Software:Sword of Aragon
| Sword of Aragon | |
|---|---|
| Developer(s) | Strategic Simulations |
| Publisher(s) | Strategic Simulations |
| Designer(s) | Kurt Myers Russell Shilling |
| Platform(s) | MS-DOS, Amiga |
| Release | |
| Genre(s) | 4X turn-based strategy and role-playing game |
| Mode(s) | Single-player |
Sword of Aragon is a turn-based strategy and role-playing game developed and published by Strategic Simulations in 1989. It is also considered to be of the 4X genre. Set in the fictional land of Aragon, the games casts its protagonist as the duke of a city named Aladda. After assuming rule over the city and avenging his father's death, the protagonist embarks on a quest to unify the land through conquest. Accomplishing this goal entails developing cities, recruiting armies, and directing the troops on the fields of battle to victory. First published for MS-DOS, the game was ported to Amiga machines. Reception towards Sword of Aragon tended to be more positive than negative; reviewers called it an exciting game, but criticized its method of copy protection and cited problems with its documentation. There were also opinions that the game was more of a niche product, catering to hardcore strategists.
Background
Sword of Aragon is a "strategic fantasy role-playing adventure" video game published in 1989.[1] The game's setting is the fictional land of Aragon. A powerful human empire once held sway over the land, but infighting and raids by monsters such as orcs, goblins, and titans have broken it apart. The protagonist is the son of the Duke of Aladda, ruler of a city that used to be glorious under the old empire. The duke died during a raid by orcs and tasked his son through his will to fulfill his dream of reunifying the land. To achieve this goal, the young duke builds up his cities and expands his army, conquering or allying with other cities and races. Furthermore, he recovers three artifacts required to claim the throne, slays a dragon, and destroys the strongholds of monsters that plague the land. Eventually, he deposes the ruthless Emperor of the Tetradan Empire, Lucinian IV, and assumes the Aragonian throne.[2][3][4]
Gameplay

The player begins a game by choosing a character class for the protagonist. The choices are warrior, knight, mage, priest, and ranger. Each class has an affinity to a certain class of soldier—warriors are more apt in leading infantry, and knights, cavalry. During battles, mages, rangers, and priests can also cast spells that damage foes, alter terrain, and heal friendly forces.[1] The player can hire commanders of these classes to accompany the protagonist in his quest. After winning a number of battles, the player's character might receive offers of service from such commanders as well.[2]
The game is principally split between city management and tactical combat.[5] Gameplay is turn-based, alternating between player and computer, and much of the game is played on the World Map, a representation of the land of Aragon.[3] Each turn on this map represents a month in the game. The map shows cities and the player's units; unexplored areas are blanked out until they have been explored by the player's units. By using the keyboard and mouse, the player moves a cursor to select units and cities, and issue orders via keystrokes.[2] Cities under the player's control provide monthly income, which is supplemented by tributes from vassals and loot from battles.[5] Income from a city is improved by expending funds to develop the city's economic sectors, such as agriculture and mining, or by increasing taxation. Tax rates, however, affect the loyalty of citizens; high taxes in a city lead to a decreasing population.[4]
Armies are recruited in the cities, and their maintenance contributes to the monthly expenditure.[2] Troops consist of infantry, cavalry, and bowmen.[3] The game enters the tactical battle phase when enemies attack one of the player's cities that is garrisoned with troops, and when the player's forces move onto a hostile city. Encounters might also take place as the player's forces move on the World Map. On such occasions, the game switches the display to a large-scale map of the encounter. The battle maps differ from the World Map in that each spot has a limit on its number of occupants—a stacking limit.[2] The player and computer take turns to deploy and move their forces. Units move at their standard pace or at a forced march to cover greater distances per turn in battles. Certain terrain gives defensive bonuses to their occupants, reducing the damage they suffer when coming under attack. Offensives take the form of melee, charges, missiles, and magic.[4] The player has the option of letting the computer take control of his or her army to fight the battle.[2] The game switches back to the World Map after a battle has concluded. Units that survive a battle gain experience points, improving their combat abilities on attaining certain numbers of experience points. They, with the exception of commanders, can also train in cities to improve their experience.[6] Video games designer Alan Emrich considered Sword of Aragon's gameplay typical of the "eXplore, eXpand, eXploit and eXterminate" nature of the 4X genre.[7]
