Symmetry
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Geometers |
Symmetry (from grc συμμετρία (summetría) 'agreement in dimensions, due proportion, arrangement')^{[1]} in everyday life refers to a sense of harmonious and beautiful proportion and balance.^{[2]}^{[3]}^{[lower-alpha 1]} In mathematics, the term has a more precise definition and is usually used to refer to an object that is invariant under some transformations, such as translation, reflection, rotation, or scaling. Although these two meanings of the word can sometimes be told apart, they are intricately related, and hence are discussed together in this article.
Mathematical symmetry may be observed with respect to the passage of time; as a spatial relationship; through geometric transformations; through other kinds of functional transformations; and as an aspect of abstract objects, including theoretic models, language, and music.^{[4]}^{[lower-alpha 2]}
This article describes symmetry from three perspectives: in mathematics, including geometry, the most familiar type of symmetry for many people; in science and nature; and in the arts, covering architecture, art, and music.
The opposite of symmetry is asymmetry, which refers to the absence of symmetry.
In mathematics
In geometry
A geometric shape or object is symmetric if it can be divided into two or more identical pieces that are arranged in an organized fashion.^{[5]} This means that an object is symmetric if there is a transformation that moves individual pieces of the object, but doesn't change the overall shape. The type of symmetry is determined by the way the pieces are organized, or by the type of transformation:
- An object has reflectional symmetry (line or mirror symmetry) if there is a line (or in 3D a plane) going through it which divides it into two pieces that are mirror images of each other.^{[6]}
- An object has rotational symmetry if the object can be rotated about a fixed point (or in 3D about a line) without changing the overall shape.^{[7]}
- An object has translational symmetry if it can be translated (moving every point of the object by the same distance) without changing its overall shape.^{[8]}
- An object has helical symmetry if it can be simultaneously translated and rotated in three-dimensional space along a line known as a screw axis.^{[9]}
- An object has scale symmetry if it does not change shape when it is expanded or contracted.^{[10]} Fractals also exhibit a form of scale symmetry, where smaller portions of the fractal are similar in shape to larger portions.^{[11]}
- Other symmetries include glide reflection symmetry (a reflection followed by a translation) and rotoreflection symmetry (a combination of a rotation and a reflection^{[12]}).
In logic
A dyadic relation R = S × S is symmetric if for all elements a, b in S, whenever it is true that Rab, it is also true that Rba.^{[13]} Thus, the relation "is the same age as" is symmetric, for if Paul is the same age as Mary, then Mary is the same age as Paul.
In propositional logic, symmetric binary logical connectives include and (∧, or &), or (∨, or |) and if and only if (↔), while the connective if (→) is not symmetric.^{[14]} Other symmetric logical connectives include nand (not-and, or ⊼), xor (not-biconditional, or ⊻), and nor (not-or, or ⊽).
Other areas of mathematics
Generalizing from geometrical symmetry in the previous section, one can say that a mathematical object is symmetric with respect to a given mathematical operation, if, when applied to the object, this operation preserves some property of the object.^{[15]} The set of operations that preserve a given property of the object form a group.
In general, every kind of structure in mathematics will have its own kind of symmetry. Examples include even and odd functions in calculus, symmetric groups in abstract algebra, symmetric matrices in linear algebra, and Galois groups in Galois theory. In statistics, symmetry also manifests as symmetric probability distributions, and as skewness—the asymmetry of distributions.^{[16]}
In science and nature
In physics
Symmetry in physics has been generalized to mean invariance—that is, lack of change—under any kind of transformation, for example arbitrary coordinate transformations.^{[17]} This concept has become one of the most powerful tools of theoretical physics, as it has become evident that practically all laws of nature originate in symmetries. In fact, this role inspired the Nobel laureate PW Anderson to write in his widely read 1972 article More is Different that "it is only slightly overstating the case to say that physics is the study of symmetry."^{[18]} See Noether's theorem (which, in greatly simplified form, states that for every continuous mathematical symmetry, there is a corresponding conserved quantity such as energy or momentum; a conserved current, in Noether's original language);^{[19]} and also, Wigner's classification, which says that the symmetries of the laws of physics determine the properties of the particles found in nature.^{[20]}
Important symmetries in physics include continuous symmetries and discrete symmetries of spacetime; internal symmetries of particles; and supersymmetry of physical theories.
