Software:Space Funeral
| Space Funeral | |
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| Developer(s) | Stephen "thecatamites" Gillmurphy |
| Engine | RPG Maker 2003 |
| Platform(s) | Microsoft Windows |
| Release | September 17, 2010 |
Space Funeral is an independently created role-playing video game and art game by Irish developer thecatamites, Stephen Gillmurphy. The short game was created using RPG Maker 2003, and centers around a boy named Phillip, who leaves home to save his world from a mysterious corruption.
Space Funeral is notable for its parodies of the horror and role-playing game genres, its crude art style, and frequent use of blood in dialogue, graphics, and thematics.
The game features themes of artistry and its plot parallels many aspects of independent game development.
Gameplay
Players control Phillip (and during sections following the game's first major area, Leg Horse) as he departs from his home in Scum Vullage [sic] to search for the City of Forms, a city described as the origin of everything within the game's world. Throughout the game, players repeatedly encounter twisted, and often bloody creatures which take the place of non-playable characters (NPCs) in the game's world.
The game plays like a typical 2D turn-based role-playing game (RPG),[1] although a "Mystery" function that can only be used once per battle has effects unique to each enemy variety the function is utilized on. This ability closely resembles "praying" in Earthbound but with a far greater and more prevalent narrative focus.[2] Certain enemies have absurd weaknesses; such as silent films making some of them sentimental. The game also has a variety of unusual status effects, such as "buff" and "sad" along with more typical ones, such as "poisoned."
Plot
Space Funeral begins with Phillip, a perpetually crying pajama-clad purple boy, seeing a wizard in Scum Vullage [sic] who tells him that his world has been "corrupted" and it does not have long left. The wizard states that the only hope for survival is to find the City of Forms, a perfect city from which all things in the game's world originates. Phillip departs the village, and soon meets up with Leg Horse, a horse made of severed legs who is later revealed to have formerly been Prince Horace, the prince of Space Funeral's world. The player eventually passes through the Blood Cavern, a cave housing the game's first boss, the Blood Ghoul, and arrives in the City of Thieves, a city home to a vast array of criminals (who have a strong weakness to bibles).
It is eventually learned upon visiting Leg Horse's former home that he was once "Prince Horace", the ruler of the game prior to the "Great Change". It is then explained that Leg Horse's brother has been corrupt as well, and the group is ambushed by "20th Century Boy", the corrupt version of Leg Horse's brother.
Phillip notices that certain objects appear as graphical glitches, which the denizens of the world are cognizant of and call "errors", but do not remember what they once were before the "Great Change". Once players defeat the King of Crime, they make their way to the City of Forms, which is intensely glitched, and resembles a video game debug room, with the "forms" referring to the game's sprites.
The group discovers Moon: a former artist who takes the appearance of a variety of assets present throughout the entire game (though utilizing a blue and red color palette), and her battle sprite is an amalgam of various assets used throughout the game. Moon explains that she sought out the City first in order to be inspired, but realized the city was so perfect that she no longer had any more purpose as an artist, thus she decided to corrupt the world to allow her to create again: paralleling the process of video game creation in the RPG Maker software.
Upon defeating Moon, the game is restored to the default appearance of an RPG Maker game, and the characters return to their normal selves, implying that its former appearance was the result of the corruption inflicted upon it by Moon. However, a corrupted house from the original world still remains there, implying that it is not completely gone.
Development
During an interview with tumblr blog fuckyeahspacefuneral, developer thecatamites stated that the game's artstyle was "based on the weird chunky pixel gore from Monster Party especially the way it could be hard to figure out what a wall of tiled bloody heads was meant to represent in game space." The music selection of Space Funeral was stated to have been selected by "pulling together things based on kind of superficially similar tendencies and almost creating a fake tradition in that way which could change how you progress from there."[3]
Space Funeral was stated in the same interview to have been largely inspired by the video games Bat Castle and Monster Party. In a different interview, Murphy claimed to have played Earthbound in his teens but added it was "kinda too late for it to have an impact" at the time of Space Funeral's development. Several websites have listed Space Funeral among games very reminiscent of Earthbound, including the interviewer's own site, Paste.[2]
The game's focus on "corruption" versus the "perfect" graphics of the default RPG Maker was used by the developer to decry what he believed was a modern form of classicism for the RPGs of the 1990s, where people believed they were the "peak" of video games and wanted to copy them as much as possible, instead of experimenting and trying new things.[3] He believed that when RPG Maker games break from tradition, they are more interesting.[3]
Reception
Space Funeral received positive critical reviews, citing the game's unusual art style, music, and setting.
Filipe Salgado of Kill Screen rated the game 75/100, saying that its "messiness" went in contrast to the tendency of most games to tie up loose ends, despite the fact that its underlying systems are the same as any Japanese role-playing game.[1]
Quintin Smith of Rock, Paper, Shotgun described the game as "Final Fantasy directed by Alejandro Jodorowsky", calling the art "disturbed" and the music "awesome".[4]
Space Funeral gained a cult following over time, partially as a result of attention from YouTubers and streamers. Following the release of Space Funeral, several fan made works were made, two of which, Space Funeral 2 and Space Funeral: The Legend of Earth Birth, impressed developer thecatamites so much he claimed them to be canonical.[3]
References
- ↑ 1.0 1.1 Salgado, Filipe (2011-03-24). "Review: Space Funeral" (in en-US). Kill Screen. https://killscreen.com/articles/review-space-funeral/.
- ↑ 2.0 2.1 Nizam, Adam (November 8, 2016). "Exploring The Motherlike: Or, The Genre That Never Was". https://www.pastemagazine.com/articles/2016/11/exploring-the-motherlike-or-a-genre-that-never-was.html.
- ↑ 3.0 3.1 3.2 3.3 "To the bloody lakes, cryptic NPCs, and dubious intent- I am a through and through fan of Space Funeral." (in en). tumblr. Oct 14, 2012. http://fuckyeahspacefuneral.tumblr.com/post/33592319469/more-to-the-bloody-lakes-cryptic-npcs-and.
- ↑ Smith, Quintin (2010-10-14). "We Have Many Criminals: Space Funeral" (in en-US). Rock, Paper, Shotgun. https://www.rockpapershotgun.com/2010/10/14/space-funeral/. Retrieved 2017-07-01.
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