Machu, Gunther (2022-08-17). "ARRI ALEXA 35 Lab Test: Rolling Shutter, Dynamic Range and Latitude – plus Video!" (in en-US). https://www.cined.com/arri-alexa-35-lab-test-rolling-shutter-dynamic-range-and-latitude-plus-video/. 
  25. ↑ "ARRI Amira Model comparison". ARRI. http://www.arri.com/camera/amira/camera_details/amira/subsection/technical_data/. Retrieved 2013-06-03. 
  26. ↑ "AMIRA". https://www.arri.com/en/camera-systems/cameras/amira. 
  27. ↑ http://www.arri.com/about_arri/press/english/english_single/tx_ttnews%5Btt_news%5D=1664&tx_ttnews%5BbackPid%5D=7581&cHash=b5e1e534809b25789e921c2e46655a47
  28. ↑ "You Might Be Surprised by the Dynamic Range of the New $550 Sony A5100". August 23, 2014. https://nofilmschool.com/2014/08/dynamic-range-new-550-sony-a5100. 
  29. ↑ 29.0 29.1 "Early Footage & Reviews of the 4K AJA CION Are In & They're... Interesting" (in en). No Film School. http://nofilmschool.com/2015/03/cinema5d-aja-cion-review. 
  30. ↑ "ARRI Group: Camera Details". http://www.arri.com/camera/alexa/cameras/camera_details/5/subsection/overview/. 
  31. ↑ "Arriflex D-21/D-21 HD - Instruction manual". http://www.arricsc.com/pdf/d21_manual.pdf. 
  32. ↑ 32.0 32.1 32.2 32.3 "Blackmagic Production Camera 4K". Blackmagic. http://www.blackmagicdesign.com/products/blackmagicproductioncamera4k/techspecs. Retrieved 2013-04-13. 
  33. ↑ 33.0 33.1 33.2 33.3 33.4 33.5 33.6 33.7 33.8 "Blackmagic URSA Mini Pro | Blackmagic Design". https://www.blackmagicdesign.com/products/blackmagicursaminipro. 
  34. ↑ 34.0 34.1 "Cinematography | Blackmagic Cinema Camera: The Perfect Training Ground for Cinematographers | Hurlbut Visuals". https://www.hurlbutvisuals.com/blog/2014/08/cinematography-bmcc-training-ground-for-cinematographers/. 
  35. ↑ "Blackmagic Micro Cinema Camera – Tech Specs | Blackmagic Design". https://www.blackmagicdesign.com/products/blackmagicmicrocinemacamera/techspecs. 
  36. ↑ 36.0 36.1 36.2 36.3 36.4 "Blackmagic URSA Mini Pro – Tech Specs | Blackmagic Design". https://www.blackmagicdesign.com/products/blackmagicursaminipro/techspecs/W-URSA-34. 
  37. ↑ 37.0 37.1 37.2 "Blackmagic Pocket Cinema Camera 4K - Dual ISO Explained and Lowlight Footage" (in en). 2018-09-11. https://www.cinema5d.com/blackmagic-pocket-cinema-camera-4k-dual-iso-explained-and-lowlight-footage/. 
  38. ↑ "4K is here! Blackmagic Production Camera Review". March 5, 2014. https://www.eoshd.com/2014/03/4k-is-here-blackmagic-production-camera-review/. 
  39. ↑ "Blackmagic Ursa". Blackmagic. http://www.blackmagicdesign.com/products/blackmagicursa. Retrieved 2013-04-13. 
  40. ↑ 40.0 40.1 "Installation and Operation Manual Blackmagic URSA". http://software.blackmagicdesign.com/CinemaCamera/docs/Blackmagic_URSA_Manual_2014-08-14.pdf. 
  41. ↑ 41.0 41.1 "Blackmagic Design: View Press Release". http://www.blackmagicdesign.com/press/pressdetails?releaseID=60307. 