In biology
In biology, the notion of symmetry is mostly used explicitly to describe body shapes. Bilateral animals, including humans, are more or less symmetric with respect to the sagittal plane which divides the body into left and right halves.^{[21]} Animals that move in one direction necessarily have upper and lower sides, head and tail ends, and therefore a left and a right. The head becomes specialized with a mouth and sense organs, and the body becomes bilaterally symmetric for the purpose of movement, with symmetrical pairs of muscles and skeletal elements, though internal organs often remain asymmetric.^{[22]}
Plants and sessile (attached) animals such as sea anemones often have radial or rotational symmetry, which suits them because food or threats may arrive from any direction. Fivefold symmetry is found in the echinoderms, the group that includes starfish, sea urchins, and sea lilies.^{[23]}
In biology, the notion of symmetry is also used as in physics, that is to say to describe the properties of the objects studied, including their interactions. A remarkable property of biological evolution is the changes of symmetry corresponding to the appearance of new parts and dynamics.^{[24]}^{[25]}
In chemistry
Symmetry is important to chemistry because it undergirds essentially all specific interactions between molecules in nature (i.e., via the interaction of natural and human-made chiral molecules with inherently chiral biological systems). The control of the symmetry of molecules produced in modern chemical synthesis contributes to the ability of scientists to offer therapeutic interventions with minimal side effects. A rigorous understanding of symmetry explains fundamental observations in quantum chemistry, and in the applied areas of spectroscopy and crystallography. The theory and application of symmetry to these areas of physical science draws heavily on the mathematical area of group theory.^{[26]}
In psychology and neuroscience
For a human observer, some symmetry types are more salient than others, in particular the most salient is a reflection with a vertical axis, like that present in the human face. Ernst Mach made this observation in his book "The analysis of sensations" (1897),^{[27]} and this implies that perception of symmetry is not a general response to all types of regularities. Both behavioural and neurophysiological studies have confirmed the special sensitivity to reflection symmetry in humans and also in other animals.^{[28]} Early studies within the Gestalt tradition suggested that bilateral symmetry was one of the key factors in perceptual grouping. This is known as the Law of Symmetry. The role of symmetry in grouping and figure/ground organization has been confirmed in many studies. For instance, detection of reflectional symmetry is faster when this is a property of a single object.^{[29]} Studies of human perception and psychophysics have shown that detection of symmetry is fast, efficient and robust to perturbations. For example, symmetry can be detected with presentations between 100 and 150 milliseconds.^{[30]}
More recent neuroimaging studies have documented which brain regions are active during perception of symmetry. Sasaki et al.^{[31]} used functional magnetic resonance imaging (fMRI) to compare responses for patterns with symmetrical or random dots. A strong activity was present in extrastriate regions of the occipital cortex but not in the primary visual cortex. The extrastriate regions included V3A, V4, V7, and the lateral occipital complex (LOC). Electrophysiological studies have found a late posterior negativity that originates from the same areas.^{[32]} In general, a large part of the visual system seems to be involved in processing visual symmetry, and these areas involve similar networks to those responsible for detecting and recognising objects.^{[33]}
In social interactions
People observe the symmetrical nature, often including asymmetrical balance, of social interactions in a variety of contexts. These include assessments of reciprocity, empathy, sympathy, apology, dialogue, respect, justice, and revenge. Reflective equilibrium is the balance that may be attained through deliberative mutual adjustment among general principles and specific judgments.^{[34]} Symmetrical interactions send the moral message "we are all the same" while asymmetrical interactions may send the message "I am special; better than you." Peer relationships, such as can be governed by the golden rule, are based on symmetry, whereas power relationships are based on asymmetry.^{[35]} Symmetrical relationships can to some degree be maintained by simple (game theory) strategies seen in symmetric games such as tit for tat.^{[36]}
In the arts
There exists a list of journals and newsletters known to deal, at least in part, with symmetry and the arts.^{[37]}
In architecture
Symmetry finds its ways into architecture at every scale, from the overall external views of buildings such as Gothic cathedrals and The White House, through the layout of the individual floor plans, and down to the design of individual building elements such as tile mosaics. Islamic buildings such as the Taj Mahal and the Lotfollah mosque make elaborate use of symmetry both in their structure and in their ornamentation.^{[38]}^{[39]} Moorish buildings like the Alhambra are ornamented with complex patterns made using translational and reflection symmetries as well as rotations.^{[40]}
It has been said that only bad architects rely on a "symmetrical layout of blocks, masses and structures";^{[41]} Modernist architecture, starting with International style, relies instead on "wings and balance of masses".^{[41]}
In pottery and metal vessels
Since the earliest uses of pottery wheels to help shape clay vessels, pottery has had a strong relationship to symmetry. Pottery created using a wheel acquires full rotational symmetry in its cross-section, while allowing substantial freedom of shape in the vertical direction. Upon this inherently symmetrical starting point, potters from ancient times onwards have added patterns that modify the rotational symmetry to achieve visual objectives.
