Software:The Getaway (video game)

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Short description: 2002 PlayStation 2 game by Team Soho
The Getaway
The Getaway PS2.jpg
Developer(s)Team Soho
Publisher(s)Sony Computer Entertainment
Director(s)Brendan McNamara
Designer(s)Chun Wah Kong
Programmer(s)
  • William Burdon
  • Naresh Hirani
Artist(s)
  • Sam Coates
  • Ravinder S Ruprai
Writer(s)
  • Brendan McNamara
  • Katie Ellwood[1]
Composer(s)
  • Andrew Hale
  • Shawn Lee
Platform(s)PlayStation 2
Release
  • EU: 11 December 2002
  • AU: 13 December 2002
  • NA: 19 January 2003
Genre(s)Action-adventure
Mode(s)Single-player

The Getaway is an action-adventure video game developed by Team Soho and published by Sony Computer Entertainment for the PlayStation 2. The Getaway is inspired by British gangster films, most notably Get Carter and Snatch.[2] Initially, the release of the game was to coincide with the launch of the PlayStation 2 in 2000, but was delayed by 27 months due to the difficulty of re-creating large areas of London in high resolution.

The game focuses on two characters each with their own plot settings, Mark Hammond, an ex-bank robber, and Detective Constable Frank Carter, a police officer in service with the Flying Squad, with both plots running parallel and intersecting before concluding in the finale of the game. A sequel, entitled The Getaway, was released in 2004, while a spin-off, Gangs of London, was released in 2006, which in turn spawned a 2020 Sky Atlantic/AMC television series adaptation, and a graphic novel, released in 2022.

Gameplay

The Getaway is designed as a third-person sandbox game in which the player controls the two lead characters as they carry out their missions for game progression. Both of the two characters can perform a series of physical tasks, such as walking, sprinting, rolling, shooting, and taking cover during a gunfight. Once Mark Hammond's missions are completed free-roaming is unlocked for his character,[3] which allows roaming around the City district and Central London without mission objectives or time-limits. Due to similarities to the Grand Theft Auto series, it is often labeled as a Grand Theft Auto clone.[4][5][6]

The game features a number of licensed vehicles from real automobile manufacturers that the player can control; unlike those seen in Grand Theft Auto, which are fictional. The majority of the vehicles in the game are made by MG Rover Group, Jensen Motors, Saab, PSA Peugeot Citroën,[7][8] Fiat, and Lexus,[3] along with a number of others. Firearms and weapons available to the player include the Glock 17 pistol, the AK-47 assault rifle, Remington 870 pump action shotgun, and the Heckler & Koch MP5 submachine gun; other weapons include a cleaver and crowbar, among others.

A major feature in the game was its approach to immersion and being "movie-like", achieved mostly by not including the typical HUD,[3] such as with car chases being done by using the vehicle's indicators to direct the player, rather than a large arrow above the car, or the player characters limping or bleeding profusely to represent low health instead of a health bar/meter.

Plot

The entirety of the game takes place in London, during the span of a single day, and is played through the perspectives of two characters: ex-convict Mark Hammond and Detective Constable Frank Carter of the Flying Squad.

Mark Hammond

Former Soho based Collins gang member Mark Hammond witnesses the kidnapping of his son, Alex and the unintentional murder of his wife, Susie before pursuing his son's kidnappers toward Bethnal Green. Mark is confronted by Charlie Jolson, the head of the Bethnal Green mob and informs Mark that he is to Charlie's bidding under threat of killing Alex. Mark is sent across London on increasingly dangerous tasks; such as such as ambushing a prison transfer to free Charlie's nephew, "Crazy" Jake Jolson, as well as instigating a gang war between the Yardies and the Triads. Due to Mark's criminal history, any possibility of police assistance to him unlikely, which was exacerbated by Mark unintentionally touching the gun that shot Susie, leading to the police believing he killed her and kidnapped Alex.

Mark is sent on his most dangerous mission yet; the execution of corrupt Detective Chief Inspector Clive McCormack, who arrested Mark five years prior, who was also in Charlie's pocket. Mark spares his other target, Yasmin, in return for information on Alex as she was present at his kidnapping and Susie's murder. Having grown wary of Charlie's intentions, Mark steals £300,000 worth of Yardie drug money, but secretly stashes it with Liam, his close friend. Mark's suspicions are later confirmed at a cash drop-off with Jake but he is captured before he can flee. Charlie later reveals to Mark and Yasmin that his ultimate plan is to wipe out his rivals and take over London in their absence, with Mark acting as the scapegoat.