  42. ↑ 42.0 42.1 42.2 Wöber, Sebastian (2016-10-19). "Blackmagic URSA Mini 4K vs 4.6K – How Good is the 4.6K?" (in en-US). https://www.cined.com/blackmagic-ursa-mini-4k-vs-4-6k/. 
  43. ↑ "Blackmagic URSA Mini Pro | Blackmagic Design". https://www.blackmagicdesign.com/products/blackmagicursaminipro. 
  44. ↑ 44.0 44.1 Coalition, ProVideo (2018-11-14). "URSA Mini Pro Gets 3200 ISO With Firmware 6.0 Update" (in en-US). https://www.provideocoalition.com/blackmagic-design-ursa-mini-pro-gets-3200-iso-with-firmware-6-0-update/. 
  45. ↑ "Blackmagic URSA Mini Pro | Blackmagic Design". https://www.blackmagicdesign.com/products/blackmagicursaminipro. 
  46. ↑ Tomkies, Pete (2023-04-19). "Blackmagic Design launches URSA Mini Pro 12K OLPF" (in en-US). https://www.videomaker.com/news/blackmagic-design-launches-ursa-mini-pro-12k-olpf/. 
  47. ↑ "Canon EOS C70: Cinema Camera | Canon U.S.A., Inc.". https://www.usa.canon.com/shop/p/eos-c70?color=Black&type=New. 
  48. ↑ Machu, Gunther (2022-05-10). "Canon EOS C70 Lab Test with the RAW update: Rolling Shutter, Dynamic Range and Latitude" (in en-US). https://www.cined.com/canon-eos-c70-lab-test-with-the-raw-update-rolling-shutter-dynamic-range-and-latitude/. 
  49. ↑ 49.0 49.1 "Canon Expands Their EOS Line with the New EOS C100 Video Production Camera". https://www.bhphotovideo.com/explora/news/canon-expands-their-eos-line-new-eos-c100-video-production-camera. 
  50. ↑ 50.00 50.01 50.02 50.03 50.04 50.05 50.06 50.07 50.08 50.09 "Canon digital learning center, Cinema EOS". canon.com. http://learn.usa.canon.com/resources/misc/cinemaEOS_faq.shtml. Retrieved 2011-11-04. 
  51. ↑ "We're updating our site | Canon U.S.A., Inc.". https://www.usa.canon.com/maintenance.html. 
  52. ↑ "Canon C300 Mark II Lab Test - Dynamic Range 2 Stops Less Than Expected" (in en). 2015-09-24. https://www.cinema5d.com/canon-c300-mark-ii-review-dynamic-range/. 
  53. ↑ Canon C300 Mark III EF-Mount Specs. Canon.
  54. ↑ "Canon EOS C300 Mark III hands-on & footage" (in en-US). 2020-04-21. https://www.newsshooter.com/2020/04/21/canon-c300-mark-iii-hands-on-footage/. 
  55. ↑ "Canon C300 Mark III Lab Test (Pre-Production): Dynamic Range, Rolling Shutter and Latitude" (in en). 2020-04-21. https://www.cinema5d.com/canon-c300-mark-iii-lab-test-pre-production-dynamic-range-rolling-shutter-and-latitude/. 
  56. ↑ "Canon Goes 4K Two Ways : EOS-1D C and EOS C500 Cameras Introduced at NAB". https://www.bhphotovideo.com/explora/news/canon-goes-4k-two-ways-eos-1d-c-and-eos-c500-cameras-introduced-nab. 
  57. ↑ "Canon C500 Mark II Lab Test: Dynamic Range, Latitude and Rolling Shutter" (in en). 2020-04-15. https://www.cinema5d.com/canon-c500-markii-lab-test-dynamic-range-latitude-rolling-shutter/. 
  58. ↑ 58.0 58.1 "Canon U.S.A., Inc. | EOS C700". https://www.usa.canon.com/internet/portal/us/home/products/details/cameras/cinema-eos/eos-c700?tab=technicalspecifications_tab. 
  59. ↑ "CanonME20F-SH Multi-Purpose Camera". https://www.bhphotovideo.com/c/product/1187825-REG/canon_1002c002_me20f_sh_multi_purpose_camera.html. 