Cast metal vessels lacked the inherent rotational symmetry of wheel-made pottery, but otherwise provided a similar opportunity to decorate their surfaces with patterns pleasing to those who used them. The ancient Chinese, for example, used symmetrical patterns in their bronze castings as early as the 17th century BC. Bronze vessels exhibited both a bilateral main motif and a repetitive translated border design.^{[42]}
In carpets and rugs
A long tradition of the use of symmetry in carpet and rug patterns spans a variety of cultures. American Navajo Indians used bold diagonals and rectangular motifs. Many Oriental rugs have intricate reflected centers and borders that translate a pattern. Not surprisingly, rectangular rugs have typically the symmetries of a rectangle—that is, motifs that are reflected across both the horizontal and vertical axes (see Klein four-group § Geometry).^{[43]}^{[44]}
In quilts
As quilts are made from square blocks (usually 9, 16, or 25 pieces to a block) with each smaller piece usually consisting of fabric triangles, the craft lends itself readily to the application of symmetry.^{[45]}
In other arts and crafts
Symmetries appear in the design of objects of all kinds. Examples include beadwork, furniture, sand paintings, knotwork, masks, and musical instruments. Symmetries are central to the art of M.C. Escher and the many applications of tessellation in art and craft forms such as wallpaper, ceramic tilework such as in Islamic geometric decoration, batik, ikat, carpet-making, and many kinds of textile and embroidery patterns.^{[46]}
Symmetry is also used in designing logos.^{[47]} By creating a logo on a grid and using the theory of symmetry, designers can organize their work, create a symmetric or asymmetrical design, determine the space between letters, determine how much negative space is required in the design, and how to accentuate parts of the logo to make it stand out.
In music
Symmetry is not restricted to the visual arts. Its role in the history of music touches many aspects of the creation and perception of music.
Musical form
Symmetry has been used as a formal constraint by many composers, such as the arch (swell) form (ABCBA) used by Steve Reich, Béla Bartók, and James Tenney. In classical music, Bach used the symmetry concepts of permutation and invariance.^{[48]}
Pitch structures
Symmetry is also an important consideration in the formation of scales and chords, traditional or tonal music being made up of non-symmetrical groups of pitches, such as the diatonic scale or the major chord. Symmetrical scales or chords, such as the whole tone scale, augmented chord, or diminished seventh chord (diminished-diminished seventh), are said to lack direction or a sense of forward motion, are ambiguous as to the key or tonal center, and have a less specific diatonic functionality. However, composers such as Alban Berg, Béla Bartók, and George Perle have used axes of symmetry and/or interval cycles in an analogous way to keys or non-tonal tonal centers.^{[49]} George Perle explains that "C–E, D–F♯, [and] Eb–G, are different instances of the same interval … the other kind of identity. … has to do with axes of symmetry. C–E belongs to a family of symmetrically related dyads as follows:"^{[49]}
D | D♯ | E | F | F♯ | G | G♯ | ||||||
D | C♯ | C | B | A♯ | A | G♯ |
Thus in addition to being part of the interval-4 family, C–E is also a part of the sum-4 family (with C equal to 0).^{[49]}
+ | 2 | 3 | 4 | 5 | 6 | 7 | 8 | ||||||
2 | 1 | 0 | 11 | 10 | 9 | 8 | |||||||
4 | 4 | 4 | 4 | 4 | 4 | 4 |
Interval cycles are symmetrical and thus non-diatonic. However, a seven pitch segment of C5 (the cycle of fifths, which are enharmonic with the cycle of fourths) will produce the diatonic major scale. Cyclic tonal progressions in the works of Romantic composers such as Gustav Mahler and Richard Wagner form a link with the cyclic pitch successions in the atonal music of Modernists such as Bartók, Alexander Scriabin, Edgard Varèse, and the Vienna school. At the same time, these progressions signal the end of tonality.^{[49]}^{[50]}
The first extended composition consistently based on symmetrical pitch relations was probably Alban Berg's Quartet, Op. 3 (1910).^{[50]}
Equivalency
Tone rows or pitch class sets which are invariant under retrograde are horizontally symmetrical, under inversion vertically. See also Asymmetric rhythm.