Development
Sword of Aragon was developed and published by Strategic Simulations, Inc., a video game company that dominated the 1980s market for digital wargames. Their products typically "copied the board game formula without adding revolutionary new elements."[8] Most strategy games at this time featured hexagon-based maps and a sequence of turns among players.[9] Sword of Aragon plainly exhibits the influence of traditional board games in its design. Its maps are laid out in hexes, and the concept of stacking limits plays a strong part in the game's strategies.[2] Written in Microsoft QuickBASIC and other languages,[1] Sword of Aragon features a copy protection system that uses the game manual. On starting the game, the icon of an Aragonian city is displayed, along with a cue for a word in the manual's description of that city; a separate poster identifies the cities with their icons. The game proceeds only after the correct answer has been entered.[10]
Reception

Sword of Aragon was released when fantasy-themed wargames were gaining popularity and computer wargames were starting to flourish as the rules of the board games grew in complexity.[11] The digital versions were simpler in terms of their gameplay, as parts of the complex mechanics were handled by computers instead. Freed of dice rolling, complex calculations, and coordination of the sequence of play, casual gamers were more amenable to playing these games.[9][12] According to Advanced Computer Entertainment's John Minson, Sword of Aragon complied with part of this trend; its huge complicated set of rules would have made it an unplayable board game, but by hiding its mechanics from the player, the digital version could be played by anyone. However, as Minson further explained, the scope of the game was too large for casual gamers to handle, overwhelming them with "the number of factors under their control", and hardcore gamers are more likely to appreciate the game's complexity.[2]
In the January 1990 edition of Dragon (Issue 153), Hartley, Patricia, and Kirk Lesser believed that while the game was exciting, it suffered several design flaws that made the game too difficult for them. They found that the computer-controlled enemies constantly outpaced their economy and military might, and the game gave them no immediate opportunity to retreat their army when ambushed by superior forces, forcing them to suffer heavy losses.[1]
In the February–March 1990 edition of Games International (Issue 13), Dave Morris found that the programming did not allow the enemy to play intelligently, pointing out that "even on Expert level your opponents will be just as dumb — there'll just be more of them." He was also disappointed by the game's graphics. Morris concluded by giving the gameplay a poor rating of 5 out of 10 and the graphics an even poorer 4 out of 10, saying, "Fighting a succession of poor opponents became repetitious, and its almost impossible to lose a battle even if the odds are stacked against you."[13]
Compute!'s Adam Starkweather found it too easy in later stages of the game, as his character's well-developed armies "steamroll" their way through the opposition.[6] The Lessers and Amiga Joker's Werner Hiersekorn felt the game ran slow on their computers,[1][14] while Starkweather reflected that battles could take up to one and a half hours to complete.[6] In 1990 and 1993 Computer Gaming World gave the game three-plus stars out of five, stating that it had "high playability".[15][16]
Several video game observers doubted the classification of Sword of Aragon as a role-playing game. Science fiction and fantasy novelist Orson Scott Card and Amiga Computing's Lucinda Orr considered it more of a strategy than a role-playing game.[12]
John Minson of ACE was of like mind, and further elaborated that unlike the Dungeon and Dragon series of video games, Sword of Aragon failed to inspire players to identify themselves with the characters, giving a "coldly mechanical experience" instead.[2]