  60. ↑ "キヤノン：多目的カメラ ME20F-SH｜概要". https://cweb.canon.jp/bctv/lineup/multipurpose/. 
  61. ↑ "Digital Bolex D16 Review - Part 1". March 31, 2014. https://www.eoshd.com/2014/03/digital-bolex-d16-review-part-1/. 
  62. ↑ "Bolex goes digital with the D16 Cinema Camera". 25 December 2013. https://newatlas.com/digital-bolex-d16-cinema-camera/30239/. 
  63. ↑ "Website is under construction". https://digitalbolex.com/. 
  64. ↑ "SK-UHD8000 Series 8K (SHV) Studio, Field Production Camera | Hitachi Kokusai Electric America, Ltd.". https://www.hitachikokusai.com/BroadcastandProfessionalCameras/SK-UHD8060.html#P8_622. 
  65. ↑ "SHK-810 8K Super Hi-Vision Camera System |". https://www.ikegami.com/archives/menu1/shk-810. 
  66. ↑ "3D-LUTs file for J-Log1 of GY-LS300CH Reference Manual". 2015-11-13. http://pro.jvc.com/pro/attributes/4k/manual/151113_Reference_Manual_of_D-LUT.pdf. 
  67. ↑ "Panasonic Pro AG-AF100 specifications". panasonic. http://pro-av.panasonic.net/en/af100/spec.html. Retrieved 2011-11-03. 
  68. ↑ 68.00 68.01 68.02 68.03 68.04 68.05 68.06 68.07 68.08 68.09 "The Great Camera Shootout 2011: Episode 1 ~ "The Tipping Point"". May 27, 2011. https://vimeo.com/24334733. 
  69. ↑ Panasonic AJ-HPX3700 High Definition VariCam Camcorder - Professional Video Camera, P2HD VariCam Cinematography Camcorder - Panasonic Professional Video Cameras
  70. ↑ Panasonic Canon 2/3" HD CAC Lens with 2x extender, Panasonic Camcorder Accessories - Panasonic Solutions Company
  71. ↑ Panasonic AJ-HPX2000 P2 HD Solid-State Camcorder, P2HD Solid-State Camcorder - Panasonic Professional Video Cameras
  72. ↑ Panasonic AJ-HPX3100GJ High Definition Camcorder - Professional Video Equipment, P2HD Solid-State Camcorder - Panasonic Professional Video Cameras
  73. ↑ "Panasonic develops 8K ROI camera capable of providing up to four videos from an 8K image". 10 April 2019. https://www.newscaststudio.com/2019/04/10/panasonic-roi-nab-show-2019/?og=1. 
  74. ↑ "Panasonic 8K ROI technology revealed at IBC 2018 - Professional Camera Solutions | Panasonic Business". https://business.panasonic.co.uk/professional-camera/news-and-events/panasonic-8k-roi-technology-revealed-at-ibc-2018. 
  75. ↑ "The New VariCam Cameras from Panasonic". http://us.panasonic.com/varicam. 
  76. ↑ 76.0 76.1 "dxl.panavision.com". https://dxl.panavision.com/dxl2. 
  77. ↑ 77.0 77.1 77.2 77.3 77.4 77.5 77.6 Esser, Felix (March 3, 2014). "DxOMark Confirms the Red Epic Dragon Sensor Outperforms the Nikon D800E". https://www.thephoblographer.com/2014/03/03/dxomark-tests-red-epic-dragon-confirms-sensors-image-quality-indeed-epic/. 
  78. ↑ 78.0 78.1 Machu, Gunther (2022-11-03). "RED V-RAPTOR 8K VV Lab Test: Rolling Shutter, Dynamic Range and Latitude – plus Video!" (in en-US). https://www.cined.com/red-v-raptor-8k-vv-lab-test-rolling-shutter-dynamic-range-and-latitude-plus-video/. 
  79. ↑ GENESIS, Panavision
  80. ↑ "4:4:4 Genesis Workflow Made ... Easy?". April 26, 2007. https://www.studiodaily.com/2007/04/444-genesis-workflow-made-easy/. 