Frank Carter

Detectives Frank Carter and Joe Fielding identify and arrest Jake at a safe house, though Joe is wounded in the siege. Frank then follows up on the chaos instigated by Mark across London, before he is unexpectedly placed on escort duty when Jake is moved. Arriving too late to prevent Jake's escape, McCormack suspends Frank on trumped up charges. Frank, having been already suspicious of his boss follows him to one of Charlie's depots where he discovers a hoard of seized evidence being repatriated to the Jolsons. Before Frank can clear his name however, Mark executes McCormack. Frank then moves to the hospital Joe is recovering in, who points in the direction of another one of Charlie's warehouses where he finds the captured Mark and Yasmin. Left with no other real options for assistance, Frank agrees to assist Mark and Yasmin in bringing the Jolson's down.

Finale

Mark, Yasmin, and Frank converge on the Sol Vita, berthed at St Saviour's Dock, where Charlie has taken Alex and where he intends on wiping out the rivaling gangs with a bomb. Following a shootout, Mark and Yasmin rescue Alex and are able to escape the ship mere moments before the bomb detonates, while Frank fights his way out, leaving Charlie and several gang affiliates to die in the explosion.

Development

The game originally began life on the 32-bit PlayStation,[7] off the back of Porsche Challenge.[9] After having made an acclaimed circuit driving game, Brendan McNamara – like many other developers at the time – felt that a free-roaming vehicle game was an interesting concept worth exploring. The title was prototyped and playable missions were made, but it then evolved into a PlayStation 2 project.[7] However, the original code was kept and there was talk of including it on the finished game, which would ultimately not happen. Apart from several screenshots printed in the Official U.S. PlayStation Magazine, the original version would never see release.

In moving over to vastly more capable hardware, the scope of the title expanded, as did its ambitions. Bizarre Creations were generating a lot of attention due to their successful result in reproducing the streets of central London for their Sega Dreamcast racer Metropolis Street Racer (MSR). As MSR was being hyped and primed for release as one of the Dreamcast's so-called "killer applications", Sony Computer Entertainment Europe felt compelled to attempt to steal Sega's thunder by promising the creation of a PlayStation 2 title which would re-create a massive 113 square kilometers (70 square miles) of London, displaying the ferocity with which Sony Computer Entertainment Europe was willing to attempt to challenge its veteran competitor. The final creation actually only yielded an area of 16 square kilometers (10 square miles).

Re-creating even 16 square kilometers proved a daunting task and a technical nightmare, factors which may have delayed the release of The Getaway by several years. In the case of the latter, the programmers had to perfect an engine that could constantly stream three-dimensional geometry and texture data;[9] of the areas of London the player was currently in close proximity to. At no point was the entire city loaded into memory, as it simply wouldn't fit. Unlike Rockstar's Grand Theft Auto III, it was not an acceptable option for the Team Soho developers to break the city up into separate regions and impose a loading time delay when crossing between areas.

The hype surrounding the project began in earnest just before E3 2000, when a series of screenshots were published online. They revealed an amazing level of detail, clearly showing the very identifiable streets near Team Soho's studio. Though it has been argued that these shots were actually mock-up pre-renders, it is possible they were taken from actual code that received further detailed vehicle and character models, higher resolution textures and also anti-aliased the final output.

Although the prototype game was constantly shown behind closed doors, the public was not privy to its results for at least another year. It was only finally made playable at E3 2002.[10] By then, the project had ballooned, exceeding its development budget many times over. Sony Computer Entertainment Europe had a range of other titles in development; however, the decision was taken by Phil Harrison to can many of them, perhaps to allow yet more funds to be poured into The Getaway. As a result of this, the axe was to fall on two of its studios, Sony Computer Entertainment Europe Manchester and Sony Computer Entertainment Europe Leeds.

When the game was launched in December 2002 it was a huge seller across Europe, especially in the United Kingdom. Worldwide and particularly in the United States, the game received mixed reviews and sales. The fact that it was released around the same time as the hugely-popular Grand Theft Auto (to which the game was often compared) also hurt sales, despite a large marketing campaign in the United States.