In aesthetics
The relationship of symmetry to aesthetics is complex. Humans find bilateral symmetry in faces physically attractive;^{[51]} it indicates health and genetic fitness.^{[52]}^{[53]} Opposed to this is the tendency for excessive symmetry to be perceived as boring or uninteresting. Rudolf Arnheim suggested that people prefer shapes that have some symmetry, and enough complexity to make them interesting.^{[54]}
In literature
Symmetry can be found in various forms in literature, a simple example being the palindrome where a brief text reads the same forwards or backwards. Stories may have a symmetrical structure, such as the rise and fall pattern of Beowulf.^{[55]}
See also
- Automorphism
- Burnside's lemma
- Chirality
- Even and odd functions
- Fixed points of isometry groups in Euclidean space – center of symmetry
- Isotropy
- Palindrome
- Spacetime symmetries
- Spontaneous symmetry breaking
- Symmetry-breaking constraints
- Symmetric relation
- Symmetries of polyiamonds
- Symmetries of polyominoes
- Symmetry group
- Wallpaper group
Explanatory notes
- ↑ For example, Aristotle ascribed spherical shape to the heavenly bodies, attributing this formally defined geometric measure of symmetry to the natural order and perfection of the cosmos.
- ↑ Symmetric objects can be material, such as a person, crystal, quilt, floor tiles, or molecule, or it can be an abstract structure such as a mathematical equation or a series of tones (music).
References
- ↑ Harper, Douglas. "symmetry". Online Etymology Dictionary. https://www.etymonline.com/?term=symmetry.
- ↑ Zee, A. (2007). Fearful Symmetry. Princeton, New Jersey: Princeton University Press. ISBN 978-0-691-13482-6.
- ↑ Hill, C. T.; Lederman, L. M. (2005). Symmetry and the Beautiful Universe. Prometheus Books.
- ↑ Mainzer, Klaus (2005). Symmetry and Complexity: The Spirit and Beauty of Nonlinear Science. World Scientific. ISBN 981-256-192-7.
- ↑ E. H. Lockwood, R. H. Macmillan, Geometric Symmetry, London: Cambridge Press, 1978
- ↑ Weyl, Hermann (1982). Symmetry. Princeton: Princeton University Press. ISBN 0-691-02374-3.
- ↑ Singer, David A. (1998). Geometry: Plane and Fancy. Springer Science & Business Media. https://archive.org/details/geometryplanefan0000sing.
- ↑ Stenger, Victor J. (2000) and Mahou Shiro (2007). Timeless Reality. Prometheus Books. Especially chapter 12. Nontechnical.
- ↑ Bottema, O, and B. Roth, Theoretical Kinematics, Dover Publications (September 1990)
- ↑ Tian Yu Cao Conceptual Foundations of Quantum Field Theory Cambridge University Press p.154-155
- ↑ Gouyet, Jean-François (1996). Physics and fractal structures. Paris/New York: Masson Springer. ISBN 978-0-387-94153-0.
- ↑ "Rotoreflection Axis". https://encyclopedia2.thefreedictionary.com/rotoreflection+axis.
- ↑ Josiah Royce, Ignas K. Skrupskelis (2005) The Basic Writings of Josiah Royce: Logic, loyalty, and community (Google eBook) Fordham Univ Press, p. 790
- ↑ Gao, Alice (2019). "Propositional Logic: Introduction and Syntax". https://cs.uwaterloo.ca/~a23gao/cs245_f19/slides/lec02_prop_syntax_nosol.pdf.
- ↑ Christopher G. Morris (1992) Academic Press Dictionary of Science and Technology Gulf Professional Publishing
- ↑ Petitjean, M. (2003). "Chirality and Symmetry Measures: A Transdisciplinary Review". Entropy 5 (3): 271–312 (see section 2.9). doi:10.3390/e5030271. Bibcode: 2003Entrp...5..271P.
- ↑ Costa, Giovanni; Fogli, Gianluigi (2012). Symmetries and Group Theory in Particle Physics: An Introduction to Space-Time and Internal Symmetries. Springer Science & Business Media. p. 112.
- ↑ Anderson, P.W. (1972). "More is Different". Science 177 (4047): 393–396. doi:10.1126/science.177.4047.393. PMID 17796623. Bibcode: 1972Sci...177..393A. http://robotics.cs.tamu.edu/dshell/cs689/papers/anderson72more_is_different.pdf.