  81. ↑ http://www.cinematography.net/Files/Panavision/PV_digital_imaging/GenesisFAQs20070618.pdf
  82. ↑ HD900F, Panavision
  83. ↑ "Category: Media". https://www.red.com/productcategory/Media. 
  84. ↑ 84.0 84.1 84.2 84.3 84.4 "In Depth Analysis - DxOMark". https://www.dxomark.com/Reviews/RED-Epic-Dragon-review-First-camera-to-break-the-100-point-DxOMark-sensor-score-barrier/In-Depth-Analysis. 
  85. ↑ 85.0 85.1 85.2 85.3 85.4 85.5 "RED DRAGON Has Been Unleashed. Here is the First Footage from the 6K Camera". August 4, 2013. https://nofilmschool.com/2013/08/first-footage-red-epic-dragon-mx-6k-2000-iso-sensor-price-cost. 
  86. ↑ 86.0 86.1 86.2 86.3 86.4 86.5 86.6 Academy, Indie Cinema (June 26, 2014). "Red Dragon vs Red MX: Is The Hype Real? (Part 01: Dynamic Range & Latitude)". https://vimeo.com/99241145. 
  87. ↑ 87.00 87.01 87.02 87.03 87.04 87.05 87.06 87.07 87.08 87.09 87.10 87.11 87.12 "RED Goes Global Shutter with New Motion Mount for EPIC/SCARLET (Plus New DRAGON Footage)". September 15, 2013. https://nofilmschool.com/2013/09/red-goes-global-shutter-new-motion-mount-epicscarlet-plus-new-dragon-footage. 
  88. ↑ 88.00 88.01 88.02 88.03 88.04 88.05 88.06 88.07 88.08 88.09 88.10 88.11 "Red epic - Operation guide". http://s3.amazonaws.com/red_3/downloads/manuals/955-0002_v4.0_EPIC_Operation_%20Guide_REV-C.pdf. 
  89. ↑ 89.0 89.1 89.2 89.3 89.4 89.5 89.6 89.7 89.8 "DSMC2 S35 Low Light Optimized OLPF". https://www.red.com/dsmc2-low-light-optimized-olpf. 
  90. ↑ "EPIC-M DRAGON MONOCHROME w/ Side SSD Module and Ti Nikon Mount | RED Digital Cinema store (US)". http://www.red.com/store/products/epic-dragon-monochrome-side-ssd-module-nikon. 
  91. ↑ "EPIC-X MONOCHROME [BRAIN ONLY] | RED Digital Cinema store (US)". http://www.red.com/store/products/epic-x-monochrome-brain-only. 
  92. ↑ 92.0 92.1 92.2 "RED 8K Sensor Test 2017" (in en). http://www.reduser.net/forum/showthread.php?154113-RED-8K-Sensor-Test-2017. 
  93. ↑ 93.0 93.1 93.2 Cardinal, David (January 10, 2017). "RED Helium 8K DxOMark Sensor Score: 108 — A new all-time-high score!". https://www.dxomark.com/red-helium-8k-dxomark-sensor-score-108-a-new-all-time-high-score2/. 
  94. ↑ "RED Releases Komodo Price Before Its Final Specs" (in en). 2020-05-20. https://nofilmschool.com/red-releases-price-komodo. 
  95. ↑ Machu, Gunther (2021-01-18). "RED KOMODO 6K Lab Test – Dynamic Range and Latitude Test – UPDATED" (in en-US). https://www.cined.com/red-komodo-6k-lab-test-dynamic-range-and-latitude-test/. 
  96. ↑ "RED Digital Cinema". red.com. http://www.red.com/. Retrieved 2011-11-03. 
  97. ↑ 97.0 97.1 "RED ONE 1.8" SSD MODULE | RED Digital Cinema store (US)". http://www.red.com/store/products/red-one-ssd-side-module-2. 
