Software:I Wanna Be the Guy
| I Wanna Be The Guy: The Movie: The Game | |
|---|---|
 The title screen is influenced by that of Mega Man 2. | |
| Designer(s) | Michael "Kayin" O'Reilly |
| Programmer(s) | Michael "Kayin" O'Reilly |
| Engine | Multimedia Fusion 2 |
| Platform(s) | Windows |
| Release | October 5, 2007 |
| Genre(s) | Action-adventure, platform |
| Mode(s) | Single-player |
I Wanna Be the Guy: The Movie: The Game, commonly called I Wanna Be the Guy and abbreviated to IWBTG , is a freeware platform game created by Michael "Kayin" O'Reilly for Microsoft Windows using Multimedia Fusion 2.[1][2][3] First released on October 5, 2007, the game is no longer in active development, though the game's source code was released by Kayin in 2011[4] and a remastered edition was released in 2020.[1][5] IWBTG has unusually difficult platforming elements, unorthodox level design, and uses sound effects, characters, and music from many other games.[6]
Gameplay
The player controls "The Kid". The controls are limited to left/right movement, jumping, double-jumping, and shooting. IWBTG is made up of several stages split into many screens, which are mostly pastiches of Nintendo Entertainment System games, such as Tetris, Ghosts 'n Goblins, The Legend of Zelda, Castlevania, Kirby, Mega Man, and Metroid. At the end of each stage, a boss must be defeated to progress. The first seven bosses (Mike Tyson; Mecha Birdo; Dracula; Kraidgief, a parody of palette-hacked character glitches; Mother Brain; Bowser, Wart, and Dr. Wily in the Koopa Clown Car; and a mix between the Mecha Dragon from Mega Man 2 and the Yellow Devil from Mega Man and Mega Man 3) are adapted from classic games, mostly platformers, but their behavior and appearance have been modified and enhanced for IWBTG. The final boss, The Kid's father, is unique to IWBTG. The game parodies many 8-bit and 16-bit era video games, such as the frequent use of references and sound effects from the Nintendo game Mario Paint.
IWBTG is most famous for its difficulty.[7][8] Most of the landscape is engineered specifically to kill the player character. Alongside a traditional range of recognizable dangers, such as spikes and pits, there are many less obvious threats as well, most of which are all but impossible to avoid without either previous knowledge or trial and error (such as Tetris pieces and "Delicious Fruit", which can fall downwards, upwards, or sideways).[9] The Kid always dies with a single hit, at which point he explodes into a mass of blood. Although each death results in a "Game Over", the player is allowed an infinite number of attempts.[10] From the starting screen, there are three different ways to progress; all of them ultimately lead to the same warp screen which returns to the first screen. Thus, to complete the game, the first six bosses along each path must be defeated before the warp screen will allow the player to access the final area.
The game has four difficulty settings: "Medium", "Hard", "Very Hard", and "Impossible", with "Hard" considered to be the "normal difficulty". The only difference in gameplay between the difficulty settings is the number of save points available throughout the game, with 62 in Medium mode, 41 in Hard mode, 22 in Very Hard mode, and none at all in Impossible mode. Also, while playing on Medium mode, The Kid's hair has a pink bow in it, and any save points exclusive to Medium difficulty are labeled "WUSS" instead of "SAVE".
Plot
Like many games that IWBTG parodies, the game's plot is straightforward and does not heavily impact gameplay. The player controls "The Kid", who is on a mission to become "The Guy". The entirety of the plot is given in a message during the opening credits, a parody of bad Japanese translations and broken English in early NES games.
At the end, The Kid reaches The Guy, who reveals that he not only killed "Former Grandfather The Guy", but that he is also "The Father" to The Kid. A battle between the two takes place ending with The Kid becoming "The New Guy".
Development
Kayin describes the game as "a sardonic loveletter to the halcyon days of early American video gaming, packaged as a nail-rippingly difficult platform adventure".[3][11] The inspiration came from a challenging Japanese Flash game on 2channel called The Big Adventure of Owata's Life (人生ｵﾜﾀ＼(^o^)／の大冒険 Jinsei Owata no Daibōken), which Kayin played and thought he could outdo due to it being incomplete at the time.[9][12][13]
On November 9, 2011, Kayin released the source code of the game under his own software license (forbidding new content), so that the game's community would be able to create fixes and patches.[4][14][15][16]
Legacy
"The Kid" is an unlockable secret character in Super Meat Boy (2010).[17]
Reception
In "Critical games: Critical design in independent games", Lindsay Grace describes the game as one that critiques the logic and illogic of platform games in a way that questions the underlying assumptions of the genre.[18] Shaun Prescott similarly describes it as a self-critiquing game, noting that it "subverts the learning process of games by constantly breaking the rules."[19]
The game has been categorized as "masocore", a descriptor for games with intentionally unfair design.[20][21][22]
See also
References
- ↑ 1.0 1.1 "I Wanna Be The Guy Has Been Remastered". 24 December 2020. https://www.kotaku.com.au/2020/12/i-wanna-be-the-guy-has-been-remastered/. Retrieved 2021-10-05.
- ↑ Wiltshire, Alex (20 May 2020). "How I Wanna Run The Marathon riffed on Mario to draw a crowd". Rock, Paper, Shotgun. https://www.rockpapershotgun.com/how-i-wanna-run-the-marathon-riffed-on-mario-to-draw-a-crowd. Retrieved 2021-10-05.