Soundtrack

The game's soundtrack is complemented by a title song and cutscene soundtrack, performed by the London Philharmonic Orchestra. The game's soundtrack was chiefly composed by Andrew Hale, while portions of the soundtrack were written by Shawn Lee, who would later compose music for another sandbox-style game, Bully.

Controversy

One alteration that Team Soho had to make was the removal of a vehicle and phone box logos which appeared in the initial release of the game. During one of Hammond's missions, a British Telecommunications (BT) van is used in a mission in which Hammond must kill the driver and take the van to assassinate a corrupt police officer. BT complained that it "did not want [its] name and livery associated with the violent scenes" in the game, and was worried that it "might incite attacks on [its] engineers". Although the initial release of the game was not recalled, subsequent production was amended to remove the offending details.[11]

Ban in Australia

Originally passed with an MA 15+ rating for the uncut version on 22 November 2002, it was resubmitted and banned 5 days later due to a scene of detailed torture. A censored version, omitting this scene, was released on 13 December the same year, with the identical rating.[12][13][14]

Reception

Reception
Aggregate score
AggregatorScore
Metacritic72/100[15]
Review scores
PublicationScore
AllGame3/5 stars[16]
Edge6/10[17]
EGM7.17/10[18]
Eurogamer8/10[3]
Famitsu31/40[19]
Game Informer9/10[20]
GamePro4.5/5 stars[21]
GameRevolutionC+[22]
GameSpot6.9/10[23]
GameSpy3/5 stars[24]
GameZone7.5/10[25]
IGN7/10[26]
OPM (US)4/5 stars[27]
The Cincinnati Enquirer3.5/5 stars[28]
Entertainment WeeklyD[29]

The Getaway received "average" reviews according to video game review aggregator Metacritic.[15]

Maxim gave the game a score of eight out of ten and wrote: "If the ensuing police brutality doesn't mold you into the model Wheelman, then having to endure those whiny English cop sirens surely will".[30] FHM also gave it a score of four stars out of five and said: "Not just a little similar to GTA III in look, feel, and gameplay, it's nonetheless worth sleeping in front of the game store for this one".[31] However, The Cincinnati Enquirer gave the game a score of three-and-a-half stars out of five, saying that "the biggest hindrance in The Getaway involves its user interface - or lack thereof - as the development team attempted to make the game look and play out like a movie".[28] Entertainment Weekly was very negative of the game, giving it a D and stating: "The level of detail is extraordinary; even the facial expressions are motion captured. But the slickest graphic presentation can't cover for Getaway's flawed script. [...] In a game infused with more humor and less pretentious aspirations, these flaws would be more forgivable".[29]

Sales of The Getaway reached 300,000 copies within two weeks of the game's release.[32] It received a "Double Platinum" sales award from the Entertainment and Leisure Software Publishers Association (ELSPA),[33] indicating sales of at least 600,000 copies in the United Kingdom.[34] By July 2006, The Getaway had sold 1 million copies and earned $36 million in the United States. Next Generation ranked it as the 53rd highest-selling game launched for the PlayStation 2, Xbox, or GameCube between January 2000 and July 2006 in that country.[35] According to Mike Rouse, a former Sony developer who worked on The Getaway, it sold almost 4 million copies in total.[36][37][38]

During the 7th Annual Interactive Achievement Awards, the Academy of Interactive Arts & Sciences nominated The Getaway for "Outstanding Achievement in Character Performance - Female" for Anna Edwards' vocal performance as Yasmin. [39]

In a retrospective article from 2014, Den of Geek made the game number 23 in their top 50 underappreciated PlayStation 2 games list.[40] In 2020, Push Square included the game and its sequel in a list of games they would like to see released on the PlayStation 4.[41]

Franchise

The Getaway: Black Monday (2004)

Main page: Software:The Getaway: Black Monday

The Getaway: Black Monday is the second game in the series and was again developed for the PlayStation 2 in 2004. The game's story is based on such films as The Long Good Friday and Lock, Stock and Two Smoking Barrels.

Gangs of London (2006)

Main page: Software:Gangs of London (video game)

Gangs of London is the third game in the series and was again developed for the PlayStation Portable in 2006. A spin-off, the game's story follows five different gangs in London, with different ethnicities and outfits, as they battle for control of the city.