- ↑ Kosmann-Schwarzbach, Yvette (2010). The Noether theorems: Invariance and conservation laws in the twentieth century. Sources and Studies in the History of Mathematics and Physical Sciences. Springer-Verlag. ISBN 978-0-387-87867-6.
- ↑ Wigner, E. P. (1939), "On unitary representations of the inhomogeneous Lorentz group", Annals of Mathematics 40 (1): 149–204, doi:10.2307/1968551, Bibcode: 1939AnMat..40..149W
- ↑ Valentine, James W.. "Bilateria". AccessScience. http://www.accessscience.com/abstract.aspx?id=802620&referURL=http%3a%2f%2fwww.accessscience.com%2fcontent.aspx%3fid%3d802620.
- ↑ "Animal Diversity (Third Edition)". Chapter 8: Acoelomate Bilateral Animals. McGraw-Hill. 2002. p. 139. http://biocongroup.eu/DA/Calendario_files/Bilateria.pdf.
- ↑ Stewart, Ian (2001). What Shape is a Snowflake? Magical Numbers in Nature. Weidenfeld & Nicolson. pp. 64–65.
- ↑ Longo, Giuseppe; Montévil, Maël (2016) (in en). Perspectives on Organisms: Biological time, Symmetries and Singularities. Springer. ISBN 978-3-662-51229-6. https://www.springer.com/la/book/9783642359378.
- ↑ Montévil, Maël; Mossio, Matteo; Pocheville, Arnaud; Longo, Giuseppe (2016). "Theoretical principles for biology: Variation". Progress in Biophysics and Molecular Biology. From the Century of the Genome to the Century of the Organism: New Theoretical Approaches 122 (1): 36–50. doi:10.1016/j.pbiomolbio.2016.08.005. PMID 27530930. https://www.academia.edu/27942089.
- ↑ Lowe, John P; Peterson, Kirk (2005). Quantum Chemistry (Third ed.). Academic Press. ISBN 0-12-457551-X.
- ↑ Mach, Ernst (1897). Symmetries and Group Theory in Particle Physics: An Introduction to Space-Time and Internal Symmetries. Open Court Publishing House.
- ↑ Wagemans, J. (1997). "Characteristics and models of human symmetry detection". Trends in Cognitive Sciences 1 (9): 346–352. doi:10.1016/S1364-6613(97)01105-4. PMID 21223945. https://lirias.kuleuven.be/handle/123456789/207060.
- ↑ Bertamini, M. (2010). "Sensitivity to reflection and translation is modulated by objectness". Perception 39 (1): 27–40. doi:10.1068/p6393. PMID 20301844.
- ↑ Barlow, H.B.; Reeves, B.C. (1979). "The versatility and absolute efficiency of detecting mirror symmetry in random dot displays". Vision Research 19 (7): 783–793. doi:10.1016/0042-6989(79)90154-8. PMID 483597.
- ↑ Sasaki, Y.; Vanduffel, W.; Knutsen, T.; Tyler, C.W.; Tootell, R. (2005). "Symmetry activates extrastriate visual cortex in human and nonhuman primates". Proceedings of the National Academy of Sciences of the USA 102 (8): 3159–3163. doi:10.1073/pnas.0500319102. PMID 15710884. Bibcode: 2005PNAS..102.3159S.
- ↑ Makin, A.D.J.; Rampone, G.; Pecchinenda, A.; Bertamini, M. (2013). "Electrophysiological responses to visuospatial regularity". Psychophysiology 50 (10): 1045–1055. doi:10.1111/psyp.12082. PMID 23941638.
- ↑ Bertamini, M.; Silvanto, J.; Norcia, A.M.; Makin, A.D.J.; Wagemans, J. (2018). "The neural basis of visual symmetry and its role in middle and high-level visual processing". Annals of the New York Academy of Sciences 132 (1): 280–293. doi:10.1111/nyas.13667. PMID 29604083. Bibcode: 2018NYASA1426..111B.
- ↑ Daniels, Norman (2003-04-28). "Reflective Equilibrium". in Zalta, Edward N.. Stanford Encyclopedia of Philosophy. https://plato.stanford.edu/entries/reflective-equilibrium/.
- ↑ Emotional Competency: Symmetry
- ↑ Lutus, P. (2008). "The Symmetry Principle". http://www.arachnoid.com/symmetry/details.html.
