Religion:Ninagal
| Ninagal | |
|---|---|
Divine smith | |
| Major cult center | Girsu |
| Personal information | |
| Spouse | Ninimin |
Ninagal (Sumerian: đđđđČ) or Ninagala[1] was a Mesopotamian god regarded as a divine smith. He was commonly associated with other deities connected to craftsmanship. Texts from the reign of Ur-Baba of Lagash indicate that he was the personal deity of this king, who built a temple dedicated to him, most likely in Girsu. He is well attested in texts dealing with the preparation of statues of deities, as well as other cultic paraphernalia.
Name and character
Ninagal was regarded a divine smith.[1] He could be called the "chief smith" (simug gal) of An.[2] His name was written in cuneiform as dNin-ĂĄ-gal, and can be translated from Sumerian as "lord of the big arm".[1] It could also be represented logographically using the sign SIMUG, "smith", and writings such as dSIMUG[3] or dNIN.SIMUG are also attested.[4] However, in a single incantation a separate god named Ninsimug appears alongside Ninagal, with the two seemingly described as responsible for different types of metalworking.[5] In the lexical list Diri Nippur the meaning of dSIMUG is apparently switched around with dBAážȘAR, with the former explained as the potter god Nunura and the latter as Ninagal.[3]
In the Epic of Erra Ninagal is described as the "wielder of the upper and lower millstone",[6] possibly either an anvil and a hammer or elements of bellows.[7] The following verses address him as a god "who grinds up hard copper like hide and who forges tools".[6]
While LudÄk VacĂn refers to Ninagal as a goddess,[8] the consensus view presented in Reallexikon der Assyriologie und Vorderasiatischen ArchĂ€ologie is that he was a male deity.[1]
Associations with other deities
An incantation recited during temple renovations, When Anu had created the heavens (enuma danu ibnĂ» ĆĄamĂȘ) mentions Ninagal among deities created by Ea with clay from the Apsu.[9]
Ninagal was regarded as a member of a category of deities referred to as "gods of the craftsmen" (ilÄ« mÄrÄ ummĂąni), which also included the likes of Ninkurra, Ninildu or Kusibanda.[10] According to Antoine Cavigneaux and Manfred Krebernik, he was particularly commonly associated with the last of the aforementioned deities, who was a divine goldsmith.[7] In late sources, all of the craftsmanship deities could be identified as aspects of Ea.[1]
According to the god list An = Anum (tablet II, line 348), Ninagal's wife was the goddess Ninimin, "lady seven" of "lady of the seven".[11]
Worship
Multiple texts from the reign of Ur-Baba of Lagash indicate that Ninagal was his personal deity.[8] In one of his inscriptions, he describes himself as the son of this god.[1] He also built a temple dedicated to him, according to Andrew R. George possibly in Girsu.[12] This assumption about its location is also supported by Joan Goodnick Westenholz.[13] However, neither Early Dynastic texts from Lagash nor royal inscriptions and administrative texts from the reign of Ur-Baba's successor Gudea mention Ninagal, and he only reappears in sources from Girsu during the reign of Shulgi of Ur.[8]
A prebend connected to the cult of Ninagal is mentioned in two judicial texts from the Ur III period documenting a case involving Enmaáž«galana,[13] an en priestess of Nanna from Ur and daughter of Amar-Sin.[14] This is the only known reference to any connection between Ninagal and the city of Ur.[13] He is also attested in a single theophoric name from the same period, Ninagal-isag.[7]
An incantation from the Old Babylonian period dealing with the consecration of cultic objects mentions Ninagal alongside Aruru, Ea and Asalluhi.[15] An Assyrian texts of the same genre from the first millennium BCE, Wood of the Sea, Planted in a Pure Place, invokes Ninagal and the carpenter god Ninildu to secure their help with the manufacture of a royal throne.[2] An inscription of Sennacherib commemorating the constriction of an akītu house credits him with helping the king with the preparation of its bronze gate.[16] Many of the other known references to the worship of Ninagal come from texts describing the preparation of statues.[17] An instruction from the Mßs-pß series prescribes the preparation of an offering table for him alongside those meant for other deities involved in the described rituals, such as Kusibanda, Ninildu or Ningirima.[18] Another section of the same collection of texts states that after the completion of a statue representing a deity, the craftsman was supposed to recite the formula "I did not make him [the statue], Ninagal [who is] Ea [god] of the smith made him".[19] A text from the reign of Esarhaddon describing the transport of new statues of deities to Babylon mentions him in an enumeration of divine craftsmen and other figures involved in related rites.[20] A fragmentary text enumerates Ninagal, Gibil and Ara as the three deities responsible for the creation of the "Great Copper",[21] a semi-divine agent of purification presumed to be a type of ritual bell.[22] Ninagal's task is to work the metal used to that end.[23]
References
- â 1.0 1.1 1.2 1.3 1.4 1.5 Cavigneaux & Krebernik 1998, p. 325.