  98. ↑ "The Red Digital Camera Company". http://www.digital-intermediate.co.uk/examples/redcamera/redcamera.htm. 
  99. ↑ RED RAVEN Camera is Official. 25 September 2015.
  100. ↑ Machu, Gunther (2022-11-03). "RED V-RAPTOR 8K VV Lab Test: Rolling Shutter, Dynamic Range and Latitude – plus Video!" (in en-US). https://www.cined.com/red-v-raptor-8k-vv-lab-test-rolling-shutter-dynamic-range-and-latitude-plus-video/. 
  101. ↑ "Pro Sony pdf product information". sony.co.uk. http://www.sony.co.uk/res/attachment/file/99/1178278942799.pdf. Retrieved 2011-11-03. 
  102. ↑ "Bones, Lightmeters, Lonsdale, Sony F35 | Film and Digital Times". 3 December 2009. https://www.fdtimes.com/2009/12/03/bones-lightmeters-lonsdale-sony-f35/. 
  103. ↑ 103.0 103.1 103.2 103.3 103.4 103.5 103.6 "Sony Professional - Products and Solutions to Redefine Your Business". http://pro.sony.com/bbsc/ssr/show-highend/resource.solutions.bbsccms-assets-show-highend-F65.shtml?PID=I:35mm_F65:F65%23/camera#/f65t1_18. 
  104. ↑ "SONY F65 CineAlta 4K | Los Angeles". http://hollywoodcamera.com/portfolio/sony-f65-cinealta-4k/. 
  105. ↑ "Sony Professional - Products and Solutions to Redefine Your Business". https://pro.sony.com/bbsccms/assets/files/show/highend/pdf/F65_Camera_2013_X1A.pdf. 
  106. ↑ 106.0 106.1 "PMW-F5 and F55 Firmware V1.2 Now Available. Anamorphic, WiFi, Cam and Reel ID and HDCAM SR. | Alister Chapman's Personal Blog". http://www.alisterchapman.com/2013/07/26/pmw-f5-and-f55-firmware-v1-2-now-available-anamorphic-wifi-cam-and-reel-id-and-hdcam-sr/. 
  107. ↑ 107.0 107.1 "Pro Sony product page". sony.com. http://pro.sony.com/bbsc/ssr/cat-broadcastcameras/cat-nxcam/product-NEXFS100UK/. Retrieved 2011-11-03. 
  108. ↑ "Sony NEX-FS100: Dynamic Range Test". November 11, 2013. https://www.youtube.com/watch?v=TkPYfZZcmwc. 
  109. ↑ "Sony Professional - Products and Solutions to Redefine Your Business". http://pro.sony.com/bbsccms/assets/files/show/highend/pdf/NEX-FS700_Camera_2013_X1A.pdf. 
  110. ↑ "Testing the FS700: Dynamic Range". May 15, 2012. https://www.youtube.com/watch?v=JSLn_nrNMEU. 
  111. ↑ "Sony store product page". sony.com. http://store.sony.com/webapp/wcs/stores/servlet/ProductDisplay?catalogId=10551&storeId=10151&langId=-1&partNumber=NEXVG10#specifications. Retrieved 2011-11-03. 
  112. ↑ "Sony store product page". sony.com. http://store.sony.com/webapp/wcs/stores/servlet/ProductDisplay?catalogId=10551&storeId=10151&langId=-1&partNumber=NEXVG20#specifications. Retrieved 2011-11-03. 
  113. ↑ "Sony NEX-VG900 Full Frame camera topic". http://www.personal-view.com/talks/discussion/4349/sony-nex-vg900-full-frame-camera-topic/p1. Retrieved September 12, 2012. 
  114. ↑ "Pro Sony product page". sony.co.uk. http://www.sony.co.uk/biz/product/xdcamcamcorders/pmw-f3k/technicalspecs. Retrieved 2011-11-03. 
  115. ↑ "AbelCine Tests the Sony F3 ISO Rating | CineTechnica". http://blog.abelcine.com/2011/03/11/abelcine-tests-the-sony-f3-iso-rating/. 