- ↑ Bouissou, C.; Petitjean, M. (2018). "Asymmetric Exchanges". Journal of Interdisciplinary Methodologies and Issues in Science 4: 1–18. doi:10.18713/JIMIS-230718-4-1. https://hal.archives-ouvertes.fr/hal-01782438v2/document. (see appendix 1)
- ↑ Williams: Symmetry in Architecture. Members.tripod.com (1998-12-31). Retrieved on 2013-04-16.
- ↑ Aslaksen: Mathematics in Art and Architecture. Math.nus.edu.sg. Retrieved on 2013-04-16.
- ↑ Derry, Gregory N. (2002). What Science Is and How It Works. Princeton University Press. pp. 269–. ISBN 978-1-4008-2311-6. https://books.google.com/books?id=Dk-xS6nABrYC&pg=PA269.
- ↑ ^{41.0} ^{41.1} Dunlap, David W. (31 July 2009). "Behind the Scenes: Edgar Martins Speaks". New York Times. http://lens.blogs.nytimes.com/2009/07/31/behind-10/?_r=0. "“My starting point for this construction was a simple statement which I once read (and which does not necessarily reflect my personal views): ‘Only a bad architect relies on symmetry; instead of symmetrical layout of blocks, masses and structures, Modernist architecture relies on wings and balance of masses.’"
- ↑ The Art of Chinese Bronzes . Chinavoc (2007-11-19). Retrieved on 2013-04-16.
- ↑ Marla Mallett Textiles & Tribal Oriental Rugs. The Metropolitan Museum of Art, New York.
- ↑ Dilucchio: Navajo Rugs. Navajocentral.org (2003-10-26). Retrieved on 2013-04-16.
- ↑ Quate: Exploring Geometry Through Quilts . Its.guilford.k12.nc.us. Retrieved on 2013-04-16.
- ↑ Cucker, Felipe (2013). Manifold Mirrors: The Crossing Paths of the Arts and Mathematics. Cambridge University Press. pp. 77–78, 83, 89, 103. ISBN 978-0-521-72876-8.
- ↑ "How to Design a Perfect Logo with Grid and Symmetry". https://www.designmantic.com/how-to/how-to-design-a-perfect-logo.
- ↑ see ("Fugue No. 21," pdf or Shockwave)
- ↑ ^{49.0} ^{49.1} ^{49.2} ^{49.3} Perle, George (1992). "Symmetry, the twelve-tone scale, and tonality". Contemporary Music Review 6 (2): 81–96. doi:10.1080/07494469200640151.
- ↑ ^{50.0} ^{50.1} Perle, George (1990). The Listening Composer. University of California Press. p. 21. ISBN 978-0-520-06991-6. https://archive.org/details/listeningcompose00perl.
- ↑ Grammer, K.; Thornhill, R. (1994). "Human (Homo sapiens) facial attractiveness and sexual selection: the role of symmetry and averageness". Journal of Comparative Psychology (Washington, D.C.) 108 (3): 233–42. doi:10.1037/0735-7036.108.3.233. PMID 7924253.
- ↑ Rhodes, Gillian; Zebrowitz, Leslie A. (2002). Facial Attractiveness: Evolutionary, Cognitive, and Social Perspectives. Ablex. ISBN 1-56750-636-4.
- ↑ Jones, B. C., Little, A. C., Tiddeman, B. P., Burt, D. M., & Perrett, D. I. (2001). Facial symmetry and judgements of apparent health Support for a “‘ good genes ’” explanation of the attractiveness – symmetry relationship, 22, 417–429.
- ↑ Arnheim, Rudolf (1969). Visual Thinking. University of California Press. https://archive.org/details/visualthinking00rudo.
- ↑ "Symmetrical Aesthetics of Beowulf". University of Tennessee, Knoxville. 2009. http://trace.tennessee.edu/cgi/viewcontent.cgi?article=1925&context=utk_gradthes.
Further reading
- The Equation That Couldn't Be Solved: How Mathematical Genius Discovered the Language of Symmetry, Mario Livio, Souvenir Press, 2006, ISBN 0-285-63743-6
External links
- International Symmetry Association (ISA)
- Dutch: Symmetry Around a Point in the Plane
- Chapman: Aesthetics of Symmetry
- ISIS Symmetry
- Symmetry, BBC Radio 4 discussion with Fay Dowker, Marcus du Sautoy & Ian Stewart (In Our Time, Apr. 19, 2007)
Original source: https://en.wikipedia.org/wiki/Symmetry.
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