- â 2.0 2.1 Gadotti 2014, p. 46.
- â 3.0 3.1 Krebernik 2011, p. 508.
- â Cavigneaux & Krebernik 1998a, p. 489.
- â Simons 2018, p. 134.
- â 6.0 6.1 Foster 2005, p. 889.
- â 7.0 7.1 7.2 Cavigneaux & Krebernik 1998, p. 326.
- â 8.0 8.1 8.2 VacĂn 2011, p. 271.
- â Simons 2018, pp. 133-134.
- â Simons 2018, p. 132.
- â Krebernik 1998, p. 384.
- â George 1993, p. 167.
- â 13.0 13.1 13.2 Westenholz 2012, p. 305.
- â Westenholz 2012, p. 304.
- â George 2016, pp. 48-49.
- â Pongratz-Leisten 2015, p. 285.
- â Cavigneaux & Krebernik 1998, pp. 325-326.
- â Walker & Dick 1999, p. 79.
- â Walker & Dick 1999, p. 81.
- â Walker & Dick 1999, p. 66.
- â Rendu Loisel 2015, pp. 220-221.
- â Rendu Loisel 2015, pp. 223-224.
- â Rendu Loisel 2015, p. 220.
Bibliography
- Cavigneaux, Antoine; Krebernik, Manfred (1998) (in de)
- Cavigneaux, Antoine; Krebernik, Manfred (1998a) (in de)
- Foster, Benjamin R. (2005). Before the muses: an anthology of Akkadian literature. Bethesda, Md.: CDL Press. ISBN 1-883053-76-5. OCLC 57123664.
- Gadotti, Alhena (2014). Gilgamesh, Enkidu, and the Netherworld and the Sumerian Gilgamesh Cycle. De Gruyter. doi:10.1515/9781614515456. ISBN 978-1-61451-708-5.
- George, Andrew R. (1993). House Most High: the Temples of Ancient Mesopotamia. Winona Lake: Eisenbrauns. ISBN 0-931464-80-3. OCLC 27813103.
- George, Andrew R. (2016). Mesopotamian incantations and related texts in the SchĂžyen Collection. Bethesda, Maryland. ISBN 978-1-934309-66-7. OCLC 936548667.
- Krebernik, Manfred (1998) (in de)
- Krebernik, Manfred (2011) (in de)
- Pongratz-Leisten, Beate (2015). Religion and Ideology in Assyria. Studies in Ancient Near Eastern Records (SANER). De Gruyter. ISBN 978-1-61451-426-8. https://books.google.com/books?id=LJqnCgAAQBAJ. Retrieved 2022-12-02.
- Rendu Loisel, Anne-Caroline (2015). "The Voice of Mighty Copper in a Mesopotamian Exorcistic Ritual". in Pongratz-Leisten, Beate; Sonik, Karen. The Materiality of Divine Agency. Studies in Ancient Near Eastern Records (SANER). De Gruyter. pp. 211â228. doi:10.1515/9781501502262-012.
- Simons, Frank (2018). "The Goddess Kusu". Revue d'assyriologie et d'archĂ©ologie orientale (CAIRN) 112 (1): 123â148. doi:10.3917/assy.112.0123. ISSN 0373-6032. https://www.cairn.info/revue-d-assyriologie-2018-1-page-123.htm.
- VacĂn, LudÄk (2011). "Gudea and NinÄiĆĄzida: A Ruler and His God". U4 du11-ga-ni sĂĄ mu-ni-ib-du11: ancient Near Eastern studies in memory of Blahoslav HruĆĄka. Dresden: Islet. ISBN 978-3-9808466-6-0. OCLC 761844864. https://www.academia.edu/1037473.
- Walker, Christopher; Dick, Michael B. (1999). "The Induction of the Cult Image in Ancient Mesopotamia: The Mesopotamian mis pĂź Ritual". Born in Heaven, Made on Earth. Penn State University Press. pp. 55â122. doi:10.1515/9781575065120-003. ISBN 9781575065120.
- Westenholz, Joan G. (2012). "EN-Priestess: Pawn or Power Mogul?". in Wilhelm, Gernot. Organization, Representation, and Symbols of Power in the Ancient Near East. Penn State University Press. doi:10.1515/9781575066752. ISBN 978-1-57506-675-2. https://www.degruyter.com/document/doi/10.1515/9781575066752-028/html.
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