Development of The Getaway 3

The Getaway 3 was to be the fourth installment of Sony's The Getaway series for the PlayStation 3 console and the third main installment in the franchise. The title was reported as cancelled on 4 June 2008, along with Eight Days.[42] In October 2009, the games were reported as not being cancelled, but "on hold".[43]

A technical demo featuring Piccadilly Circus was demonstrated in May 2005 at E3, but this was not directly from the game.[44] It was confirmed that the game would again be set in London.

Information regarding The Getaway 3 was released on 7 March 2008 by screenplay writer Katie Ellwood, who affirmed the action title was still in the works. No estimated release date was given, but Ellwood did say that Sony executives were making deals with film companies about the possibility of a future film adaptation of The Getaway 3.

Nicolas Doucet said: "I would not say they have been abandoned, just put to one side. Much work had been done. The studio just wanted to focus on its strengths, EyeToy and SingStar. Given the potential of EyePet, priorities have been changed, but the other projects aren't dead yet. Ultimately, the decision [to put those games to one side] has benefited everyone".[45]

Richard Bunn, a former developer, had noted the game was cancelled shortly after Phil Harrison was replaced by Shuhei Yoshida as president of SCE Worldwide Studios.[46]

Gangs of London (2020–present)

Gareth Evans and Matt Flannery created a television adaptation of Gangs of London starring Joe Cole, Sope Dirisu, and an ensemble cast, which debuted on Sky Atlantic and AMC in April 2020,[47][48] with Dirisu portraying Elliot Carter / Finch, a character loosely based on The Getaway's Frank Carter, and Colm Meaney portraying Finn Wallace, a character loosely based on Gangs of London's Andy Steele.

In an interview with Sky News in April 2020, Evans stated that while initially hired to "make a film franchise" of Gangs of London, he had felt like if we were going to do a film franchise, we would have two-thirds of our running time focused purely on our central characters, and then only a third left to explore the side characters that populate that world", and so on deciding that "we wouldn't do justice to the myriad of different diverse cultures and ethnicities that make up the city [I then] pitched it back saying this should be a TV show because you can afford to go off and detour for 10 to 15 minutes and spend time with other characters, and learn about them in more detail."[49]

Ghosts (2022)

In December 2022, a Gangs of London graphic novel, set between the first and second series of the television adaptation and titled A Gangs of London Story: Ghosts, written by Corin Hardy and Rowan Athale and illustrated by Ferenc Nothof, was released digitally to the news aggregator Den of Geek, ahead of a physical release.[50]