Datormagazin's Hans Ekholm thought otherwise, saying the gameplay did not require any strategy, and considered Sword of Aragon "a fantasy role-playing/adventure game and nothing else".[10]
Critics had minor criticisms with the game's quality when comparing to its contemporaries. Minson called its interface "old-fashioned",[2] and Computer Gaming World said it was "clunky"[4] and "marginal", a description it also gave the game's graphics.[15] Graphically, Orr and Zzap!64's Phil King found the game "primitive", though "adequate".[3][5] More troubling to several reviewers was the game's copy protection system. Ekholm was not pleased that he had to unfold a flimsy poster to identify the requested city. His copy was falling apart after several identifications.[10] The game further frustrated him when it failed to acknowledge the correct key. The provided hints were incorrect, a situation also experienced by the Lessers.[1][10] The inaccuracies were not restricted to the copy protection. Starkweather pointed out discrepancies in the documentation—several features of the game were either not explained or wrongly documented.[6]
Ekholm dismissed Sword of Aragon for its flawed copy protection and perceived lack of strategy.[10] Hiersekorn was more condemning; rating the game poorly for its graphics and sound, and confused by its presented lists of military and economic data, he called the game a "cheap clone".[14] Regardless, such issues did not deter other reviewers from praising the game. Pleased with the large number of options to manage their cities and to order their armies in combat, they felt the game was deep and offered many exciting moments;[1][3][5] Kritzen judged the system "challenging and ultimately rewarding."[4] According to Retro Gamer magazine, "Sword of Aragon is considered by many to be the best fantasy wargame ever."[17] Starkweather was equally pronounced in his opinion. He called Sword of Aragon addictive and was willing to overlook issues with the game, finding pleasure in formulating strategies and tactics to overcome the enemy.[6]
In a review of Sword of Aragon in Black Gate, John ONeill said "Sword of Aragon is a very hard game, and a lot of reviewers griped about it for that reason. But it's also full of surprises. Gutsy military victories and a generous, princely spirit are both absolutely essential to winning, but along the way you can find three powerful artifacts that will make claiming the throne a lot easier. You also get to slay a dragon, demolish the titan stronghold, and depose the cruel Emperor of the Tetradan Empire, and eventually assume the Aragonian throne. It's a long, painful road, but an enormously satisfying one."[18]
Other reviews
- Shadis #1 (Jan., 1990)
References
- ↑ 1.0 1.1 1.2 1.3 1.4 1.5 1.6 Lesser, Hartley; Lesser, Patricia; Lesser, Kirk (January 1990). "The Role of Computers". Dragon (Wisconsin, United States: TSR) 14 (153): 78–79. ISSN 0279-6848.
- ↑ 2.00 2.01 2.02 2.03 2.04 2.05 2.06 2.07 2.08 2.09 Minson, John (October 1989). "Adventures—Sword of Aragon". Advanced Computer Entertainment (London, United Kingdom: EMAP) (25): 97.
- ↑ 3.0 3.1 3.2 3.3 3.4 Orr, Lucinda (August 1990). "Games—Sword of Aragon". Amiga Computing (United Kingdom: Europress Impact) 3 (3): 42–43. ISSN 0959-9630.
- ↑ 4.0 4.1 4.2 4.3 4.4 Kritzen, Biff (November 1989). "A Strong Right Arm". Computer Gaming World (California, United States: Golden Empire Publications) (65): 44–45, 53. ISSN 0744-6667.
- ↑ 5.0 5.1 5.2 5.3 King, Phil (August 1990). "Adventures—Sword of Aragon". Zzap!64 (Shropshire, United Kingdom: Newsfield Publications) (64): 22–23. ISSN 0954-867X.
- ↑ 6.0 6.1 6.2 6.3 6.4 Starkweather, Adam (January 1990). "Review: Sword of Aragon". Compute! (North Carolina, United States: Compute! Publications) 12 (116): 109, 114. ISSN 0194-357X.
- ↑ Emrich, Alan (September 1994). "Your MOM Wears Magic Boots!". Computer Gaming World (California, United States: Golden Empire Publications) (122): 18. ISSN 0744-6667.
- ↑ Egenfeldt-Nielsen, Simon; Smith, Jonas Heide; Tosca, Susana Pajares (2008). "History". Understanding Video Games: The Essential Introduction. New York: Routledge. p. 67. ISBN 978-0-415-97721-0. https://books.google.com/books?id=31XHdVXlbt0C&pg=PT53. Retrieved 2009-10-10.
- ↑ 9.0 9.1 Perla, Peter (1990). "Wargaming after the War". The Art of Wargaming: A Guide for Professionals and Hobbyists. Maryland: United States Naval Institute. p. 152. ISBN 0-87021-050-5. https://books.google.com/books?id=C_sjPhgaEzwC&pg=PA105. Retrieved 2009-11-27.