- ↑ 3.0 3.1 "IWBTG! A Very Hard Game About a Boy and 8-bit Masochism!". Kayin.pyoko.org. http://kayin.pyoko.org/iwbtg/index.php.
- ↑ 4.0 4.1 "Fix My Game: IWBTG Source Code Release". Kayin.pyoko.org. http://kayin.pyoko.org/iwbtg/forums/index.php?topic=14467.0.
- ↑ "I Wanna Be The Guy Remastered" (in en-US). http://delicious-fruit.com/ratings/game_details.php?id=22751.
- ↑ Doctorow, Cory (2008-02-20). "I Wanna Be the Guy - platformer game is a stew of 8-bit classics". Boingboing.net. http://www.boingboing.net/2008/02/20/i-wanna-be-the-guy-p.html.
- ↑ "Review: I Wanna Be the Guy". 2008-01-07. http://letsplaymag.com/index.php/reviews/34-cat-reviews/54-review-iwbtg.
- ↑ "TIGArchive » I Wanna Be the Guy!". TIGSource.com. 2008-01-13. http://www.tigsource.com/articles/2008/01/13/i-wanna-be-the-guy.
- ↑ 9.0 9.1 "Iwbtg! - Faq". Kayin.pyoko.org. http://kayin.pyoko.org/iwbtg/faq.php.
- ↑ "IWBTG! - Manual!". Kayin.pyoko.org. http://kayin.pyoko.org/iwbtg/manual.php.
- ↑ Grace, Lindsay (2009). "Games as Teachers". Open Access Publications by American University Faculty. http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.1079.110&rep=rep1&type=pdf. Retrieved 2022-12-18.
- ↑ "『人生ｵﾜﾀ＼(^o^)／の大冒険』作者に『IWBTG』作者から感謝のメール「あなたのゲームにインスパイアされた」 ｜ ガジェット通信". Getnews.jp. 2010-05-13. http://getnews.jp/archives/59311.
- ↑ Veix, Joe. "The ecstasy of playing video games that abuse you". https://theoutline.com/post/3237/good-games-should-hate-your-guts. Retrieved 2021-10-05.
- ↑ DIYGamer: Recursive Romhackery – I Wanna Be The Guy Source Code Released (2011)
- ↑ "IWBTG! - Downloads!". Kayin.pyoko.org. http://kayin.pyoko.org/iwbtg/downloads.php.
- ↑ "ThinkPlay Test » Blog Archive » I Wanna Be The Guy source code released". https://blogs.uoregon.edu/thinkplaytest/2011/11/10/i-wanna-be-the-guy-source-code-released/.
- ↑ "So You Wanna Be The Guy In Super Meat Boy?" (in en). Game Informer. https://www.gameinformer.com/games/super_meat_boy/b/xbox360/archive/2010/12/28/so-you-wanna-be-the-guy-in-super-meat-boy.aspx. Retrieved 2023-07-02.
- ↑ Grace, Lindsay (2014). "Critical games: Critical design in independent games". Proceedings of DIGRA (IGI Global). https://d1wqtxts1xzle7.cloudfront.net/35206233/Critical_Games_Critical_Design_in_Independent_Games-with-cover-page-v2.pdf?Expires=1632775266&Signature=GbJrPGpW4xtOXFqA7sq-1LqyKv39z3y4UJA4Jye8PtCNCyx-SxlYWc9s00QEJbYWagsHi~vtX5ml~-VyY-X1CKk9vTE3v77uvbsKeu4ujUqcmOKOe4psVBM~-QySRw89swp56WVxClp4pZEWuDs1XgZ4vp34mcIdGlkdz1v75iteKxMGXpFwqYPShrpoXpeGhDBAGyOgHkRSCVNinFVPexzfA9ZdINEPPI3E6gybJI9aypUWx1N8F0HIG8YfYWl-7Jkp1zrJzilH7RL~4axn4HqsLUe6knD60aYNnVtUfkVNA2NGiCaDl0dfgPoqzcOZFbTHnrVcRxwIiGLk3N3C5Q__&Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA. Retrieved 2021-09-27.
- ↑ Prescott, Shaun. "Games: 'Clicker and the bleak futility of games". The Lifted Brow (22): 43. https://search.informit.org/doi/abs/10.3316/informit.258095101503194. Retrieved 2021-09-27.
- ↑ Wilson, Douglas; Sicart, Miguel (2010). "Now it's personal: On abusive game design". Proceedings of the International Academic Conference on the Future of Game Design and Technology. New York, New York, USA: ACM Press. pp. 40–47. doi:10.1145/1920778.1920785. ISBN 9781450302357. http://doougle.net/articles/Abusive_Game_Design.pdf. Retrieved 2021-09-27.
- ↑ Guins, Raiford; Lowood, Henry (3 June 2016). Debugging Game History: A Critical Lexicon. MIT Press. p. 114. ISBN 978-0-262-03419-7. https://books.google.com/books?id=RCIsDAAAQBAJ. Retrieved 27 September 2021.
- ↑ Khaled, Rilla (11 June 2012). "Muse-based game design". Proceedings of the Designing Interactive Systems Conference on - DIS '12. New York, NY, USA: Association for Computing Machinery. pp. 721–730. doi:10.1145/2317956.2318065. ISBN 978-1-4503-1210-3. https://doi.org/10.1145/2317956.2318065.
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