  116. ↑ "Sony Releases More Details About The F5 4K Internal Recording Option". December 20, 2014. https://www.newsshooter.com/2014/12/20/sony-releases-more-details-about-the-f5-4k-internal-recording-option/. 
  117. ↑ "A New Hack Proves the Sony F5 Is Fully Capable of Internal 4K, but Sony Disabled It". August 27, 2014. https://nofilmschool.com/2014/08/sony-f5-camera-4k-xavc-software-hack-f55. 
  118. ↑ "Sony FS7 Getting ProRes & DCI 4K Support in Free March 2015 Update". February 26, 2015. https://nofilmschool.com/2015/02/sony-fs7-firmware-2-0-prores-dci-4k-audio. 
  119. ↑ Sony VENICE Shipments Begin. No Film School. 5 February 2018.
  120. ↑ Phantom 65 Camera , Vision Research
  121. ↑ The Phantom Flex Camera Digital High-Speed Camera , Vision Research
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  123. ↑ 123.0 123.1 "Dynamic Range - Sony A7S vs. Arri, Canon, Panasonic & more". July 18, 2014. https://www.cinema5d.com/dynamic-range-sony-a7s-vs-arri-amira-canon-c300-5d-mark-iii-1dc-panasonic-gh4/. 
  124. ↑ 124.0 124.1 124.2 124.3 124.4 124.5 "Subscribe". May 28, 2014. https://nofilmschool.com/subscribe. 
  125. ↑ "Canon EOS 5D mark III — Specifications". http://www.usa.canon.com/cusa/consumer/products/cameras/slr_cameras/eos_5d_mark_iii. Retrieved 3 March 2012. 
  126. ↑ "Magic Lantern squeezes 1/2 stop of dynamic range from Canon 5D Mk. III". https://www.imaging-resource.com/news/2014/01/22/magic-lantern-squeezes-1-2-stop-of-dynamic-range-from-canon-5d-mk.-iii. 
  127. ↑ "Canon EOS 6D — Specifications". http://www.bhphotovideo.com/c/product/892349-REG/Canon_8035b002_EOS_6D_Digital_Camera.html. Retrieved 1 June 2014. 
  128. ↑ Nikon D3100 14.2MP Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens
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  130. ↑ "Digital SLR camera Nikon D4s". Nikon Corporation. http://www.nikon.com/news/2012/0106_flagship_01.htm. Retrieved 2012-01-26. 
  131. ↑ "Nikon D750 specifications". dpreview.com. http://www.dpreview.com/reviews/nikon-d750/2. Retrieved 2015-03-08. 
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  133. ↑ "Panasonic GH4 Specs Clarified, Including 10-bit 4K from Its On-Board HDMI Port". March 21, 2014. https://nofilmschool.com/2014/03/panasonic-gh4-10-bit-4k-on-board-hdmi-dynamic-range. 
  134. ↑ "Panasonic GH5S Review - Specifications". https://www.imaging-resource.com/PRODS/panasonic-gh5s/panasonic-gh5sDAT.HTM. 
  135. ↑ "Panasonic LUMIX GH5S Revisited – Review and Sample BRAW Footage". 30 November 2021. https://www.cined.com/panasonic-lumix-gh5s-revisited-review-and-sample-braw-footage/. 
  136. ↑ "PENTAX - K-01 Black". PENTAX RICOH IMAGING AMERICAS CORPORATION. 2012-02-02. http://www.pentaximaging.com/hybrid/K-01_Black#!product-specs. Retrieved 2012-04-18. 
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  140. ↑ "Does the $2,500 Sony a7S Have Dynamic Range Similar to an ARRI ALEXA?". July 21, 2014. https://nofilmschool.com/2014/07/sony-a7s-dynamic-range-arri-alexa-amira. 
  141. ↑ "Sony a7S II Camera Announced with Internal 4K & 5-Axis Image Stabilization". September 11, 2015. https://nofilmschool.com/2015/09/sony-a7s-ii-mirrorless-internal-4k-1080p-120fps. 



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