References

  1. ↑ "Katie Ellwood interview". 26 February 2008. http://www.denofgeek.com/games/11579/katie-ellwood-interview. 
  2. ↑ BrandRepublic staff (15 January 2003). "Sony backs US launch of The Getaway with ad blitz". BrandRepublic. http://www.brandrepublic.com/article/168092/sony-backs-us-launch-getaway-ad-blitz. 
  3. ↑ 3.0 3.1 3.2 3.3 Reed, Kristan (9 December 2002). "The Getaway Review - everyone is fighting". Gamer Network. https://www.eurogamer.net/articles/r_thegetaway_ps2. 
  4. ↑ Reparaz, Mikel (28 March 2007). "Battle of the GTA clones: The Getaway". New York City: Future US. https://www.gamesradar.com/battle-of-the-gta-clones/6/. 
  5. ↑ Cavalli, Earnest (6 April 2008). written at San Francisco. "Getaway, Eight Days Cancelled". Wired (New York City: Condé Nast). https://www.wired.com/2008/06/getaway-eight-d/. Retrieved 30 March 2021. "..., The Getaway (pictured above) was the latest iteration of Sony’s own Grand Theft Auto clone series.". 
  6. ↑ Millsap, Zack (28 January 2021). "Getaway, Eight Days Cancelled". Saint-Laurent: Valnet. https://www.cbr.com/ps2-getaway-reboot-ps5/. "Many tossed it aside, viewing it as nothing more than another subpar GTA clone." 
  7. ↑ 7.0 7.1 7.2 "E3 2002: The Getaway Interview". Ziff Davis. 23 May 2002. https://www.ign.com/articles/2002/05/23/e3-2002-the-getaway-interview. 
  8. ↑ "Jackie Chan Stuntmaster" (in fr). Webedia. https://www.jeuxvideo.com/jeux/playstation-ps1/00003656-jackie-chan-stuntmaster.htm. 
  9. ↑ 9.0 9.1 "How pioneering open-world blockbuster the Getaway squeezed London's criminal underworld onto PS2". 12 December 2017. https://blog.eu.playstation.com/2017/12/12/how-pioneering-open-world-blockbuster-the-getaway-squeezed-londons-criminal-underworld-onto-ps2/. 
  10. ↑ "E3 2002: Getaway impressions". https://www.gamespot.com/articles/e3-2002-getaway-impressions/1100-2867388/. 
  11. ↑ "Gangster video game upsets BT". BBC. 2 January 2003. http://news.bbc.co.uk/2/hi/technology/2621519.stm. 
  12. ↑ "SCE Australia Announce The Getaway Release". Pheonix Design Media Group. 3 December 2002. http://www.gamepower.com.au/?aid=1115. 
  13. ↑ "SCE Australia Confirm The Getaway Censorship". Pheonix Design Media Group. 3 December 2002. http://www.gamepower.com.au/?aid=1117. 
  14. ↑ "Games Censorship: G". https://www.refused-classification.com/censorship/games/g.html. 
  15. ↑ 15.0 15.1 "The Getaway for PlayStation 2 Reviews". Metacritic. https://www.metacritic.com/game/the-getaway/critic-reviews/?platform=playstation-2. 
  16. ↑ Scott Alan Marriott. "The Getaway - Review". AllGame. http://www.allgame.com/game.php?id=34989&tab=review. 
  17. ↑ Edge staff (January 2003). "The Getaway". Edge (119). 
  18. ↑ EGM staff (March 2003). "The Getaway". Electronic Gaming Monthly (164): 122. http://www.egmmag.com/article2/0,2053,1494833,00.asp. Retrieved 22 July 2015. 
  19. ↑ "ゲッタウェイ". Famitsu 780. 27 November 2003. 
  20. ↑ Matt Helgeson (February 2003). "The Getaway". Game Informer (118): 92. http://www.gameinformer.com/Games/Review/200302/R03.0730.1826.04051.htm. Retrieved 21 July 2015. 
  21. ↑ Bro Buzz (21 January 2003). "The Getaway Review for PS2 on GamePro.com". GamePro. http://www.gamepro.com/sony/ps2/games/reviews/27832.shtml. Retrieved 22 July 2015. 
  22. ↑ Johnny Liu (January 2003). "The Getaway Review". Game Revolution. http://www.gamerevolution.com/review/the-getaway. 
  23. ↑ Greg Kasavin (21 January 2003). "The Getaway Review". GameSpot. http://www.gamespot.com/reviews/the-getaway-review/1900-2909327/. 
  24. ↑ Bryn Williams (17 January 2003). "GameSpy: The Getaway". GameSpy. http://ps2.gamespy.com/playstation-2/the-getaway/5551p1.html. 
  25. ↑ Tim Surette (28 January 2003). "The Getaway - PS2 - Review". GameZone. http://www.gamezone.com/reviews/the_getaway_ps2_review. 
  26. ↑ Smith, David (6 January 2003). "The Getaway". Ziff Davis. http://www.ign.com/articles/2003/01/06/the-getaway-2. 
  27. ↑ "The Getaway". Official U.S. PlayStation Magazine: 104. March 2003. http://www.playstationmagazine.com/article2/0,2053,1494834,00.asp. Retrieved 22 July 2015. 