- ↑ 10.0 10.1 10.2 10.3 10.4 Ekholm, Hans (September 1990). "Nöje" (in sv). Datormagazin (Sweden: Bröderna Lindströms Förlags AB) (13): 70. ISSN 1650-1306.
- ↑ Sabin, Philip (2002). "Playing at War: The Modern Hobby of Wargaming". in Cornell, Tim; Allen, Thomas. War and Games. Studies on the Nature of War. 3. New York: Boydell Press. pp. 197, 203, 212. ISBN 0-85115-870-6. https://books.google.com/books?id=nQAXzSJsqKcC&pg=PA193. Retrieved 2009-10-10.
- ↑ 12.0 12.1 Card, Orson Scott (December 1989). "Gameplay: Role-Playing Tedium Transcends the Computer Age". Compute! (North Carolina, United States: Small System Services) (115): 92. ISSN 0194-357X.
- ↑ Morris, Dave (February–March 1990). "Saga Pack". Games International (13): 49.
- ↑ 14.0 14.1 Hiersekorn, Werner (September 1990). "Review — Sword of Aragon" (in de). Amiga Joker (Grasbrunn, Germany: Joker Verlag): 54.
- ↑ 15.0 15.1 Brooks, M. Evan (October 1990). "Computer Strategy and Wargames: Pre-20th Century". Computer Gaming World: 11. http://www.cgwmuseum.org/galleries/index.php?year=1990&pub=2&id=75. Retrieved 16 November 2013.
- ↑ Brooks, M. Evan (June 1993). "An Annotated Listing of Pre-20th Century Wargames". Computer Gaming World: 136. http://www.cgwmuseum.org/galleries/index.php?year=1993&pub=2&id=107. Retrieved 7 July 2014.
- ↑ Retro Gamer staff (2007-09-13). "Developer Lookback—Strategic Simulations Inc (Part 1 of 2)". Retro Gamer (Bournemouth, United Kingdom: Imagine Publishing) (42): 38. ISSN 1742-3155.
- ↑ "Vintage Bits: Sword of Aragon – Black Gate". 24 April 2013. https://www.blackgate.com/2013/04/24/vintage-bits-sword-of-aragon/.
External links
- MobyGames is a commercial database website that catalogs information on video games and the people and companies behind them via crowdsourcing. This includes over 300,000 games for hundreds of platforms.[1] Founded in 1999, ownership of the site has changed hands several times. It has been owned by Atari SA since 2022.
Features
Edits and submissions to the site (including screenshots, box art, developer information, game summaries, and more) go through a verification process of fact-checking by volunteer "approvers".[2] This lengthy approval process after submission can range from minutes to days or months.[3] The most commonly used sources are the video game's website, packaging, and credit screens. There is a published standard for game information and copy-editing.[4] A ranking system allows users to earn points for contributing accurate information.[5]
Registered users can rate and review games. Users can create private or public "have" and "want" lists, which can generate a list of games available for trade with other registered users. The site contains an integrated forum. Each listed game can have its own sub-forum.