  28. ↑ 28.0 28.1 Marc Saltzman (11 February 2003). "Lack of player control buggles 'The Getaway'". The Cincinnati Enquirer. http://cincinnati.com/freetime/games/reviews/021103_getaway.html. 
  29. ↑ 29.0 29.1 Noah Robischon (24–31 January 2003). "Murder Wan (The Getaway Review)". Entertainment Weekly (692–693): 106. http://www.ew.com/article/2003/01/24/getaway. Retrieved 22 July 2015. 
  30. ↑ Ryan Boyce (22 January 2003). "The Getaway". Maxim. http://www.maximonline.com/entertainment/reviews/review_games_4691.html. Retrieved 22 July 2015. 
  31. ↑ "The Getaway". FHM: 150. December 2002. 
  32. ↑ Staff (March 2003). "Vice City Nominated for Design Award". Official UK PlayStation 2 Magazine (31): 25. 
  33. ↑ "ELSPA Sales Awards: Double Platinum". Entertainment and Leisure Software Publishers Association. http://www.elspa.com:80/?i=3945. 
  34. ↑ Caoili, Eric (November 26, 2008). "ELSPA: Wii Fit, Mario Kart Reach Diamond Status In UK". Gamasutra. https://www.gamasutra.com/view/news/112220/ELSPA_Wii_Fit_Mario_Kart_Reach_Diamond_Status_In_UK.php. 
  35. ↑ Campbell, Colin; Keiser, Joe (July 29, 2006). "The Top 100 Games of the 21st Century". Next Generation. http://www.next-gen.biz/index2.php?option=com_content&task=view&id=3537&Itemid=2&pop=1&page=1. 
  36. ↑ "Mike Rouse (@Mike_Rouse) on Twitter". https://mobile.twitter.com/Mike_Rouse. 
  37. ↑ "Mike Rouse on LinkedIn: #gamejobs #gamedev" (in en). https://www.linkedin.com/posts/mikerouse_gamejobs-gamedev-activity-6625440342713917440-2pyh. 
  38. ↑ (in en) Buying EVERY PS2 Game in store on a £5 Game Challenge! WHAT?, https://www.youtube.com/watch?v=Zt-HmlCZ4Pk, retrieved 2020-01-28  In the comments section, the account name "Retro Gamer Boy" is the YouTube account of Mike Rouse, and he confirms the sales numbers.
  39. ↑ "7th Annual Interactive Achievement Awards: Winners". Academy of Interactive Arts & Sciences. http://www.interactive.org/awards/IAA-7/winners.asp. 
  40. ↑ "Top 50 underappreciated PlayStation 2 games | 2 | Den of Geek". http://www.denofgeek.com/games/playstation-2/29715/top-50-underappreciated-playstation-2-games/page/0/1. 
  41. ↑ "As PS2 Turns 20, These Classics Must Come to PS4". 4 March 2020. https://www.pushsquare.com/news/2020/03/feature_as_ps2_turns_20_these_classics_must_come_to_ps4. 
  42. ↑ Phil Elliott (4 June 2008). "Sony stops work on Eight Days and The Getaway". GamesIndustry.biz. http://www.gamesindustry.biz/articles/sony-cancels-eight-days-and-the-getaway. 
  43. ↑ Cusseau, Thomas; Coby, Alex Sassoon (6 October 2009). "Sony London reveals new IP; Getaway 3, Eight Days 'not abandoned'". GameSpot. http://uk.gamespot.com/news/6232009.html?tag=latestheadlines;title;1. 
  44. ↑ "PlayStation 3". pullin shapes. http://www.pullin-shapes.co.uk/page3.htm. 
  45. ↑ "The Getaway 3 and Eight Days on hold, Sony clarifies". Neoseeker.com. 6 October 2009. https://www.neoseeker.com/news/11970-the-getaway-3-and-eight-days-on-hold-sony-clarifies/. 
  46. ↑ "Cancelled Eight Days was "jaw dropping"". August 2011. http://www.eurogamer.net/articles/2011-08-01-cancelled-eight-days-was-jaw-dropping. 
  47. ↑ Beckwith, Michael (April 24, 2020). "Gangs of London is actually based on a video game – here's what it was like". Metro.co.uk. https://metro.co.uk/2020/04/24/gangs-london-wait-based-game-12605536. 
  48. ↑ Basotia, Jyotsna (September 30, 2020). "Did you know Template:‘Gangs of London' was inspired by an old PSP game? Here's all about the action-packed adventure". Meaww. https://meaww.com/gangs-of-london-true-story-real-facts-video-game-psp-sony-gareth-evans-cinemax-sky-atlantic-uk-us. 
  49. ↑ Peplow, Gemma (April 23, 2020). "Gangs of London: 'We spent time with undercover police – I have to be careful'". Sky News. https://news.sky.com/story/gangs-of-london-we-spent-time-with-undercover-police-i-have-to-be-careful-11969991. 
  50. ↑ Fletcher, Rosie (December 15, 2022). "Gangs of London Comic Book Tells the Story of Elliot's Year. Read it Exclusively Here.". Den of Geek. https://www.denofgeek.com/tv/gangs-of-london-comic-book. 

External links



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