History

MobyGames was founded on March 1, 1999, by Jim Leonard and Brian Hirt, and joined by David Berk 18 months later, the three of which had been friends since high school.[6][7] Leonard had the idea of sharing information about computer games with a larger audience. The database began with information about games for IBM PC compatibles, relying on the founders' personal collections. Eventually, the site was opened up to allow general users to contribute information.[5] In a 2003 interview, Berk emphasized MobyGames' dedication to taking video games more seriously than broader society and to preserving games for their important cultural influence.[5]
In mid-2010, MobyGames was purchased by GameFly for an undisclosed amount.[8] This was announced to the community post factum , and the site's interface was given an unpopular redesign.[7] A few major contributors left, refusing to do volunteer work for a commercial website.{{Citation needed|date=June 2025} On December 18, 2013, MobyGames was acquired by Jeremiah Freyholtz, owner of Blue Flame Labs (a San Francisco-based game and web development company) and VGBoxArt (a site for fan-made video game box art).[9] Blue Flame Labs reverted MobyGames' interface to its pre-overhaul look and feel,[10] and for the next eight years, the site was run by Freyholtz and Independent Games Festival organizer Simon Carless.[7]
On November 24, 2021, Atari SA announced a potential deal with Blue Flame Labs to purchase MobyGames for $1.5 million.[11] The purchase was completed on 8 March 2022, with Freyholtz remaining as general manager.[12][13][14] Over the next year, the financial boost given by Atari led to a rework of the site being built from scratch with a new backend codebase, as well as updates improving the mobile and desktop user interface.[1] This was accomplished by investing in full-time development of the site instead of its previously part-time development.[15]
In 2024, MobyGames began offering a paid "Pro" membership option for the site to generate additional revenue.[16] Previously, the site had generated income exclusively through banner ads and (from March 2014 onward) a small number of patrons via the Patreon website.[17]
See also
- IGDB – game database used by Twitch for its search and discovery functions
References
- ↑ 1.0 1.1 Sheehan, Gavin (2023-02-22). "Atari Relaunches The Fully Rebuilt & Optimized MobyGames Website". https://bleedingcool.com/games/atari-relaunches-the-fully-rebuilt-optimized-mobygames-website/.
- ↑ Litchfield, Ted (2021-11-26). "Zombie company Atari to devour MobyGames". https://www.pcgamer.com/zombie-company-atari-to-devour-mobygames/.
- ↑ "MobyGames FAQ: Emails Answered § When will my submission be approved?". Blue Flame Labs. 30 March 2014. http://www.mobygames.com/info/faq7#g1.
- ↑ "The MobyGames Standards and Practices". Blue Flame Labs. 6 January 2016. http://www.mobygames.com/info/standards.
- ↑ 5.0 5.1 5.2 Miller, Stanley A. (2003-04-22). "People's choice awards honor favorite Web sites". Milwaukee Journal Sentinel.
- ↑ "20 Years of MobyGames" (in en). 2019-02-28. https://trixter.oldskool.org/2019/02/28/20-years-of-mobygames/.
- ↑ 7.0 7.1 7.2 Plunkett, Luke (2022-03-10). "Atari Buys MobyGames For $1.5 Million". https://kotaku.com/mobygames-retro-credits-database-imdb-atari-freyholtz-b-1848638521.
- ↑ "Report: MobyGames Acquired By GameFly Media". Gamasutra. 2011-02-07. https://www.gamedeveloper.com/game-platforms/report-mobygames-acquired-by-gamefly-media.
- ↑ Corriea, Alexa Ray (December 31, 2013). "MobyGames purchased from GameFly, improvements planned". http://www.polygon.com/2013/12/31/5261414/mobygames-purchased-from-gamefly-improvements-planned.
- ↑ Wawro, Alex (31 December 2013). "Game dev database MobyGames getting some TLC under new owner". Gamasutra. https://www.gamedeveloper.com/business/game-dev-database-mobygames-getting-some-tlc-under-new-owner.
- ↑ "Atari invests in Anstream, may buy MobyGames". November 24, 2021. https://www.gamesindustry.biz/articles/2021-11-24-atari-invests-in-anstream-may-buy-mobygames.
- ↑ Rousseau, Jeffrey (2022-03-09). "Atari purchases Moby Games". https://www.gamesindustry.biz/atari-purchases-moby-games.
- ↑ "Atari Completes MobyGames Acquisition, Details Plans for the Site's Continued Support". March 8, 2022. https://www.atari.com/atari-completes-mobygames-acquisition-details-plans-for-the-sites-continued-support/.
- ↑ "Atari has acquired game database MobyGames for $1.5 million" (in en-GB). 2022-03-09. https://www.videogameschronicle.com/news/atari-has-acquired-game-database-mobygames-for-1-5-million/.
- ↑ Stanton, Rich (2022-03-10). "Atari buys videogame database MobyGames for $1.5 million". https://www.pcgamer.com/atari-buys-videogame-database-mobygames-for-dollar15-million/.
- ↑ Harris, John (2024-03-09). "MobyGames Offering “Pro” Membership". https://setsideb.com/mobygames-offering-pro-membership/.
- ↑ "MobyGames on Patreon". http://www.patreon.com/mobygames.
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